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聖維克托的雨果
文集 第 3 章
拉丁文原文.51 節.部分字詞可點開查義
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[765B] De ordine et modo legendi et disciplina. Philosophia dividitur in theoricam, practicam, mechanicam, logicam. theorica dividitur in theologiam, physicam, mathematicam. mathematica dividitur in arithmeticam, musicam, geometriam, astronomiam. practica dividitur in solitariam, privatam, publicam. mechanica dividitur in lanificium, armaturam, navigationem, agriculturam, venationem, medicinam, theatricam. logica dividitur in grammaticam, dissertivam. dissertiva dividitur in demonstrationem, probabilem, sophisticam. probabilis dividitur in dialecticam, rhetoricam. in hac divisione solummodo divisivae partes philosophiae continentur.
論讀書的次序與方法以及學習的規矩。哲學分為理論學、實踐學、機械學與邏輯學。理論學分為神學、物理學與數學。數學分為算術、音樂、幾何與天文。實踐學分為個人之學、家庭之學與公眾之學。機械學分為紡織、製造兵器、航海、農耕、狩獵、醫學與戲劇之術。邏輯學分為文法與論辯之術。論辯之術分為論證、或然推理與詭辯。或然推理分為辯證與修辭。在此劃分中只包含哲學的各分支部分。
On the order and manner of reading, and on discipline. Philosophy is divided into the theoretical, the practical, the mechanical, and the logical. The theoretical is divided into theology, physics, and mathematics. Mathematics is divided into arithmetic, music, geometry, and astronomy. The practical is divided into the solitary, the private, and the public. The mechanical is divided into the working of wool, armament, navigation, agriculture, hunting, medicine, and the theatrical art. Logic is divided into grammar and the art of argument. The art of argument is divided into demonstration, the probable, and the sophistical. The probable is divided into dialectic and rhetoric. In this division only the dividing parts of philosophy are contained.
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sunt aliae adhuc subdivisiones istarum partium, sed istae nunc sufficere possunt. [765C] in his igitur si solum numerum respicis, invenies xxi; si gradus computare volueris, xxviii reperies. auctores harum scientiarum diversi leguntur. alii incipiendo, alii augendo, alii perficiendo artes invenerunt, sicque eiusdem artis plures saepe referuntur auctores. ex his paucorum nomina subter annumerabo. De auctoribus artium. Theologus apud Graecos Linus fuit, apud Latinos, Varro, et nostri temporis, Ioannes Scotus de decem categoriis in Deum. physicam naturalem, apud Graecos, Thales Milesius unus de septem sapientibus repperit, apud Latinos, Plinius descripsit.
這些部分還有其他更細的劃分,但目前這些已足夠。因此,在這些之中,若你只看數目,便會發現有二十一項;若你願意計算層級,便會發現有二十八項。這些學問的作者見於記載者各有不同。有人因開創而發明各藝,有人因增益,有人因完善,故同一門藝術往往有多位作者被提及。我將從中列出少數幾人的名字於下。論各藝的作者。在希臘人中神學家是利努斯;在拉丁人中是瓦羅;在我們這時代則是約翰·司各特,他論及應用於神的十個範疇。自然物理學在希臘人中由七賢之一的米利都人泰勒斯所發現;在拉丁人中由普林尼加以記述。
There are still other subdivisions of these parts, but for now these may suffice. Therefore, in these, if you regard only the number, you will find twenty-one; if you wish to count the gradations, you will find twenty-eight. The authors of these sciences are read as being diverse. Some discovered the arts by beginning them, others by enlarging them, others by perfecting them, and so several authors of one and the same art are often cited. From among these I shall list below the names of a few. On the authors of the arts. Among the Greeks the theologian was Linus; among the Latins, Varro; and in our own time, John Scotus, who wrote on the ten categories as applied to God. Natural physics among the Greeks was discovered by Thales of Miletus, one of the seven sages; among the Latins, Pliny described it.
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arithmeticam Samius Pythagoras invenit, Nicomachus scripsit. apud Latinos primum Apuleius, deinde Boethius transtulit. hic etiam Pythagoras Mathen tetrados fecit, [765D] id est, librum de doctrina quadrivii, et Y ad similitudinem vitae humanae invenit. musicae repertorem Moyses dicit fuisse Tubal, qui fuit de stirpe Cain, Graeci Pythagoram, alii Mercurium, qui primus tetrachordum instituit, alii Linum, vel Zetum, vel Amphionem. geometriam apud Aegyptum primum dicunt esse repertam, cuius auctor apud Graecos optimus Euclides fuit. huius artem transtulit Boethius. Eratosthenes quoque sagacissimus in geometria, qui ambitum orbis repperit.
算術由薩摩斯人畢達哥拉斯所發明,由尼科馬庫斯加以記述。在拉丁人中,先有阿普列尤斯,後有波愛修斯加以翻譯。此畢達哥拉斯也編寫了《四元數的學問》,即一部關於四藝教學的書,並依照人生的樣式發明了字母Y。論及音樂的創始者,摩西說是土八,他屬該隱的後裔;希臘人說是畢達哥拉斯,另有人說是墨丘利,他最先設立四弦音階,又有人說是利努斯、澤圖斯或安菲翁。他們說幾何最早是在埃及被發現的,而希臘人中最傑出的作者是歐幾里得。波愛修斯翻譯了他的學問。埃拉托斯特尼在幾何上也極為精敏,他測出了大地的周長。
Arithmetic was invented by Pythagoras of Samos, and written down by Nicomachus. Among the Latins, first Apuleius, then Boethius translated it. This same Pythagoras also composed the Mathesis of the tetrad, that is, a book on the teaching of the quadrivium, and he devised the letter Y after the likeness of human life. As for the inventor of music, Moses says it was Tubal, who was of the line of Cain; the Greeks say Pythagoras, others Mercury, who first established the tetrachord, others Linus, or Zethus, or Amphion. They say geometry was first discovered in Egypt, and that its best author among the Greeks was Euclid. Boethius translated his art. Eratosthenes too was most penetrating in geometry, who discovered the circumference of the earth.
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[766B] dicunt quidam quod Cham filius Noe astronomiam primus invenerit. Chaldaei primum astrologiam docuerunt, secundum nativitatis observantiam. Iosephus autem asseverat Abraham primum instituisse Aegyptios astrologiam. astronomiam Ptolomaeus rex Aegypti reparavit. hic etiam canones instituit quibus cursus astrorum invenitur. aiunt quidam Nemroth gigantem summum fuisse astrologum, sub cuius nomine etiam astronomia invenitur. Graeci dicunt hanc artem ab Atlante prius excogitatam, propter quod etiam caelum sustinuisse fertur. ethicae inventor Socrates fuit, de qua viginti quattuor libros secundum positivam iustitiam scripsit.
有些人說挪亞之子含最先發明了天文學。迦勒底人最先教導占星術,依據對出生時辰的觀察。然而約瑟夫斷言是亞伯拉罕最先將占星術教導埃及人。埃及王托勒密復興了天文學。他也制定了藉以推算星辰運行的星表。有些人說巨人寧錄是至高的占星家,天文學也以他的名字流傳。希臘人說此藝最早由阿特拉斯所構想,因此他也被說成曾肩負諸天。倫理學的發明者是蘇格拉底,他依據成文的義寫了二十四卷論及此事。
Some say that Ham, the son of Noah, first invented astronomy. The Chaldeans first taught astrology, according to the observance of the time of birth. But Josephus asserts that Abraham first instructed the Egyptians in astrology. Ptolemy, king of Egypt, restored astronomy. He also established the canons by which the courses of the stars are determined. Some say that the giant Nimrod was a most distinguished astrologer, under whose name astronomy is also found. The Greeks say that this art was first devised by Atlas, on account of which he is also said to have upheld the heavens. The inventor of ethics was Socrates, on which he wrote twenty-four books according to positive justice.
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deinde Plato discipulus eius libros multos De republica secundum utramque iustitiam, naturalem scilicet et positivam, conscripsit. [766C] deinde Tullius in Latino sermone libros De republica ordinavit. Fronto quoque philosophus scripsit librum Strategematon, id est, militaris suavitatis. mechanica diversos habuit auctores. Hesiodus Ascraeus primus apud Graecos in describendis rebus rusticis studuit, deinde Democritus. magnus quoque Carthaginiensis in viginti octo voluminibus studium agriculturae conscripsit, apud Romanos primus Cato De agricultura instituit, quod deinde Marcus Terentius expolivit.
其後他的門徒柏拉圖依據自然之義與成文之義這兩種義,寫了許多卷《理想國》。其後圖利烏斯以拉丁文編排了論《共和國》的諸卷。哲學家弗龍托也寫了一部《計謀書》,即論軍事機巧之術。機械之藝有各種不同的作者。阿斯克拉人赫西俄德最先在希臘人中致力於描述農事,其後是德謨克利特。那位偉大的迦太基人也以二十八卷編寫了農學的研究;在羅馬人中加圖最先撰著《論農業》,其後馬庫斯·特倫提烏斯加以潤飾。
Then his disciple Plato composed many books On the Republic according to both kinds of justice, namely the natural and the positive. Then Tullius arranged books On the Republic in the Latin tongue. The philosopher Fronto too wrote a book of Stratagems, that is, of military adroitness. The mechanical art had various authors. Hesiod of Ascra first among the Greeks devoted himself to the describing of rustic matters, then Democritus. The great Carthaginian also composed his study of agriculture in twenty-eight volumes; among the Romans Cato first set forth On Agriculture, which Marcus Terentius afterwards polished.
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Vergilius quoque Georgica fecit, deinde Cornelius et Iulius Atticus, Aemilianus sive Columella insignis orator, qui totum corpus disciplinae huius complexus est. Vitruvius quoque De architectura, Palladius De agricultura. [766D] lanificii usum apud Graecos primam Minervam monstrasse ferunt. hanc etiam primam telam ordinasse, lanas colorasse, olivae quoque et fabricae inventricem fuisse credunt. ab ipsa Daedalus didicit, et ipse post eam fabricam fecisse creditur. apud Aegyptum autem Isis filia Inachi usum serendi lini repperit, et qualiter inde vestimenta fierent, monstravit. similiter lanae usum ibidem ipsa repperit. in Lybia primum usus lanae exortus est a templo Ammonis.
維吉爾也作了《農事詩》,其後是科爾涅利烏斯與尤利烏斯·阿提庫斯,以及阿米利安努斯,即科盧梅拉,一位卓越的演說家,他將這門學問的全部內容包羅其中。維特魯威也寫了《論建築》,帕拉狄烏斯寫了《論農業》。他們傳說密涅瓦最先在希臘人中顯明了紡織的用法。他們相信她也最先架設了織機、染了羊毛,並是橄欖樹與建造技藝的發明者。代達羅斯從她學會,而他自己被認為在她之後從事建造。然而在埃及,伊那科斯之女伊西斯發現了播種亞麻的用法,並顯明如何由此製作衣裳。她同樣在那裡發現了羊毛的用法。在利比亞,羊毛的使用最先起於阿蒙神殿。
Virgil too composed the Georgics, then Cornelius and Julius Atticus, and Aemilianus, that is Columella, a distinguished orator, who embraced the whole body of this discipline. Vitruvius too wrote On Architecture, and Palladius On Agriculture. They report that Minerva first showed the use of wool-working among the Greeks. They believe that she also first set up the loom, dyed wool, and was the inventress of the olive and of the craft of building. From her Daedalus learned, and he himself is believed to have practiced building after her. In Egypt, however, Isis, daughter of Inachus, discovered the use of sowing flax, and showed how garments might thence be made. Likewise she discovered there the use of wool. In Libya the use of wool first arose at the temple of Ammon.
