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Sidonius Apollinaris

Letters & Poems 1 part 5/7

Latin original · 38 verses · some words can be tapped for a gloss · long chapter, split into parts; this part covers 1:149–1:186 (252 verses in all)

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1:149
Plosores cui fulgidam Quirites, Et carus popularitate princeps, a Trajano statuam foro locarunt. Sed ne tu mihi comparare tentes, Quos multo minor ipse plus adoro, Paulinum, b Ampeliumque, Symmachumque, c Messalam ingenii satis profundi, d Et nulli modo Martium secundum, Dicendi arte nova parem vetustis, Petrum ct cum loquitur nimis stupendum, Vel quem municipalibus poetis Præponit bene Villicum senatus. Nostrum aut quos retinet solum disertos Dulcem Anthedion, et mihi magistri. e Musas sat venerabiles Iloeni: Acrem Lampridium, catum Leonem, Prastantemque tuba Severianum. Et sic scribere non minus valentem, Marcus Quintilianus ut solebat.
for whom the applauding Quirites, and the prince beloved for his popularity, set up in Trajan's forum a gleaming statue. But do not you attempt to compare with me those whom I, far lesser, myself the more adore—Paulinus, and Ampelius, and Symmachus, Messala of a mind deep enough, and Martius, now second to none, in the new art of speaking a match for the ancients; and Petrus, most astonishing too when he speaks; or him whom the senate rightly sets above the municipal poets, Villicus. Or those eloquent men whom our own soil retains—sweet Anthedion, and my teachers, the sufficiently venerable Muses of the Aponus: keen Lampridius, shrewd Leo, and Severianus outstanding at the trumpet, and one no less able to write in like manner, as Marcus Quintilianus used to.
為他,那喝采的羅馬公民與那因親民而備受愛戴的君王,在圖拉真廣場立起一座閃亮的雕像。但你切莫試圖將這些人與我相比,我遠為卑微,卻更加敬慕他們——保利努斯、安佩利烏斯、敘馬庫斯,那心思夠深沉的墨薩拉,那如今無人可及、以嶄新的演說之藝媲美古人的瑪爾提烏斯;還有那說話時亦令人驚嘆不已的彼得魯斯;或那被元老院正當地列於地方詩人之上的維利庫斯。或那些我們本鄉所留住的雄辯之士——甜美的安忒狄翁,以及我的師傅、那阿波努斯之泉夠可敬的繆斯:敏銳的蘭普里迪烏斯、精明的萊奧,以及在號角上出眾的塞維里亞努斯,還有一位同樣善於以此方式寫作、如馬爾庫斯‧昆提利安慣常所為的人。
1:150
Nos valde sterilis modos Camenæ Raræ credimus hos, breviquc chartæ, 362 Quæ scombros merito piperque portet. Nam quisnam deus hoc dabit rejectæ, Ut vel suscipiens bonos odores, Nardum, ac pinguia niccrotianis Quae flagrant alabastra lincta succis, Indo cinnamon ex rogo petitum, Quo phœnix juvenescit occidendo, Costum, malobatrum, rosas, amomum, Myrrham, thus, opobalsamumque servet? Quapropter facinus meum tuere, Et condiscipuli tibi obsequentis, Incautum, precor, asseras pudorem, Germanum tamen ante sed memento Doctrinæ columen f Probum advocare : Isti qui valet exarationi Districtum bonus applicare theta. Novi sed bene, non refello culpam, \ Nec doctis placet impudens poeta.
We entrust these measures of a very barren Muse to rare and to scanty paper, which may deservedly carry mackerel and pepper. For what god will grant this to a rejected thing—that, taking up good odors, it should preserve nard and the rich alabaster-jars anointed with nicerotian juices, the cinnamon sought from an Indian pyre, whereby the phoenix grows young in dying, costus, malobathrum, roses, amomum, myrrh, frankincense, and balsam-oil? Wherefore protect my misdeed, and assert, I pray, the incautious modesty of a fellow-pupil obedient to you; yet before all remember to summon your own brother, the pillar of learning, Probus: he who, being good, can rightly apply the exacting theta to this scribbling. But well I know—I do not refute the fault—an impudent poet does not please the learned.
我們把這極貧瘠繆斯的詩律,交託給稀少而單薄的紙張,它理當堪裹鯖魚與胡椒。因為哪位神祇會賜給一件被棄之物這樣的殊榮——使它承接美好的香氣,保存那甘松與塗抹了尼刻羅提亞香汁的華貴雪花石膏瓶、那從印度火堆求得的肉桂(鳳凰藉此在死亡中重返青春)、以及木香、藿香、玫瑰、豆蔻、沒藥、乳香與香脂油?因此,請庇護我的過錯,我求你為一個順從你、卻不謹慎的同窗的羞怯作辯;然而在一切之先,切記召來你自己的弟兄、學問之棟樑普羅布斯:他為人良善,能正確地把那嚴苛的忒塔(否決之記)加於這塗鴉。但我深知——我不否認這過失——一個放肆的詩人並不討有學問者的喜歡。