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Ninus rex Assyriorum primus bella movit. Vulcanum primum fabrum fuisse credunt, divina autem historia, Tubal. [767A] primus Prometheus ferreo circulo lapidem imprimens usum anuli invenit. navigii usum Pelasgi primi invenerunt. Ceres primum in Graecia apud Eleusim usum frumenti invenit, Isis in Aegypto. Pilumnus in Italia usum frumenti et farris et ritum molendi et pinsendi, Tagus in Hispania ritum serendi. Osiris apud Aegyptum cultum vinearum repperit, Liber apud Indos. Daedalus primus mensam et sellam fecit. Apicius quidam primus composuit apparatum coquinae, qui tandem in ea, consumptis bonis, morte voluntaria periit.
亞述王尼努斯最先發動戰爭。他們相信伏爾甘是第一位鐵匠,但神聖的歷史說是土八該隱。普羅米修斯最先將一塊石頭嵌入鐵環中,發明了指環的用法。佩拉斯吉人最先發明了航行的用法。刻瑞斯最先在希臘的厄琉息斯發現了穀物的用法,伊西斯則在埃及。皮盧努斯在義大利發現了穀物與斯佩耳特小麥的用法以及碾磨與舂搗之法;塔古斯在西班牙發現了播種之法。奧西里斯在埃及發現了葡萄園的栽種,巴克科斯則在印度人中。代達羅斯最先造了桌子與椅子。有一名叫阿皮基烏斯者最先創製了烹飪的器具,他最終在錢財耗盡之後,自願以死了結於其中。
Ninus, king of the Assyrians, first stirred up wars. They believe that Vulcan was the first smith, but the divine history says it was Tubal-cain. Prometheus first, pressing a stone into an iron ring, discovered the use of the ring. The Pelasgians first discovered the use of sailing. Ceres first in Greece, at Eleusis, discovered the use of grain, and Isis in Egypt. Pilumnus in Italy discovered the use of grain and spelt and the practice of grinding and pounding; Tagus in Spain the practice of sowing. Osiris in Egypt discovered the cultivation of vineyards, and Liber among the Indians. Daedalus first made the table and the chair. A certain Apicius first composed the apparatus of cookery, who in the end, when his goods were consumed, perished in it by a voluntary death.
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medicinae auctor apud Graecos Apollo fuit, hanc filius eius Aesculapius laude et opere ampliavit, qui postquam fulmine periit. diu medendi cura intermissa est latuitque per annos paene quingentos, [767B] usque ad tempus Artaxerxis regis. tunc eam revocavit in lucem Hippocrates, Asclepio patre genitus in insula Coo. ludi a Lydis initium sumpsisse creduntur, qui ex Asia venientes in Etruria consederunt sub Tyrreno duce, ibique inter ceteros superstitionum suarum ritus spectacula instituerunt, quem morem Romani imitati sunt, accersitis inde artificibus, indeque ludi a Lydis vocati sunt. litterae Hebraeorum a Moyse per legem initium sumpsisse creduntur, Chaldaeorum et Syrorum per Abraham.
在希臘人中醫學的創始者是阿波羅;他的兒子阿斯克勒庇俄斯在聲望與實踐上加以擴展;而在他被雷擊喪命之後,醫治之事長期中斷,幾乎隱沒了五百年之久,直到阿爾塔薛西斯王的時代。那時希波克拉底——其父為科斯島上的阿斯克勒庇俄斯所生——將它重新帶回光明之中。競技被認為始於呂底亞人,他們從亞細亞而來,在領袖第勒努斯的率領下定居於伊特魯里亞,並在那裡,在他們種種迷信儀式之外,設立了演出競技;羅馬人仿效了這風俗,從那裡召來了藝人,這些競技便因呂底亞人而得名。希伯來人的字母被認為藉摩西並藉律法而始;迦勒底人與敘利亞人的字母則藉亞伯拉罕而始。
The author of medicine among the Greeks was Apollo; his son Aesculapius enlarged it in renown and in practice; and after he perished by a thunderbolt, the care of healing was for a long time interrupted, and lay hidden for nearly five hundred years, until the time of King Artaxerxes. Then Hippocrates, born of his father Asclepius on the island of Cos, called it back into the light. The games are believed to have taken their beginning from the Lydians, who, coming from Asia, settled in Etruria under their leader Tyrrhenus, and there, among the other rites of their superstitions, established spectacles; this custom the Romans imitated, having summoned craftsmen thence, and from the Lydians these games were named. The letters of the Hebrews are believed to have taken their beginning from Moses through the Law; those of the Chaldeans and Syrians, through Abraham.
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Aegyptiorum litteras Isis invenit; Graecorum, Phoenices, quas Cadmus a Phoenice in Graeciam attulit. Carmentis, mater Evandri, quae proprio nomine Nicostrata vocabatur, Latinas litteras repperit. divinam historiam primus Moyses scripsit. Apud gentiles primus [767C] Dares Phrygius Troianam historiam edidit, quam in foliis palmarum ab eo scriptam esse ferunt. post Daretem, in Graecia Herodotus historicus primus habitus est, post quem Pherecydes hisdem temporibus claruit quibus Esdras legem scripsit. fabulas primum invenisse creditur Alcmon Crotoniensis. Aegyptus mater est artium, inde in Graeciam, deinde in Italiam venerunt. in ea primum grammatica reperta est tempore Osiris, mariti Isidis.
伊西斯發明了埃及人的字母;腓尼基人發明了希臘人的字母,卡德摩斯將它從腓尼基帶入希臘。卡爾門提斯,埃萬德的母親,本名稱為尼科斯特拉塔,發現了拉丁字母。摩西最先寫了神聖的歷史。在外邦人中,弗里吉亞人達瑞斯最先發表了特洛伊的歷史,他們說那是他寫在棕櫚葉上的。在達瑞斯之後,希羅多德被視為希臘第一位歷史家,在他之後斐瑞庫德斯興盛,與以斯拉寫律法同時。克羅頓人阿爾克邁翁被認為最先發明了寓言。埃及是諸藝之母;藝術從那裡傳入希臘,再傳入義大利。在埃及,文法最先於奧西里斯——伊西斯之夫——的時代被發現。
Isis invented the letters of the Egyptians; the Phoenicians those of the Greeks, which Cadmus brought from Phoenicia into Greece. Carmentis, mother of Evander, who by her proper name was called Nicostrata, discovered the Latin letters. Moses first wrote the divine history. Among the Gentiles, Dares the Phrygian first published the history of Troy, which they say was written by him on palm leaves. After Dares, Herodotus was held to be the first historian in Greece, after whom Pherecydes flourished in the same times in which Ezra wrote the Law. Alcmaeon of Croton is believed to have first invented fables. Egypt is the mother of the arts; from there they came into Greece, then into Italy. In Egypt grammar was first discovered in the time of Osiris, the husband of Isis.
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in ea quoque dialectica primum inventa est a Parmenide, qui civitates et coetus hominum fugiens in rupe consedit non modico tempore, sicque dialecticam excogitavit, unde et rupes Parmenidis appellata est. Plato autem post mortem Socratis magistri sui amore sapientiae Aegyptum demigravit, [767D] ibique perceptis liberalibus studiis, Athenas rediit, et apud Academiam, villam suam, coadunatis discipulis, philosophiae studiis operam dedit. hic primum logicam rationalem Graecis instituit, quam postea Aristoteles, discipulus eius, ampliavit, perfecit et in artem redegit. Marcus Terentius Varro primus dialecticam de Graeco in Latinum transtulit. postea Cicero Topica invenit.
在埃及,辯證術也最先由巴門尼德所發明,他逃離了城邑與人群的聚集,在一塊岩石上居住了相當長的時間,如此構想出辯證術,因此那岩石也被稱為巴門尼德之岩。然而柏拉圖在其師蘇格拉底死後,出於對智慧的愛,遷往埃及,並在那裡修習了博雅之學後返回雅典,在他自己的鄉間別墅學園裡聚集門徒,致力於哲學的研究。他最先為希臘人建立了理性邏輯,其後他的門徒亞里士多德加以擴展、完善,並化為一門技藝。馬庫斯·特倫提烏斯·瓦羅最先將辯證術從希臘文譯成拉丁文。其後西塞羅發明了《論題》。
In Egypt too dialectic was first invented by Parmenides, who, fleeing the cities and gatherings of men, settled on a rock for no small time, and thus devised dialectic, whence the rock was also called the Rock of Parmenides. Plato, however, after the death of his master Socrates, out of love of wisdom emigrated to Egypt, and there, having taken in the liberal studies, he returned to Athens, and at the Academy, his own country house, having gathered disciples together, he gave his effort to the studies of philosophy. He first established rational logic for the Greeks, which afterward Aristotle, his disciple, enlarged, perfected, and reduced to an art. Marcus Terentius Varro first translated dialectic from Greek into Latin. Afterward Cicero invented the Topics.
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Demosthenes, fabri filius, apud Graecos rhetoricae repertor creditur, Tisias apud Latinos, Corax apud Syracusas. haec ab Aristotele et Gorgia et Hermagora in Graeco scripta est, translata in Latinum a Tullio, Quintiliano et Titiano. [768A] Quae artes praecipue legendae sint. Ex his autem omnibus scientiis supra enumeratis, septem specialiter discreverant antiqui in studiis suis ad opus erudiendorum, in quibus tantam utilitatem esse prae ceteris omnibus perspexerunt, ut, quisquis harum disciplinam firmiter percepisset, ad aliarum notitiam postea inquirendo magis et exercendo quam audiendo perveniret.
鐵匠之子德摩斯提尼被認為是希臘人中修辭學的發現者;提西亞斯在拉丁人中,科拉克斯在敘拉古。此藝由亞里士多德、高爾吉亞與赫爾馬戈拉斯以希臘文寫成,並由圖利烏斯、昆體良與提提阿努斯譯成拉丁文。論當優先研讀哪些藝。古人從上面所列舉的這一切學問中,在他們的研究裡特別劃出七種,用以教導學習者,他們察覺其中蘊含的益處遠勝其餘一切,以致凡牢固掌握了這些學問的人,日後便能藉由探究與操練,而非僅藉聆聽,達到對其餘各學的認識。
Demosthenes, son of a smith, is believed to be the discoverer of rhetoric among the Greeks; Tisias among the Latins, Corax at Syracuse. This art was written in Greek by Aristotle and Gorgias and Hermagoras, and translated into Latin by Tullius, Quintilian, and Titianus. Which arts are chiefly to be read. From all these sciences enumerated above, the ancients in their studies specially set apart seven for the task of instructing the learners, in which they perceived there to be such great usefulness above all the rest, that whoever had firmly grasped the discipline of these would afterward attain to the knowledge of the others more by inquiring and exercising than by being taught.
3:12
sunt enim quasi optima quaedam instrumenta et rudimenta quibus via paratur animo ad plenam philosophicae veritatis notitiam. hinc trivium et quadrivium nomen accepit, eo quod his, quasi quibusdam viis, vivax animus ad secreta sophiae introeat. nemo tunc temporis nomine magistri dignus videbatur, qui non harum septem scientiam profiteri posset. [768B] Pythagoras quoque hanc in studiis suis consuetudinem servasse legitur, ut usque ad septenium, secundum numerum videlicet septem liberalium artium, nullus discipulorum suorum de his quae ab ipso dicebantur rationem poscere auderet, sed fidem dare verbis magistri quousque omnia audivisset, sicque iam per semetipsum rationem eorum posset invenire.
因為它們彷彿是某些最佳的工具與基礎,藉之為心靈預備了一條通往哲學真理之完全認識的道路。三藝與四藝因此得名,因為心靈藉這些,如同藉某些道路,進入智慧的奧祕。在那時代,凡不能宣稱通曉這七藝的人,便不配當教師之名。畢達哥拉斯在記載中也守此習慣,即在七年期間之內——即按七種博雅之藝的數目——他的門徒中無人敢就他所說的話索求理由,而是要對師傅的話付以信任,直到聽完一切,如此他便能憑自己找出這些話的理由。
For they are, as it were, certain best instruments and rudiments by which a way is prepared for the mind to the full knowledge of philosophical truth. Hence the trivium and the quadrivium received their name, because by these, as by certain roads, the lively mind enters into the secrets of wisdom. No one at that time seemed worthy of the name of master who could not profess knowledge of these seven. Pythagoras too is read to have observed this custom in his studies, that up to a period of seven years—namely according to the number of the seven liberal arts—none of his disciples should dare to demand a reason for the things said by him, but should give faith to the words of the master until he had heard all things, and so by himself might already be able to find their reason.
3:13
has septem tanto studio quidam didicisse leguntur, ut plane omnes ita in memoria tenerent, ut, quascunque scripturas deinde ad manum sumpsissent, quascumque quaestiones solvendas aut comprobandas proposuissent, ex his regulas et rationes ad definiendum id de quo ambigeretur folia librorum revolvendo non quaererent, sed statim singula corde parata haberent. [768C] hinc profecto accidit tot eo tempore fuisse sapientes ut plura ipsi scriberent quam nos legere possimus. scholares vero nostri aut nolunt aut nesciunt modum congruum in discendo servare, et idcirco multos studentes, paucos sapientes invenimus.
據記載,有些人以極大的熱忱學了這七藝,以致將它們全都如此清晰地存於記憶之中,以致無論其後手中拿起什麼著作,無論提出什麼問題要解決或證明,他們都不需翻閱書頁從書中尋找用以界定疑難之事的規則與理由,而是立刻將各項就緒地存於心中。因此確實使得那時代有如此眾多的智者,以致他們自己所寫的多於我們所能讀的。然而我們的學生不是不願,便是不知如何在學習中保持合宜的分寸,因此我們發現學習者眾,智者卻寥寥無幾。
Some are read to have learned these seven with such great zeal that they held them all so clearly in memory that, whatever writings they afterward took in hand, whatever questions they proposed to be solved or proved, they did not seek out from these, by turning the leaves of books, the rules and reasons for defining the matter in doubt, but at once had each thing ready in their heart. Hence it surely came about that there were in that time so many wise men that they themselves wrote more than we are able to read. But our scholars either will not or do not know how to keep a fitting measure in learning, and therefore we find many students but few wise.
3:14
mihi vero videtur non minori cura providendum esse lectori, ne in studiis inutilibus operam suam expendat quam ne in bono et utili proposito tepidus remaneat. malum est bonum negligenter agere, peius est in vanum labores multos expendere. sed quia non omnes hanc discretionem habere possunt, ut intelligant quid sibi expediat, idcirco, quae scripturae mihi utiliores videantur, lectori breviter demonstrabo, ac deinde de modo quoque discendi pauca adnectam. [768D] De duobus generibus scripturarum. Duo sunt genera scripturarum. primum genus est earum quae propriae artes appellantur. secundum est earum quae sunt appendicia artium.
然而在我看來,必須以不亞於防止讀者在無益的研究上耗費功夫的同樣關切,去防止他在美好而有益的事業上保持冷淡。馬虎地做一件好事是壞的,徒然耗費許多勞力則更壞。但因並非人人都能有此辨別力,以致明白什麼於自己有益,故我將向讀者簡要地指出在我看來哪些著作更為有用,然後再就學習的方法附加數語。論兩種著作。著作有兩類。第一類是那些被稱為本門之藝的;第二類是那些屬於各藝之附屬的。
But to me it seems that the reader must be provided for with no less care, lest he spend his effort in useless studies, than lest he remain lukewarm in a good and useful undertaking. It is bad to do a good thing negligently; it is worse to expend much labor in vain. But since not all can have this discernment, that they may understand what is profitable to themselves, therefore I shall briefly show the reader which writings seem to me more useful, and then I shall add a few things also concerning the manner of learning. On the two kinds of writings. There are two kinds of writings. The first kind is of those which are called the proper arts. The second is of those which are appendages of the arts.
3:15
artes sunt quae philosophiae supponuntur, id est, quae aliquam certam et determinatam partem philosophiae materiam habent, ut est grammatica, dialectica, et ceterae huiusmodi. appendentia artium sunt quae tantum ad philosophiam spectant, id est, quae in aliqua extra philosophiam materia versantur. aliquando tamen quaedam ab artibus discerpta sparsim et confuse attingunt, vel si simplex narratio est, viam ad philosophiam praeparant.
各藝乃是那些隸屬於哲學之下的,即以哲學某一確定而限定的部分為其材料者,如文法、辯證術以及其他此類。各藝之附屬乃是那些僅與哲學相關的,即涉及哲學之外某種材料者。然而它們有時零散而混雜地觸及一些從各藝摘取的內容,或者,若是單純的敘述,便為通往哲學預備道路。
The arts are those which are subordinated to philosophy, that is, which have as their subject-matter some certain and determinate part of philosophy, such as grammar, dialectic, and the others of this sort. The appendages of the arts are those which only pertain to philosophy, that is, which are occupied with some matter outside philosophy. Sometimes, however, certain of them touch upon things plucked from the arts in a scattered and confused way, or, if it is simple narration, they prepare the way to philosophy.
3:16
huiusmodi sunt omnia poetarum carmina, ut sunt tragoediae, comoediae, satirae, heroica quoque et lyrica, [769A] et iambica, et didascalica quaedam, fabulae quoque et historiae, illorum etiam scripta quos nunc philosophos appellare solemus, qui et brevem materiam longis verborum ambagibus extendere consueverunt, et facilem sensum perplexis sermonibus obscurare. vel etiam diversa simul compilantes, quasi de multis coloribus et formis, unam picturam facere. nota quae tibi distinxi. duo sunt, artes et appendicia artium. sed inter haec tanta mihi distantia esse videtur, ut ille ait: Lenta salix quantum pallenti cedit olivae, Puniceis humilis quantum saliunca rosetis.
屬此類的有詩人的一切詩篇,如悲劇、喜劇、諷刺詩,也包括史詩體、抒情體與抑揚格的詩,以及某些教誨之作,還有寓言與歷史;也包括我們如今慣稱為哲學家之人的著作,他們慣於既以冗長迂迴的言辭擴展簡短的內容,又以錯綜的論述使淺易的意義變得晦澀;甚或將各樣事物雜湊一起,彷彿用許多顏色與形狀,繪成一幅圖畫。請注意我為你所區分的。有兩類:各藝與各藝之附屬。然而在我看來,這兩者之間相距如此之遠,正如那人所說:柔韌的柳樹遜於淡色的橄欖樹幾何,卑微的甘松遜於緋紅的玫瑰叢幾何。
Of this sort are all the songs of the poets, such as tragedies, comedies, satires, and also heroic and lyric and iambic verses, and certain didactic pieces, and also fables and histories; likewise the writings of those whom we are now wont to call philosophers, who have been accustomed both to extend brief matter with long windings of words, and to obscure an easy meaning with perplexed discourses; or even, compiling diverse things together, as if out of many colors and forms, to make a single picture. Note what I have distinguished for you. There are two: the arts, and the appendages of the arts. But between these there seems to me to be so great a distance, as he says: As much as the pliant willow yields to the pale olive, as much as the lowly nard to the crimson rose-beds.
3:17
ita ut quicumque ad scientiam pertingere cupit, si relicta veritate artium reliquis se implicare voluerit, materiam laboris, [769B] ut non dicam infinitam, plurimam inveniat et fructum exiguum. denique artes sine appendiciis suis perfectum facere lectorem possunt, illa sine artibus nihil perfectionis conferre valent, maxime cum nihil in se expetendum habeant unde lectorem invitent nisi traductum ab artibus et accommodatum, neque quisquam in eis quaerat nisi quod artium est. quapropter mihi videtur primum operam dandam esse artibus ubi fundamenta sunt omnium, et pura simplexque veritas aperitur, maxime his septem quas praedixi, quae totius philosophiae instrumenta sunt.
因此,凡渴望達到知識的人,若撇下各藝的真理,而願使自己纏陷於其餘之事,所尋得的勞苦之材即使不說無窮,也是極多,而所得的果實卻甚微。簡言之,各藝即使沒有其附屬,也能使讀者臻於完全,但那些附屬若沒有各藝,則絲毫不能賦予完全,尤其因它們自身並無任何可追求之物足以吸引讀者,除非是從各藝引來並加以適應的,人在其中也不當尋求別的,只當尋求屬於各藝之物。為此在我看來,當首先致力於各藝,因在那裡有一切之根基,純全而單純的真理得以敞開——尤其是我前面所提的這七藝,它們是全部哲學的工具。
So that whoever desires to attain to knowledge, if, having left aside the truth of the arts, he should wish to entangle himself in the rest, would find, not to say infinite, yet very great matter of labor and scanty fruit. In short, the arts can make the reader perfect without their appendages, but those without the arts are able to confer nothing of perfection, especially since they have nothing in themselves to be sought after, by which they might invite the reader, except what is drawn over from the arts and accommodated, nor should anyone seek in them anything but what belongs to the arts. Wherefore it seems to me that effort must first be given to the arts, where the foundations of all things are, and the pure and simple truth is opened up—especially to these seven which I have mentioned, which are the instruments of the whole of philosophy.
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deinde cetera quoque, si vacat, legantur, quia aliquando plus delectare solent seriis admixta ludicra, et raritas pretiosum facit bonum. sic in medio fabulae cursu inventam sententiam avidius aliquando retinemus. [769C] verumtamen in septem liberalibus artibus fundamentum est omnis doctrinae, quae prae ceteris omnibus ad manum habendae sunt, utpote sine quibus nihil solet aut potest disciplina philosophica explicare et definire. hae quidem ita sibi cohaerent et alternis vicissim rationibus indigent, ut si vel una defuerit, ceterae philosophum facere non possunt.
其後,若有閒暇,也讓其餘的被閱讀,因為有時與嚴肅之事相摻雜的輕鬆之物更能令人喜悅,而稀罕使美好之物變得寶貴。如此,在寓言的進程之中,我們有時更急切地記住在那裡所尋得的一個思想。然而,七種博雅之藝乃是一切教導的根基,它們勝於其餘一切,當隨手備妥,因若沒有它們,哲學的學問既不慣於、也不能展開並界定任何事物。這些藝確實如此彼此相連,並輪流互相需要彼此的理據,以致即使缺少其中一項,其餘的也無法造就出哲學家。
Then let the rest also be read, if there is leisure, because sometimes lighter things mixed with serious ones tend to delight more, and rarity makes a good thing precious. Thus in the midst of the course of a fable we sometimes more eagerly retain a thought we have found there. Nevertheless, in the seven liberal arts is the foundation of all teaching, which above all the rest are to be had at hand, inasmuch as without them philosophical discipline is neither wont nor able to unfold and define anything. These indeed so cohere with one another, and by turns mutually need one another's reasons, that if even one be lacking, the rest cannot make a philosopher.
3:19
unde mihi errare videntur qui non attendentes talem in artibus cohaerentiam quasdam sibi ex ipsis eligunt, et, ceteris intactis, in his se posse fieri perfectos putant. Unicuique arti quod suum est tribuendum esse. [769D] Est rursum alius error non multo minor isto, quem summopere vitare oportet. sunt enim quidam, qui licet ex his quae legenda sunt nihil praetermittant, nulli tamen arti quod suum est tribuere norunt, sed in singulis legunt omnes. in grammatica de syllogismorum ratione disputant, in dialectica inflexiones casuales inquirunt, et quod magis irrisione dignum est, in titulo totum paene legunt librum, et 'incipit' tertia vix lectione expediunt.
因此在我看來,那些不留意各藝之間如此緊密的關聯、而從中為自己挑選某幾項、且置其餘於不顧、卻以為能在這幾項上臻於完全的人,乃是大錯。論當把屬於各藝之物歸給各藝。此外還有另一種錯誤,並不比這小多少,務須極力避免。因為有某些人,雖在當讀之物上一無遺漏,卻不知如何把屬於某藝之物歸給該藝,反而在每一門中讀盡一切。他們在文法中爭論三段論的方法,在辯證術中探究名詞的格變,而更可笑的是,他們在標題上幾乎讀完整本書,到了第三次研讀才勉強讀完「本書始於」這幾個字。
Whence those seem to me to err who, not attending to such coherence in the arts, choose certain ones for themselves out of them, and, leaving the rest untouched, think they can become perfect in these. That to each art what is its own must be assigned. There is again another error, not much less than this, which it greatly behooves one to avoid. For there are certain men who, though they omit nothing of those things which are to be read, yet do not know how to assign to any art what is its own, but read all things in each single one. In grammar they dispute about the method of syllogisms; in dialectic they inquire into the inflections of cases; and what is more deserving of ridicule, they read almost the whole book in the title, and scarcely get through the word 'It begins' in a third reading.
3:20
non alios docent huiusmodi, sed ostentant suam scientiam. sed utinam quales mihi, tales omnibus apparerent! [770A] attende quam perversa sit haec consuetudo, cum profecto quanto magis superflua aggregaveris, tanto minus ea quae utilia sunt capere possis vel retinere. in qualibet igitur arte duo nobis maxime discernenda sunt et distinguenda, primum, qualiter oporteat de ipsa arte agere, secundum, qualiter oporteat ipsius artis rationes quibuslibet aliis rebus accommodare. duo sunt, agere de arte, et agere per artem. verbi gratia, agere de arte, ut est agere de grammatica, agere per artem, ut est agere grammatice. distingue haec duo, agere de grammatica, et agere grammatice.
這類人並非教導別人,而是炫示自己的知識。但願他們在我眼中如何,在眾人眼中也如何顯露!且看這習慣何等乖謬,因為你愈是堆積多餘之物,便愈不能掌握或保存那些有用之物。因此在任何一門藝中,我們尤須辨識並區分兩件事:其一,當如何論述該藝本身;其二,當如何將該藝的理據應用於任何其他事物。有兩件事:論述一門藝,與藉一門藝而行。例如,論述一門藝,如論述文法;藉一門藝而行,如合乎文法地行。請區分這兩者:論述文法,與合乎文法地行事。
Men of this sort do not teach others, but make a show of their own knowledge. But would that, such as they appear to me, they appeared so to all! Consider how perverse this custom is, since assuredly the more superfluous things you have heaped together, the less you are able to grasp or retain those things which are useful. Therefore in any art two things especially must be discerned and distinguished by us: first, how one ought to treat of the art itself; second, how one ought to accommodate the reasonings of that art to any other matters whatever. There are two things: to treat of an art, and to act by means of an art. For example, to treat of an art, as is to treat of grammar; to act by means of an art, as is to act grammatically. Distinguish these two: to treat of grammar, and to act grammatically.
3:21
de grammatica agit, qui regulas de vocibus datas et praecepta ad hanc artem pertinentia tractat. grammatice agit omnis qui regulariter loquitur vel scribit. agere igitur de grammatica quibusdam tantummodo scripturis, ut Prisciano, Donato, Servio convenit, agere vero grammatice, omnibus. cum igitur de qualibet arte agimus, maxime in docendo, ubi omnia ad compendium restringenda sunt [770B] et ad facilem intelligentiam evocanda, sufficere debet id de quo agitur quantum brevius et apertius potest explanare, ne si alienas nimium rationes multiplicaverimus, magis turbemus quam aedificemus lectorem. non omnia dicenda sunt quae dicere possumus, ne minus utiliter dicantur ea quae dicere debemus.
凡論述關於語詞所定的規則以及屬於此藝之教訓者,便是論述文法。凡按規則說話或書寫者,便是合乎文法地行。因此論述文法只屬於某些著作,如普利西安、多納圖斯與塞爾維烏斯;而合乎文法地行則屬於眾人。故當我們論述任何一門藝時,尤其在教導中,那時一切都須化為簡要、引向易於理解,便當以盡可能簡短而清楚的方式講解所論之事為足,免得我們若過度增添外來的理據,反倒擾亂讀者,而非建造他。並非凡我們所能說的都當說,免得我們所當說的反被說得不那麼有益。
He treats of grammar who deals with the rules given concerning words and the precepts pertaining to this art. He acts grammatically, everyone who speaks or writes according to rule. Therefore to treat of grammar belongs only to certain writings, such as Priscian, Donatus, and Servius; but to act grammatically belongs to all. When therefore we treat of any art, especially in teaching, where all things must be reduced to a summary and called forth to easy understanding, it ought to suffice to explain that of which we treat as briefly and clearly as possible, lest, if we multiply foreign reasonings too much, we should disturb the reader rather than build him up. Not all things are to be said which we are able to say, lest those things which we ought to say be said less usefully.
3:22
id tandem in unaquaque arte quaeras quod ad eam specialiter pertinere constiterit. deinde cum legeris artes, et quid uniuscuiusque sit proprium agnoveris disputando et conferendo, tunc demum rationes singularum invicem conferre licebit, et ex alterna consideratione vicissim quae minus prius intellexeras investigare. noli multiplicare diverticula quoadusque semitas didiceris. securus discurres cum errare non timueris. [770C] Quid sit necessarium studio. Tria sunt studentibus necessaria: natura, exercitium, disciplina. in natura consideratur ut facile audita percipiat et percepta firmiter retineat; in exercitio, ut labore et sedulitate naturalem sensum excolat;
因此,在每一門藝中,你當尋求那被確定為特別屬於它之物。然後,當你讀過各藝,並藉辯論與比較認識了各門所專有的之後,那時你終於可以將各門的理據彼此相較,並從交替的省思中,逐一探究你先前理解較少的那些事。在尚未學會正路之前,不要增添岔路。當你不再懼怕迷失時,你便能穩當地奔走。學習所必需者。學習者有三件必需之事:天賦、操練與規矩。在天賦上,所考量的是人能輕易領會所聽的,並牢固保存所領會的;在操練上,是人藉勞苦與勤勉培養其天賦的悟性;
Seek then in each single art that which has been established to pertain specially to it. Then, when you have read the arts, and have come to know by disputing and comparing what is proper to each one, then at last it will be permitted to compare the reasonings of the several arts with one another, and from an alternating consideration to investigate by turns those things which you had previously understood less. Do not multiply byways until you have learned the paths. You will run securely when you no longer fear to go astray. What is necessary for study. Three things are necessary for students: natural ability, exercise, and discipline. In natural ability it is considered that one easily perceives what is heard and firmly retains what is perceived; in exercise, that by labor and diligence one cultivates the natural sense;
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in disciplina, ut laudabiliter vivens mores cum scientia componat. de his tribus per singula modo introductionis pauca perstringemus. [771B] Hoc ad naturam de ingenio. Qui doctrinae operam dant, ingenio simul et memoria pollere debent, quae duo in omni studio et disciplina ita sibi cohaerent, ut si desit alterum, neminem alterum ad perfectum ducere possit, sicut nulla prodesse possunt lucra ubi deest custodia, et incassum receptacula munit qui quod recondat non habuerit. ingenium invenit et memoria custodit sapientiam. [771C] ingenium est vis quaedam naturaliter animo insita per se valens.
在規矩上,是人過著值得稱讚的生活,使良好的品行與知識相配。關於這三者,我們將以引言的方式逐一簡略觸及數語。此乃論及天賦,關乎才智。凡致力於學問的人,當在才智與記憶上兼有所長,這兩者在一切研究與訓練中如此相連,以致若缺其一,另一者便不能引人臻於完全——正如在缺乏看守之處,任何所得都無益處,而那無物可收藏之人,徒然加固其庫房。才智尋出智慧,記憶守護智慧。才智是某種天然賦予心靈、憑己自有力量的能力。
in discipline, that, living praiseworthily, one should join good morals with knowledge. Concerning these three we shall touch briefly upon a few things one by one, by way of introduction. This pertains to natural ability, concerning talent. Those who give their effort to learning ought to be strong both in talent and in memory, which two so cohere in all study and discipline that, if one of them be lacking, the other cannot lead anyone to perfection—just as no gains can profit where guardianship is lacking, and he fortifies his storehouses in vain who has nothing to put away. Talent finds out and memory guards wisdom. Talent is a certain power naturally implanted in the mind, having strength of itself.
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ingenium a natura proficiscitur, usu iuvatur, immoderato labore retunditur, et temperato acuitur exercitio. unde satis eleganter a quodam dictum est: Volo tandem tibi parcas, labor est in chartis, curre per aera. duo sunt quae ingenium exercent: lectio et meditatio. lectio est, cum ex his quae scripta sunt, regulis et praeceptis informamur. trimodum est lectionis genus: docentis, discentis, vel per se inspicientis. dicimus enim 'lego librum illi,' et 'lego librum ab illo,' et 'lego librum.' in lectione maxime consideranda sunt ordo et modus. De ordine legendi.
才智源於本性,藉運用得助,因過度的勞苦變鈍,藉適度的操練變利。因此某人說得頗為雅致:「我願你終究愛惜自己;紙頁上有勞苦,當馳騁於空中。」有兩件事操練才智:閱讀與默想。閱讀乃是當我們藉所寫之物的規則與訓誨受教導之時。閱讀的種類有三:教者的、學者的,以及自行省察者的。因為我們說「我把書讀給他聽」「我在他門下讀書」與「我讀書」。在閱讀中,尤須考量次序與方法。論閱讀的次序。
Talent proceeds from nature, is helped by use, is blunted by immoderate labor, and is sharpened by tempered exercise. Whence it was rather elegantly said by someone: 'I wish that you would at last spare yourself; there is labor in the papers, run through the air.' There are two things that exercise talent: reading and meditation. Reading is when we are instructed by the rules and precepts of those things which are written. The kind of reading is threefold: that of the teacher, that of the learner, or that of the one inspecting for himself. For we say 'I read the book to him,' and 'I read the book under him,' and 'I read the book.' In reading, order and manner are especially to be considered. On the order of reading.
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Ordo consideratur alius in disciplinis, ut si dixerim grammaticam dialectica antiquiorem vel arithmeticam priorem musica, [771D] alius in libris, ut si dixero Catilinarium Iugurthino priorem, alius in narratione, quae est in continua serie, alius in expositione. ordo in disciplinis attenditur secundum naturam, in libris secundum personam auctoris vel subiectam materiam, in narratione secundum dispositionem, quae duplex est; naturalis, videlicet quando res eo refertur ordine quo gesta est, et artificialis, id est, quando id quod postea gestum est prius narratur, et quod prius, postmodum dicitur, in expositione consideratur ordo secundum inquisitionem.
次序在各門學科中以一種方式來考量,如我說文法比辯證術更古老,或算術先於音樂;在書籍中以另一種方式,如我說《喀提林》先於《朱古達》;在敘述中以另一種方式,敘述在於連續的序列;在闡釋中又是另一種方式。各門學科中的次序按本性而論;書籍中的次序按作者其人或所論的題材;敘述中的次序按佈局,而佈局有兩種:其一為自然的,即當一事按其發生的次序被敘述;其二為人為的,即當其後發生之事先被敘述,而先前之事後被述及。在闡釋中,次序按探究而論。
Order is considered in one way in the disciplines, as if I were to say that grammar is more ancient than dialectic, or arithmetic prior to music; in another way in books, as if I were to say that the Catiline is prior to the Jugurtha; in another way in narration, which consists in a continuous series; in another way in exposition. Order in the disciplines is attended to according to nature; in books, according to the person of the author or the subject-matter; in narration, according to the arrangement, which is twofold: natural, namely when a thing is reported in the order in which it was done, and artificial, that is, when that which was done afterward is narrated first, and that which was prior is told afterward. In exposition, order is considered according to inquiry.
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expositio tria continet, litteram, sensum, sententiam. littera est congrua ordinatio dictionum, quod etiam constructionem vocamus. sensus est facilis quaedam et aperta significatio, quam littera prima fronte praefert. [772A] sententia est profundior intelligentia, quae nisi expositione vel interpretatione non invenitur. in his ordo est, ut primum littera, deinde sensus, deinde sententia inquiratur. quo facto, perfecta est expositio. De modo legendi. Modus legendi in dividendo constat. omnis divisio incipit a finitis, et ad infinita usque progreditur. omne autem finitum magis notum est et scientia comprehensibile.
闡釋包含三件事:字面、文義與深意。字面是語詞的合宜排列,我們也稱之為句構。文義是某種淺易而明顯的意指,乃字面初看時所呈現的。深意是更深邃的理解,非藉闡釋或解釋便不得尋見。在這些之中有一種次序,即先探究字面,再探究文義,再探究深意。如此既成,闡釋便告完備。論閱讀的方法。閱讀的方法在於劃分。一切劃分都從有限之物開始,向無限之物推進。然而凡有限之物都更為人所知,且更能為知識所把握。
Exposition contains three things: the letter, the sense, and the deeper meaning. The letter is the fitting arrangement of words, which we also call construction. The sense is a certain easy and open signification, which the letter presents at first glance. The deeper meaning is a more profound understanding, which is not found except by exposition or interpretation. In these there is an order, that first the letter, then the sense, then the deeper meaning be inquired into. When this is done, the exposition is complete. On the manner of reading. The manner of reading consists in dividing. Every division begins from things finite and proceeds onward to things infinite. But everything finite is more known and comprehensible to knowledge.
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doctrina autem ab his quae magis nota sunt incipit, et per eorum notitiam ad scientiam eorum quae latent pertingit. praeterea ratione investigamus, ad quam proprie pertinet dividere, quando ab universalibus ad particularia descendimus dividendo [772B] et singulorum naturas investigando. omne namque universale magis est determinatum suis particularibus. quando ergo discimus, ab his incipere debemus quae magis sunt nota et determinata et complectentia, sicque paulatim descendendo, et per divisionem singula distinguendo, eorum quae continentur naturam investigare. De meditatione.
然而教導從那些更為人所知之物開始,並藉對它們的認識而達到對那些隱藏之物的認識。再者,我們藉理性來探究——劃分本是理性所專屬的——當我們藉劃分而從普遍下降到個別、並探究各個事物的本性之時。因為每一普遍之物都比其個別之物更為限定。所以當我們學習時,當從那些更為人所知、更為限定、更具包容性之物開始,如此漸漸下降,藉劃分區別各個事物,以探究那些包含於其中之物的本性。論默想。
But teaching begins from those things which are more known, and through the knowledge of them attains to the knowledge of those things which lie hidden. Moreover, we investigate by reason, to which it properly belongs to divide, when we descend from universals to particulars by dividing and by investigating the natures of individual things. For every universal is more determined than its particulars. When therefore we learn, we ought to begin from those things which are more known and determinate and comprehensive, and so, descending little by little, and distinguishing individual things by division, to investigate the nature of those things which are contained within them. On meditation.
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Meditatio est cogitatio frequens cum consilio, quae causam et originem, modum et utilitatem uniuscuiusque rei prudenter investigat. meditatio principium sumit a lectione, nullis tamen stringitur regulis aut praeceptis lectionis. delectatur enim quodam aperto decurrere spatio, ubi liberam contemplandae veritati aciem affigat, et nunc has, [772C] nunc illas rerum causas perstringere, nunc autem profunda quaeque penetrare, nihil anceps, nihil obscurum relinquere. principium ergo doctrinae est in lectione, consummatio in meditatione, quam si quis familiarius amare didicerit eique saepius vacare voluerit, iucundam valde reddit vitam, et maximam in tribulatione praestat consolationem.
默想是帶著審慮的頻繁思考,它謹慎地探究每一事物的緣由與起源、方式與益處。默想以閱讀為其開端,卻不受閱讀的任何規則或訓誨所束縛。因為它喜愛馳騁於某一開闊的空間,在那裡將自由的目光定睛於當默觀的真理,時而擷取事物的這些緣由,時而擷取那些,時而又深入凡屬深邃之物,不留任何疑惑、任何晦暗。所以教導的開端在於閱讀,其圓滿則在於默想,這默想若有人學會更親密地愛它、並願更常委身於它,便使人生極其甘美,並在患難中賜下最大的安慰。
Meditation is frequent thought with deliberation, which prudently investigates the cause and origin, the manner and usefulness of each thing. Meditation takes its beginning from reading, yet is bound by no rules or precepts of reading. For it delights to run through a certain open space, where it fixes a free gaze upon the truth to be contemplated, and now to graze upon these, now upon those causes of things, and now to penetrate whatever is profound, leaving nothing doubtful, nothing obscure. The beginning of teaching, therefore, is in reading; its consummation in meditation, which, if anyone learns to love more intimately and desires to give himself to it more often, renders life very pleasant, and affords the greatest consolation in tribulation.
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ea enim maxime est, quae animam a terrenorum actuum strepitu segregat, et in hac vita etiam aeternae quietis dulcedinem quodammodo praegustare facit. cumque iam per ea quae facta sunt eum qui fecit omnia quaerere didicerit et intelligere, tunc animum pariter et scientia erudit et laetitia perfundit, unde fit ut maximum in meditatione sit oblectamentum. tria sunt genera meditationis. [772D] unum constat in circumspectione morum, aliud in scrutatione mandatorum, tertium in investigatione divinorum operum. mores sunt in vitiis et virtutibus. mandatum divinum, aliud praecipiens, aliud promittens, aliud terrens.
因為它尤其是那將靈魂從屬地事務的喧囂中分別出來的,並使人即使在今生也以某種方式預先嚐到永恆安息的甘甜。當人已藉所造之物學會尋求並認識那造萬物者時,那時它既以知識教導心靈,又以喜樂充滿心靈,因此便有了在默想中至大的歡愉。默想有三種。其一在於對品行的省察,另一在於對誡命的查考,第三在於對神聖工作的探究。品行在於諸惡德與諸美德。神的誡命,有的是命令的,有的是應許的,有的是警嚇的。
For it is above all that which separates the soul from the din of earthly affairs, and even in this life causes one in a certain way to foretaste beforehand the sweetness of eternal rest. And when one has already learned, through the things which have been made, to seek and to understand Him who made all things, then it both instructs the mind with knowledge and floods it with gladness, whence it comes to pass that there is the greatest delight in meditation. There are three kinds of meditation. One consists in the consideration of morals, another in the searching of the commandments, the third in the investigation of the divine works. Morals are in vices and virtues. The divine commandment is partly commanding, partly promising, partly terrifying.
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opus Dei est, et quod creat potentia, et quod moderatur sapientia, et quod cooperatur gratia. quae omnia, quanta sint admiratione digna, tanto magis quisque novit, quanto attentius Dei mirabilia meditari consuevit. De memoria. De memoria hoc maxime in praesenti praetermittendum non esse existimo, quod sicut ingenium dividendo investigat et invenit, ita memoria colligendo custodit. oportet ergo ut, quae discendo divisimus, commendanda memoriae colligamus. colligere est ea de quibus prolixius vel scriptum vel disputatum est [773A] ad brevem quandam et compendiosam summam redigere, quae a maioribus epilogus, id est, brevis recapitulatio supradictorum appellata est.
神的工作既是祂的能力所創造的,又是祂的智慧所治理的,又是祂的恩典所共同運行的。這一切何等值得驚奇,各人愈是慣於專注地默想神的奇妙作為,便愈發認識。論記憶。關於記憶,我認為當前尤其不可略過這一點:正如才智藉劃分而探究並尋出,記憶也藉收集而守護。因此我們當把學習中所劃分之物收集起來,託付於記憶。收集就是把那些被較詳盡地書寫或辯論過的事物,化為某種簡短扼要的綱要——這被我們的先輩稱為「結語」,即對上述之事的簡短複述。
The work of God is both what His power creates, and what His wisdom governs, and what His grace co-works. All these things, how worthy of wonder they are, each person knows so much the more, the more attentively he has been accustomed to meditate upon the wonders of God. On memory. Concerning memory I judge that this above all must not be passed over for the present, that just as talent investigates and finds out by dividing, so memory guards by gathering. We ought therefore to gather, to be entrusted to memory, those things which we have divided in learning. To gather is to reduce to a certain brief and compendious summary those things about which something has been written or disputed at greater length—which by our elders was called an epilogue, that is, a brief recapitulation of the things said above.
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habet namque omnis tractatio aliquod principium, cui tota rei veritas et vis sententiae innititur, et ad ipsum cuncta alia referuntur. hoc quaerere et considerare colligere est. unus fons est et multi rivuli, quid anfractus fluminum sequeris? tene fontem et totum habes. hoc idcirco dico, quoniam memoria hominis hebes est et brevitate gaudet, et, si in multa dividitur, fit minor in singulis. debemus ergo in omni doctrina breve aliquid et certum colligere, quod in arcula memoriae recondatur, unde postmodum, cum res exigit, reliqua deriventur. hoc etiam saepe replicare et de ventre memoriae ad palatum revocare necesse est, [773B] ne longa intermissione obsoleat.
因為每一篇論述都有某個根本,事物的全部真理與意義的力量都倚靠其上,其餘一切都歸結於它。尋求並思考此根本,便是收集。泉源只有一個,溪流卻有許多;你為何要追隨河流的曲折?把握住泉源,你便擁有了全部。我說這話的緣由在於:人的記憶遲鈍,並以簡短為樂,若被分散於眾多事物之間,在每一單項上便變得更弱。因此我們在一切教導中當收集某種簡短而確定之物,可貯藏於記憶的小匣中,日後當事物有需要時,其餘的便可由此引出。這也須時常複述,並從記憶的腹中召回到味蕾上,免得因長久間斷而陳舊。
For every treatise has some principle, upon which the whole truth of the matter and the force of its meaning rests, and to which all other things are referred. To seek and consider this is to gather. There is one fount and many rivulets; why do you follow the windings of the streams? Hold the fount and you have the whole. I say this for this reason, because the memory of man is dull and rejoices in brevity, and, if it is divided among many things, becomes less in each single one. We ought therefore in all teaching to gather something brief and certain, which may be stored in the little chest of the memory, whence afterward, when the matter requires, the rest may be derived. This too it is necessary often to repeat and to call back from the belly of the memory to the palate, lest by long intermission it grow stale.
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unde rogo te, o lector, ne nimium laeteris si multa legeris, sed si multa intellexeris nec tantum intellexeris sed retinere potueris. alioquin nec legere multum prodest, nec intelligere. quare superius me dixisse recolo eos qui doctrinae operam dant ingenio et memoria indigere. De disciplina. Sapiens quidam cum de modo et forma discendi interrogaretur: Mens, inquit, humilis, studium quaerendi, vita quieta, scrutinium tacitum, paupertas, terra aliena, haec reserare solent multis obscura legendi. audierat, puto, quod dictum est: Mores ornant scientiam, [773C] et ideo praeceptis legendi, praecepta quoque vivendi, adiungit, ut et modum vitae suae et studii sui rationem lector agnoscat.
因此我懇求你,讀者啊,不要因讀了許多而過分歡喜,倒要因明白了許多而歡喜,而且不僅明白,更能保存。否則,多讀無大益,多明白也無大益。故此我記得上面曾說,凡致力於學問的人都需要才智與記憶。論規矩。有一位智者,當他被問及學習的方式與形式時,說:「謙卑的心、探求的熱忱、安靜的生活、靜默的審察、貧窮、異鄉之地——這些慣於為許多人開啟閱讀中晦澀之事。」我想他曾聽過那句話:「品行使知識增光」,故此在閱讀的訓誨之外,他也加上生活的訓誨,使讀者既認識自己生活的方式,也認識自己學習的方法。
Whence I beg you, O reader, do not rejoice too much if you have read many things, but if you have understood many things, and not only understood, but have been able to retain. Otherwise neither does it profit much to read, nor to understand. Wherefore I recall having said above that those who give their effort to learning have need of talent and memory. On discipline. A certain wise man, when he was questioned about the manner and form of learning, said: 'A humble mind, zeal for inquiring, a quiet life, silent scrutiny, poverty, a foreign land—these are wont to unlock for many the obscure things of reading.' He had heard, I think, what was said: 'Morals adorn knowledge,' and therefore to the precepts of reading he joins also the precepts of living, that the reader may recognize both the manner of his life and the method of his study.
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illaudabilis est scientia quam vita maculat impudica. et idcirco summopere cavendum ei qui quaerit scientiam, ut non negligat disciplinam. De humilitate. Principium autem disciplinae humilitas est, cuius cum multa sint documenta, haec tria praecipue ad lectorem pertinent: primum, ut nullam scientiam, nullam scripturam vilem teneat, secundum, ut a nemine discere erubescat, tertium, ut cum scientiam adeptus fuerit, ceteros non contemnat. multos hoc decipit, quod ante tempus, sapientes videri volunt.
被不潔的生活所玷污的知識不值得稱讚。因此尋求知識的人務須極力提防,不可忽略規矩。論謙卑。如今規矩的開端是謙卑,謙卑雖有許多表徵,這三項尤其與讀者有關:其一,他不把任何知識、任何著作看為卑賤;其二,他不以向任何人學習為恥;其三,他既得了知識,便不藐視他人。有許多人為此所欺,就是未到時候便想顯為有智慧。
Praiseworthy is not the knowledge which an unchaste life stains. And therefore it must be most carefully guarded against by him who seeks knowledge, that he not neglect discipline. On humility. Now the beginning of discipline is humility, of which, though there are many indications, these three especially pertain to the reader: first, that he hold no knowledge, no writing, as worthless; second, that he not blush to learn from anyone; third, that when he has attained knowledge, he not despise others. This deceives many, that before their time they wish to seem wise.
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hinc namque in quendam elationis tumorem prorumpunt, [773D] ut iam et simulare incipiant quod non sunt et quod sunt erubescere, eoque longius a sapientia recedunt quo non esse sapientes, sed putari putant. eiusmodi multos novi, qui, cum primis adhuc elementis indigeant, non nisi summis interesse dignantur, et ex hoc solummodo se magnos fieri putant, si magnorum et sapientium vel scripta legerint vel audierint verba. 'nos,' inquiunt, 'vidimus illos. nos ab illis legimus. saepe nobis loqui illi solebant. illi summi, illi famosi, cognovertunt nos.' sed utinam me nemo agnoscat et ego cuncta noverim! Platonem vidisse, non intellexisse gioriamini. puto indignum vobis est deinceps ut me audiatis.
因為他們由此爆發出某種傲慢的膨脹,以致如今既開始裝出自己所不是的,又以自己的本相為恥,他們愈是以為自己不是有智慧、而只是被人視為有智慧,便愈發遠離智慧。我認識許多這樣的人,他們雖仍欠缺最初的基礎,卻不屑出席任何事,除非是最高深的,並單憑此以為自己成了偉大,若他們讀過偉大智者的著作或聽過他們的話。他們說:「我們見過那些人。我們在他們門下讀過書。他們常對我們說話。那些卓越的、那些著名的,認識我們。」但願無人認識我,而我卻認識一切!你們誇口曾見過柏拉圖,卻非誇口明白了他。我想你們從此聽我講論是有失身分了。
For hence they burst forth into a certain swelling of arrogance, so that they now begin both to feign what they are not and to blush at what they are, and they withdraw so much further from wisdom the more they think themselves to be not wise, but only to be reputed so. Of this sort I have known many, who, while they still lack the first elements, do not deign to be present at anything but the highest, and from this alone they think themselves to become great, if they read the writings or hear the words of the great and wise. 'We,' they say, 'have seen those men. We have read under them. They were often wont to speak to us. Those eminent ones, those famous ones, have known us.' But would that no one knew me, and I knew all things! You boast of having seen Plato, not of having understood him. I suppose it is unworthy of you henceforth to listen to me.
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non ego sum Plato, nec Platonem videre merui. sufficit vobis: ipsum philosophiae fontem potastis, sed utinam adhuc sitiretis! rex post aurea pocula de vase bibit testeo. quid erubescitis? [774A] Platonem audistis, audiatis et Chrysippum. in proverbio dicitur: Quod tu non nosti, fortassis novit Ofellus. nemo est cui omnia scire datum sit, neque quisquam rursum cui aliquid speciale a natura accepisse non contigerit. prudens igitur lector omnes libenter audit, omnia legit, non scripturam, non personam, non doctrinam spernit. indifferenter ab omnibus quod sibi deesse videt quaerit, nec quantum sciat, sed quantum ignoret, considerat. hinc illud Platonicum aiunt:
我不是柏拉圖,也不配見柏拉圖。這於你們已足夠:你們已飲於哲學的泉源本身——但願你們仍渴慕!君王在金杯之後,仍從陶器中飲。你們為何臉紅?你們聽過柏拉圖,也當聽克律西波斯。正如諺語所說:「你所不知的,或許奧費盧斯知道。」沒有人被賜下知曉一切,也再沒有人不曾從本性領受某種特別之物。所以審慎的讀者樂於聽眾人講論,閱讀一切,既不藐視著作,也不藐視其人,也不藐視學說。他不加分別地向眾人尋求他所見自己欠缺之物,並不顧念自己知道多少,乃顧念自己不知多少。因此他們引用柏拉圖那句話:
I am not Plato, nor did I deserve to see Plato. Let this suffice for you: you have drunk from the very fount of philosophy—but would that you still thirsted! The king, after golden goblets, drinks from an earthen vessel. Why do you blush? You have heard Plato; hear Chrysippus also. As the proverb says: 'What you do not know, perhaps Ofellus knows.' There is no one to whom it has been granted to know all things, nor again anyone to whom it has not befallen to have received something special from nature. The prudent reader, therefore, gladly listens to all, reads all things, despises neither writing, nor person, nor doctrine. Indifferently he seeks from all that which he sees to be lacking in himself, and considers not how much he knows, but how much he is ignorant of. Hence they cite that saying of Plato:
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Malo aliena verecunde discere, quam mea impudenter ingerere. cur enim discere erubescis, et nescire non verecundaris? pudor iste maior est illo. aut quid summa affectas cum tu iaceas in imo? considera potius quid vires tuae ferre valeant. aptissime incedit, qui incedit ordinate. [774B] quidam dum magnum saltum facere volunt, praecipitium incidunt. noli ergo nimis festinare. hoc modo citius ad sapientiam pertinges. ab omnibus libenter disce quod tu nescis, quia humilitas commune tibi facere potest quod natura cuique proprium fecit. sapientior omnibus eris, si ab omnibus discere volueris. qui ab omnibus accipiunt, omnibus ditiores sunt.
「我寧可謙遜地學習他人之物,也不願厚顏地強推自己之物。」因為你為何以學習為恥,卻不以無知為羞?那羞愧比這更甚。或者你為何當你身處最低處時卻嚮往最高之事?倒要思量你的力量所能承擔的。循序而進者進得最合宜。有些人想躍一大步,卻墜入深淵。所以不要過於急促。如此你便能更快達到智慧。樂於向眾人學習你所不知的,因為謙卑能使本性賦予各人專有之物,成為你所共有的。你若願向眾人學習,便會比眾人更有智慧。凡從眾人領受者,便比眾人更富足。
'I would rather learn another's things modestly than thrust forward my own shamelessly.' For why do you blush to learn, and are not ashamed not to know? That shame is greater than this. Or why do you aspire to the highest things when you lie in the lowest? Consider rather what your strength is able to bear. He advances most fittingly who advances in order. Some, while they wish to make a great leap, fall into a precipice. Do not therefore hasten too much. In this way you will more quickly attain to wisdom. Learn gladly from all what you do not know, because humility can make common to you what nature has made proper to each. You will be wiser than all if you are willing to learn from all. Those who receive from all are richer than all.
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nullam denique scientiam vilem teneas, quia omnis scientia bona est. nullam, si vacat, scripturam vel saltem legere contemnas. si nihil lucraris, nec perdis aliquid, maxime cum nulla scriptura sit, secundum meam aestimationem, quae aliquid expetendum non proponat, si convenienti loco et ordine tractetur; [774C] quae non aliquid etiam speciale habeat, quod diligens verbi scrutator alibi non inventum, quanto rarius, tanto gratius carpat. nihil tamen bonum est quod melius tollit. si omnia legere non potes, ea quae sunt utiliora lege. etiam si omnia legere potueris, non tamen idem omnibus labor impendendus est.
最後,不要把任何知識看為卑賤,因為一切知識都是好的。若有閒暇,也不要不屑至少讀一讀任何著作。你若無所得,也無所失,尤其因依我的估量,沒有一部著作不提出某種可追求之物,只要在合宜的地方與次序中加以處理;沒有一部不也含有某種特殊之物,是字句的勤勉探求者可以擷取、在別處尋不見的,而愈是稀罕便愈令人喜悅。然而凡奪去更佳之物的,便不是好的。你若不能讀盡一切,便讀那些更有用的。即使你能讀盡一切,也不該對一切付出同樣的勞力。
Finally, hold no knowledge as worthless, because all knowledge is good. Disdain not, if there is leisure, at least to read any writing. If you gain nothing, neither do you lose anything, especially since there is no writing, according to my estimation, which does not propose something to be sought after, if it be treated in a fitting place and order; which has not also something special, which the diligent searcher of the word may pluck, not found elsewhere, and the rarer, so much the more pleasing. Yet nothing is good which takes away something better. If you cannot read all things, read those which are more useful. Even if you could read all things, yet the same labor is not to be expended on all.
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sed quaedam ita legenda sunt ne sint incognita, quaedam vero ne sint inaudita, quia aliquando pluris esse credimus quod non audivimus, et facilius aestimatur res cuius fructus agnoscitur. videre nunc potes quam necessaria tibi sit haec humilitas, ut nullam scientiam vilipendas et ab omnibus libenter discas. similiter tibi quoque expedit, ut, cum tu aliquid sapere coeperis, ceteros non contemnas. [774D] hoc autem tumoris vitium hinc quibusdam accidit, quod suam scientiam nimis diligenter inspiciunt, et cum sibi aliquid esse visi fuerint, alios, quos non noverunt, tales nec esse nec potuisse fieri putant.
然而有些事當讀,是為使它們不致無人知曉;另有些事當讀,是為使它們不致無人聽聞,因為我們有時以為自己未曾聽聞之事更有價值,而其果效為人所識的事物更易被看重。如今你可看見這謙卑於你何等必要,使你不把任何知識看為輕賤,並樂於向眾人學習。同樣,這也於你有益:當你已開始有所知時,不可藐視他人。如今這膨脹的惡習臨到某些人,是因他們過於用心地審視自己的知識,當他們在自己看來似乎成了什麼人物時,便以為那些他們所不認識的別人,既不是、也不可能成為這樣的人。
But some things are to be read so that they may not be unknown, others indeed so that they may not be unheard of, because sometimes we believe a thing we have not heard of to be of greater worth, and a thing is more easily esteemed whose fruit is recognized. You can now see how necessary to you is this humility, that you may hold no knowledge cheap and may gladly learn from all. Likewise it is also expedient for you that, when you have begun to know something, you should not despise others. Now this vice of swelling befalls certain men from this, that they inspect their own knowledge too diligently, and when they have seemed to themselves to be something, they think that others, whom they have not known, neither are nor could become such.
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hinc etiam ebullit, quod nugigeruli nunc quidam, nescio unde, gloriantes, priores patres simplicitatis arguunt, et secum natam, secum morituram credunt sapientiam. in divinis eloquiis ita simplicem loquendi modum esse aiunt, ut in eis magistros audire non oporteat, posse satis quemque proprio ingenio veritatis arcana penetrare. corrugant nasum et valgium torquent in lectores divinitatis, et non intelligunt quod Deo iniuriam faciunt, cuius verba pulchro quidem vocabulo simplicia, sed sensu pravo insipida praedicant. non est mei consilii huiusmodi imitari.
因此也沸騰出這事:如今某些輕浮之徒,不知從何而來地誇口,指控早先的教父頭腦簡單,並以為智慧與他們同生、必與他們同死。他們說,在神聖的言語中說話的方式如此簡單,以致其中無需聆聽師傅,各人都能憑自己的才智充分洞穿真理的奧祕。他們對於神學的研讀者皺鼻撇嘴加以譏笑,卻不明白他們是在對神施加侮辱,因為他們宣稱祂的話語固然以一個美好的名稱說是「簡樸」的,卻以悖謬的理解說是「無味」的。仿效這類人並非我的勸告。
Hence too it boils over, that certain triflers now, boasting from I know not what source, accuse the earlier fathers of simplicity, and believe that wisdom was born with them and will die with them. In the divine words, they say, the manner of speaking is so simple that in them there is no need to hear masters, and each one can sufficiently penetrate the secrets of truth by his own talent. They wrinkle their noses and twist their lips in mockery at the readers of divinity, and do not understand that they do injury to God, whose words they proclaim to be simple indeed by a beautiful term, but insipid by a depraved sense. It is not my counsel to imitate men of this sort.
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bonus enim lector humilis debet esse et mansuetus, [775A] a curis inanibus et voluptatum illecebris prorsus alienus, diligens et sedulus, ut ab omnibus libenter discat, numquam de scientia sua praesumat, perversi dogmatis auctores quasi venena fugiat, diu rem pertractare antequam iudicet discat, non videri doctus, sed esse quaerat, dicta sapientium intellecta diligat, et ea semper coram oculis quasi speculum vultus sui tenere studeat. et si qua forte obscuriora intellectum eius non admiserint, non statim in vituperium prorumpat, ut nihil bonum esse credat, nisi quod ipse intelligere potuit. haec est humilitas disciplinae legentium. De studio quaerendi.
因為好的讀者當謙卑而溫良,全然遠離虛妄的掛慮與逸樂的誘餌,殷勤而熱切,以致他樂於向眾人學習,從不自恃己有的知識,躲避悖謬教條的作者如同躲避毒藥,學會在判斷一事之前先長久玩味,不求顯為有學問,乃求實有學問,喜愛智者所說、既已明白的話,並常竭力把它們放在眼前,如同自己面容的鏡子。倘若有某些更晦澀之事未容他的理解進入,他也不要立刻爆發為責難,以致除了自己所能理解的,便不信有何美善。這便是讀者所當有之規矩的謙卑。論探求的熱忱。
For a good reader ought to be humble and meek, wholly estranged from vain cares and from the enticements of pleasures, diligent and zealous, so that he may gladly learn from all, never presume upon his own knowledge, flee the authors of perverse dogma as if they were poisons, learn to handle a matter long before he judges it, seek not to seem learned but to be so, love the sayings of the wise once understood, and ever study to hold them before his eyes as the mirror of his own countenance. And if perhaps certain more obscure things have not admitted his understanding, let him not at once burst forth into reproach, so as to believe nothing good except what he himself has been able to understand. This is the humility of the discipline of readers. On the zeal of inquiring.
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[775B] Studium quaerendi ad exercitium pertinet, in quo exhortatione magis quam doctrina lector indiget. qui enim diligenter inspicere voluerit quid antiqui propter amorem sapientiae pertulerint, quam memoranda posteris virtutis suae monimenta reliquerint, quamlibet suam diligentiam inferiorem esse videbit. alii calcabant honores, alii proiecerunt divitias, alii acceptis iniuriis gaudebant, alii poenas spreverunt, alii contubernia hominum deserentes, ultimos recessus et secreta eremi penetrantes, soli se philosophiae dedicabant, ut eo contemplationi vacarent liberius, quo nullis quae virtutis iter impedire solent cupiditatibus animum subiecissent.
探究的熱忱屬於實踐,在此讀者所需的是勉勵,而非教導。凡願意勤勉省察古人為了愛慕智慧所忍受之事,以及他們留給後世的德行豐碑何等可記念之人,必看見自己的勤勉遠不及他們。有人踐踏榮譽,有人拋棄財富,有人在受辱時歡喜,有人藐視刑罰;有人離棄人群,深入曠野最偏遠的隱處與隱密之地,獨獨將自己獻給哲學,好叫自己能更自由地專注於默觀,因為他們不曾使心靈屈服於任何那些慣常攔阻德行之路的貪欲。
The zeal for inquiry belongs to practice, in which the reader needs encouragement rather than instruction. For whoever is willing to examine diligently what the ancients endured for the love of wisdom, and how memorable were the monuments of their virtue which they left to posterity, will see his own diligence to be inferior to theirs. Some trampled honors underfoot, some cast away riches, some rejoiced when they received injuries, some scorned punishments; some, abandoning the company of men and penetrating the remotest recesses and secret places of the desert, dedicated themselves to philosophy alone, that they might be more free for contemplation, in that they had subjected their mind to none of those desires which are wont to hinder the path of virtue.
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Parmenides philosophus quindecim annis in rupe Aegyptia consedisse legitur. et Prometheus ob immodicam meditandi curam in monte [775C] Caucaso vulturi expositus memoratur. quia enim sciebant verum bonum non in aestimatione hominum sed in pura conscientia esse absconditum, et eos iam non homines esse, qui rebus perituris inhaerentes bonum suum non agnoscerent, ideo, quantum mente et intelligentia a ceteris differrent, ipsa locorum distantia demonstrabant, ne una teneret habitatio quos non eadem sociabat intentio. quidam philosopho referebat dicens: Numquid non vides quia te derident homines? et ille: Ipsi me, inquit, derident, et eos asini.
據說哲學家巴門尼德在埃及的一塊岩石上靜坐了十五年。又據傳普羅米修斯因對沉思過度熱衷,被縛在高加索山上任禿鷹啄食。因為他們知道真正的善並非藏在人的看重中,乃是藏在純潔的良心裡,又知道那些緊抓必朽之物、不認得自己之善的人已不再是人,所以他們以居所的遙遠來顯明自己在心智與悟性上與眾人相去何等之遠,免得同一個居所容納那些並非同一志向所聯合的人。有人對一位哲學家說:「你豈不見眾人譏笑你嗎?」他回答說:「他們譏笑我,而驢子譏笑他們。」
The philosopher Parmenides is said to have sat for fifteen years upon a rock in Egypt. And Prometheus, on account of his immoderate eagerness for meditation, is reported to have been exposed to the vulture on Mount Caucasus. For because they knew that the true good lay hidden not in the esteem of men but in a pure conscience, and that those were no longer men who, cleaving to perishable things, did not recognize their own good, therefore they showed by the very distance of their places how far they differed from the rest in mind and understanding, lest one dwelling should hold those whom one and the same purpose did not unite. A certain man said to a philosopher: 「Do you not see that men mock you?」 And he replied: 「They mock me, and the asses mock them.」
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cogita si potes, quanti aestimaverit laudari ab his, a quibus nec vituperari timuit. de alio rursum legitur, [775D] quod post omnia disciplinarum studia et artium acumina ad opus figuli descenderit. et alterius cuiusdam discipuli cum laudibus magistrum suum efferrent, inter cetera nec sutoriae peritia eum carere gloriati sunt. hanc igitur diligentiam in nostris lectoribus es se vellem, ut numquam in eis senesceret sapientia. sola Abisag Sunamitis senem David calefecit quia amor sapientiae etiam marcescente corpore dilectorem suum non deserit. omnes paene virtutes corporis mutantur in senibus, et crescente sola sapientia, decrescunt cetera.
請你若能夠就思想一下:他何等看重被那些他連受其責備也不懼怕之人所稱讚。又有人記載另一人,說他歷盡各樣學科的研習與技藝的精微之後,竟下到陶匠的工作。而當另一人的門徒以稱讚高舉他們的師傅時,他們在別樣事上還誇耀他連製鞋的技藝也不缺乏。所以我願這樣的勤勉存在我們的讀者中,使智慧在他們裡面永不衰老。唯有書念女子亞比煞使年邁的大衛得了溫暖,因為愛慕智慧之心,即使身體枯萎,也不離棄那愛慕它的人。年老之人幾乎一切身體的能力都會改變,唯獨智慧增長,其餘的卻衰退。
Consider, if you can, how greatly he valued being praised by those by whom he did not even fear to be reproached. Of another it is read again that after all the studies of the disciplines and the refinements of the arts he descended to the work of a potter. And when the disciples of yet another extolled their master with praises, among other things they gloried that he was not even without skill in shoemaking. This diligence, then, I should wish to be present in our readers, that wisdom might never grow old in them. Abishag the Shunammite alone warmed the aged David, because the love of wisdom does not abandon its lover even when the body withers. Almost all the powers of the body are altered in old men, and while wisdom alone grows, the rest decline.
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senectus enim illorum qui adolescentiam suam honestis actibus instruxerunt, aetate fit doctior, usu tristior, processu temporis sapientior, et veterum studiorum dulcissimos fructus metit. unde et sapiens ille vir Graeciae, Themistocles, [776A] cum expletis centum septem annis se mori cerneret, dixisse fertur se dolere quod egrederetur de vita quando sapere coepisset. Plato lxxxi anno scribens mortuus est. Socrates xcviiii annos in docendi scribendique dolore laboreque complevit. taceo ceteros philosophos, Pythagoram, Democritum, Xenocratem, Zenonem, et Eleantem qui iam aetate longaeva in sapientiae studiis floruerunt.
因為那些以美善行為裝備自己青年時期之人,他們的晚年隨歲月而更有學問,因歷練而更莊重,隨時日推移而更有智慧,並收割昔日研習最甘美的果實。所以希臘的那位智者地米斯托克利,當他滿了一百零七歲、自覺將死之時,據傳他曾說:他正當開始有智慧之時要離世,為此而悲傷。柏拉圖在八十一歲寫作時去世。蘇格拉底在教導與寫作的勞苦、辛勤與艱辛中度過了九十九年。其餘的哲學家我就不提了,如畢達哥拉斯、德謨克利特、色諾克拉底、芝諾、革安提斯,他們年事已高,仍在智慧的研習中興盛。
For the old age of those who have furnished their youth with honorable deeds becomes more learned with age, more grave through practice, wiser with the passage of time, and reaps the sweetest fruits of its former studies. Whence also that wise man of Greece, Themistocles, when, after fulfilling one hundred and seven years, he saw himself about to die, is reported to have said that he grieved to depart from life just when he had begun to be wise. Plato died while writing in his eighty-first year. Socrates filled up ninety-nine years in the toil, labor, and pain of teaching and writing. I pass over the other philosophers, Pythagoras, Democritus, Xenocrates, Zeno, and Cleanthes, who, already of great age, flourished in the studies of wisdom.
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Ad poetas venio, Homerum, Hesiodum, Simonidem, Tersicorum, qui grandes natu cycneum nescio quid et solito dulcius vicina morte cecinerunt. Sophocles cum post nimiam senectutem, et rei familiaris neglegentiam, a filiis accusaretur amentiae, Oedippi fabulam, quam nuper scripserat, recitavit iudici, et tantum sapientiae in aetate iam fracta specimen dedit, [776B] ut severitatem tribunalium in favorem theatri converteret. nec mirum cum etiam Cato censorius et Romani generis disertissimus, iam senex graecas litteras discere nec erubuerit nec desperaverit. certe Homerus refert quod de lingua Nestoris, iam vetuli et paene decrepiti, dulcior melle oratio fluxerit.
我來談詩人,荷馬、赫西俄德、西摩尼得斯、斯特西科魯斯,他們年事已高,當死亡臨近之時,唱出某種天鵝般、比平日更甘美的歌,我也說不清那是什麼。索福克勒斯在極老年並疏於家務之時被兒子們控告失常,他便向審判官朗誦自己新近所寫的《俄狄浦斯》一劇,在已然衰殘的年歲中顯出如此的智慧之證,竟把法庭的嚴厲化為劇場的喝采。這也不足為奇,因為連監察官加圖,那羅馬人中最有口才者,已是老人之時,學習希臘文字仍既不羞愧也不灰心。確實荷馬記載,從年邁幾近龍鍾的涅斯托耳口中,言語流出來比蜜更甘甜。
I come to the poets, Homer, Hesiod, Simonides, Stesichorus, who, being far advanced in years, sang I know not what swan-like song, sweeter than usual, as death drew near. Sophocles, when, after extreme old age and neglect of his household affairs, he was accused of madness by his sons, recited to the judge the tale of Oedipus, which he had recently written, and gave such a proof of wisdom in his now broken age that he turned the severity of the tribunal into the applause of a theater. Nor is it wonderful, since even Cato the Censor, the most eloquent of the Roman race, did not blush nor despair, when already an old man, to learn Greek letters. Surely Homer relates that from the tongue of Nestor, already aged and almost decrepit, speech flowed sweeter than honey.
3:46
animadverte igitur quantum amaverint sapientiam quos nec decrepita aetas ab eius inquisitione potuit revocare. iste igitur tantus amor sapientiae, tanta in senibus prudentiae abundantia, congrue etiam ex ipsius supradicti nominis interpretatione colligitur. interpretatur enim Abisag, pater meus superfluus, vel, patris mei rugitus, ex quo ostenditur abundantissimum, et ultra humanam vocem [776C] in senibus divini sermonis tonitruum commorari. verbum namque superfluum in hoc loco plenitudinem, non redundantiam, significat. porro Sunamitis in lingua nostra coccinea dicitur, quod satis convenienter fervorem sapientiae significare potest. De quattuor reliquis praeceptis.
所以你要留意:那些連龍鍾之年也不能使之離開追求智慧的人,何等愛慕智慧。因此,年老之人這樣大的愛慕智慧、這樣豐盛的審慎,也可從上述那名字本身的解釋恰當地推知。因為「亞比煞」被解作「我父是有餘的」,或「我父的吼聲」,由此顯明:神聖言語的雷聲極其豐盛地、且超乎人聲地存留在年老之人身上。因為在此處「有餘」一詞所指的是豐盈,而非冗贅。再者,「書念」在我們的語言中稱為「朱紅」,這頗能恰當地表徵智慧的熱火。論其餘四條訓誨。
Mark, then, how greatly those loved wisdom whom not even decrepit age could call away from its pursuit. This great love of wisdom, then, this great abundance of prudence in the aged, is fittingly gathered also from the interpretation of that aforesaid name itself. For Abishag is interpreted as 「my father is superfluous,」 or 「the roaring of my father,」 by which it is shown that the thunder of divine speech most abundantly, and beyond the human voice, dwells in the aged. For the word 「superfluous」 in this place signifies fullness, not redundancy. Moreover, Shunammite is in our language called 「scarlet,」 which can quite fittingly signify the fervor of wisdom. Concerning the four remaining precepts.
3:47
Quattuor quae sequuntur sic alternatim disposita sunt, ut alterum semper ad disciplinam, alterum ad exercitium spectet. De quiete. Vitae quies, sive interior, ut mens per illicita desideria non discurrat, sive exterior, ut otium et opportunitas honestis et utilibus studiis suppetat, utraque ad disciplinam pertinet. [776D] De scrutinio. Scrutinium autem, id est, meditatio, ad exercitium spectat. videtur autem scrutinium sub studio quaerendi contineri. quod, si verum est, superfluo repetitur, cum in superiori parte annumeratum sit. sed sciendum est hanc inter haec duo esse differentiam, quod studium quaerendi instantiam significat operis, scrutinium vero diligentiam meditationis.
以下這四條彼此交替安排,總是一條關乎訓練,另一條關乎實踐。論安息。生命的安息,無論是內在的——使心思不致在不合宜的貪欲中游蕩,或是外在的——使閒暇與機會得以供應於美善有益的研習,二者都關乎訓練。論省察。然而省察,即默想,則關乎實踐。如今省察似乎已包含在探究的熱忱之下;若果真如此,它便是多餘地重複了,因為它在前面部分已被計入。但須知這二者之間有這分別:探究的熱忱所指的是工作的恆切,而省察所指的是默想的勤勉。
The four that follow are so arranged alternately that one always pertains to discipline, the other to practice. Concerning rest. Rest of life, whether interior, that the mind should not wander through unlawful desires, or exterior, that leisure and opportunity may be available for honorable and useful studies—both pertain to discipline. Concerning scrutiny. But scrutiny, that is, meditation, pertains to practice. Now scrutiny seems to be contained under the zeal for inquiry; and if this is true, it is repeated superfluously, since it was counted in the earlier part. But it must be known that there is this difference between these two: that the zeal for inquiry signifies the perseverance of effort, while scrutiny signifies the diligence of meditation.
3:48
opus peragunt labor et amor, consilium pariunt cura et vigilia. in labore est, ut agas, in amore, ut perficias. in cura est, ut provideas, in vigilia, ut attendas. isti sunt quattuor pedisequi qui portant lecticam philologiae, quia mentem exercent cui sapientia praesidet. cathedra quippe philologiae sedes est sapientiae, quae his suppositis gestari dicitur, quoniam in his se exercendo promovetur. [777A] unde pulchre iuvenes propter robur a fronte lecticam tenere dicuntur, videlicet, philos et kophos, id est, amor et labor, quia foris opus peragunt; a posteriori, puellae, videlicet, philemia et agrimnia, quod interpretatur cura et vigilia, quia intus in secreto consilium pariunt.
勞苦與愛慕成就工作,憂慮與儆醒孕育籌算。在勞苦中,你才行動;在愛慕中,你才完成。在憂慮中,你才豫備;在儆醒中,你才留心。這四者就是扛抬語文學之輿轎的四名隨從,因為他們操練那以智慧為主宰的心靈。原來語文學之座乃是智慧的寶座,據說智慧乃藉著這些被置於其下者而被扛抬,因為它藉著在這些之中操練自己而得進步。所以美妙地說,少年男子因其力量在前面扛輿,即「philos」與「kophos」,意即愛慕與勞苦,因為他們在外成就工作;在後面則是少女,即「philemia」與「agrimnia」,解作憂慮與儆醒,因為她們在內、在隱密處孕育籌算。
Labor and love accomplish the work; care and watchfulness give birth to counsel. In labor it lies that you act, in love that you bring to completion. In care it lies that you provide, in watchfulness that you attend. These are the four attendants who carry the litter of Philology, because they exercise the mind over which wisdom presides. For the chair of Philology is the seat of wisdom, which is said to be borne with these set beneath it, since by exercising itself in these it is advanced. Whence beautifully the young men are said to hold the litter at the front because of their strength, namely 'philos' and 'kophos,' that is, love and labor, because they accomplish the work without; from behind, the maidens, namely 'philemia' and 'agrimnia,' which is interpreted care and watchfulness, because within, in secret, they give birth to counsel.
3:49
sunt quidam qui putant per cathedram philologiae humanum corpus significari, cui anima rationalis praesidet, quod ministri quattuor portant, id est, quattuor elementa componunt, e quibus duo superiora, id est, ignis et aer, actu et nomine masculina sunt, duo vero inferiora, id est, terra et aqua, feminina. De parcitate. [777B] Paupertatem quoque lectoribus suadere voluit, id est, superflua non sectari, quod maxime ad disciplinam spectat. Pinguis enim venter, ut dicitur, tenuem non gignit sensum. sed quid ad haec scholares nostri temporis respondere poterunt, qui non solum in studiis suis frugalitatem sequi contemnunt, sed etiam supra id quod sunt divites videri laborant?
有人以為,語文學之座所表徵的乃是人的身體,理性的魂在其上掌權,這身體由四名僕役所扛,即由四元素所構成;其中上面兩個,即火與氣,在性質與名稱上是陽性的,而下面兩個,即土與水,是陰性的。論儉樸。他也願勸讀者守貧窮,即不追求多餘之物,這尤其關乎訓練。因為如諺語所說,肥胖的肚腹不生細膩的悟性。但我們這時代的學者對此能回答什麼呢?他們不僅藐視在自己的研習中持守節儉,甚至竭力顯得比自己實際更富有。
There are some who think that by the chair of Philology the human body is signified, over which the rational soul presides, which four servants carry, that is, the four elements compose; of which the two upper, namely fire and air, are masculine in act and in name, while the two lower, namely earth and water, are feminine. Concerning frugality. He also wished to persuade poverty to readers, that is, not to pursue superfluous things, which pertains especially to discipline. For a fat belly, as is said, does not beget a fine intellect. But what will the scholars of our time be able to answer to this, who not only despise to follow frugality in their studies, but even strive to appear wealthier than they are?
3:50
[778A] nec iam quid didicerit quisque iactitat, sed quid expenderit. sed fortassis quia magistros suos imitari nolunt, de quibus, quid satis digne dicam, non invenio. De exsilio. Postremo terra aliena posita est, quae et ipsa quoque hominem exercet. omnis mundus philosophantibus exsilium est, quia tamen, ut ait quidam: Nescio qua natale solum dulcedine cunctos Ducit, et immemores non sinit esse sui. magnum virtutis principium est, ut discat paulatim exercitatus animus visibilia haec et transitoria primum commutare, ut postmodum possit etiam derelinquere. [778B] delicatus ille est adhuc cui patria dulcis est; fortis autem iam, cui omne solum patria est;
如今各人不再誇耀自己學了什麼,乃誇耀自己花費了什麼。但這或許是因為他們不願效法自己的師傅,論到那些師傅,我找不出什麼可配得上說的話。論流亡。最後,一片異鄉之地被擺在面前,這地本身也操練人。對那些哲思之人而言,整個世界都是流亡之地,然而正如某人所說:「故土以某種我說不清的甘甜吸引眾人,不容他們忘懷它。」這是德行的一個大開端:使那漸漸受操練的心思,先學會把這些可見而短暫之物相替換,以致日後甚至能撇下它們。那以本國為甘甜的人仍是嬌嫩的;但那以各地為本國的人已是剛強的;
And now each one no longer boasts of what he has learned, but of what he has spent. But perhaps it is because they are unwilling to imitate their masters, of whom I find nothing that I might say worthily enough. Concerning exile. Finally, a foreign land is set forth, which also itself exercises a man. The whole world is an exile to those who philosophize, because nevertheless, as a certain one says: 「By I know not what sweetness one's native soil draws all men, and does not allow them to be unmindful of itself.」 It is a great beginning of virtue that the mind, gradually trained, should first learn to exchange these visible and transitory things, that afterward it may even be able to forsake them. He is still delicate to whom his fatherland is sweet; but he is already strong to whom every soil is a fatherland;
3:51
perfectus vero, cui mundus totus exsilium est. ille mundo amorem fixit, iste sparsit, hic exstinxit. ego a puero exsulavi, et scio quo maerore animus artum aliquando pauperis tugurii fundum deserat, qua libertate postea marmoreos lares et tecta laqueata despiciat.
但那以全世界為流亡之地的人乃是完全的。第一種人把他的愛固定在世界上,第二種人把它分散了,第三種人把它熄滅了。我自幼便流亡在外,深知心思有時離開窮苦茅屋那狹小的地面時是何等憂傷,又深知它日後以何等的自由俯視大理石的華屋與雕花的天花板。
but he is perfect to whom the whole world is an exile. The first has fixed his love on the world, the second has scattered it, the third has extinguished it. I from boyhood have been an exile, and I know with what sorrow the mind sometimes leaves the cramped floor of a poor hut, and with what freedom it afterward looks down upon marble dwellings and paneled ceilings.