1:151
Sed nec turgida contumeliosi Lectoris nimium verebor ora, Si tanquam gravior scveriorquc Nostræ Terpsichores jocum refutans, Hugato g Cato Tetricus labello Narem rhiuoceroticam minetur. ' Non te terreat hic nimis peritus: Verum si cupias probare, tanta Nullus scit, mihi crede, quanta nescit. 363 CARMEN X. PRÆFATIO EPITHALAMII RURICIO ET IBERIÆ DICTI. Flucticolæ cum festa nurus Pagasaea per antra Rupe sub Æmathia Pelion explicuit ; Angustabat humum superum satis ampla supellex, Cerlabant gazis, hinc polus, hinc pelagus. Ducebatque choros, viridi prope tectus amictu, Ceruleæ pallx concolor ipse socer. Nympha quuque in thalamos veniens de surgite nuda, Vestiti coepit membra timere viri.
But neither shall I too greatly dread the swollen countenance of an insulting reader, if—as though graver and more severe, rejecting the jest of our Terpsichore—Cato the grim, with lip turned up, should threaten a rhinoceros-nostril. Let not this over-clever one terrify you: truly, if you wish to prove it, believe me, no man knows so much as he does not know. POEM X. PREFACE TO THE EPITHALAMIUM WRITTEN FOR RURICIUS AND IBERIA. When the wave-dwelling nymphs unfolded their festival, Pagasaean, through the caverns, beneath the Aemathian crag of Pelion, furniture ample enough narrowed the ground for the gods above; they vied with treasures—here the heavens, there the sea. And the father-in-law himself, well-nigh covered with a green mantle, of hue matching the sea-blue robe, led the dances. And each nymph, coming naked from the deep into the bridal chambers, began to fear the limbs of the clothed man.
但我也不會過分畏懼一個侮慢讀者那浮腫的面容,倘若——彷彿更莊重、更嚴厲,摒棄我們忒耳普西科瑞的戲謔——那陰沉的加圖翹起嘴唇,威嚇著要皺起犀牛般的鼻孔。莫讓這過分精明者嚇著你:說真的,你若願意驗證,請信我,沒有一個人所知的能多過他所不知的。詩篇十。為魯里丘斯與伊柏里亞所寫《婚歌》之序。當那居於波濤的仙女們在珀利翁的埃馬提亞峭壁之下、穿過洞穴,展開她們的慶典時,那對上界諸神已然十分寬敞的陳設卻使地面顯得狹窄;他們以珍寶相競——這邊是天、那邊是海。而那岳父本人,幾乎被一件綠色斗篷所覆,其色與那海藍色的長袍相配,領著舞蹈。每位從深海赤裸走入洞房的仙女,都開始畏懼那衣著整齊的男子的肢體。
1:152
Tum divum quicunque aderat, terrore remoto, Quo quis pollebat lusit in officio. Juppiter emisit tepidum sine pondere fulrnen, Et dixit, melius nunc Cytherea calet. Pollux tum cæstu laudatus, Castor habenis, Pallas tum cristis, Delia tum pbarelris. Alcides clava, Mavors tum lusit in hasta, Areas tum virga, nebride tum Bromius. Hic et Pimpliadas induxerat optimus Orpheus, Chordis, voce, manu, carminibus, calamis. Ambitiosus Hymen totas ibi contulit artes : Qui non ingenio, fors placuit genio. Fescennina tamen non sunt admissa, priusquam Intonuit solita noster Apollo lyra. 364 CARMEN XI. a EP. THALAMIUM RURICIO ET IBERIÆ DICTUM.
Then whatever god was present, with terror removed, sported in the office wherein each was strong. Jupiter loosed a tepid thunderbolt without weight, and said: 'Better now does Cytherea grow warm.' Then Pollux was praised at the boxing-glove, Castor at the reins, Pallas then at the crests, the Delian then at the quivers. Alcides at the club, Mavors then sported at the spear, the Arcadian then at the wand, Bromius then in the fawn-skin. Here too the excellent Orpheus had brought in the Pimpleiades—with strings, voice, hand, songs, and reeds. Ambitious Hymen there brought together all the arts: he who pleased not by talent, perchance pleased by genius. Yet no Fescennine verses were admitted before our Apollo had thundered on his wonted lyre. POEM XI. THE EPITHALAMIUM WRITTEN FOR RURICIUS AND IBERIA.
於是每一位在場之神,褪去了恐懼,各以自己所擅長的職能嬉戲。朱庇特放出一道無重量的溫和雷霆,並說:「如今庫忒瑞亞(維納斯)暖得更好了。」隨後波呂克斯以拳套受讚,卡斯托耳以韁繩,帕拉斯以盔纓,得洛斯之神以箭袋。阿爾刻德斯以棍棒,瑪弗爾斯以長矛嬉戲,阿爾卡狄亞之神以魔杖,布洛米烏斯以幼鹿皮。連那卓越的俄耳甫斯也帶來了皮姆普勒亞的繆斯——以琴弦、歌喉、手法、詩歌與蘆管。野心勃勃的許門在那裡薈萃了一切藝術:他若非以才華取悅、或許便以天賦取悅。然而在我們的阿波羅以慣常的豎琴發出雷鳴之前,那些費斯肯尼婚俗諧詩尚不獲准。詩篇十一。為魯里丘斯與伊柏里亞所寫之《婚歌》。
1:153
Inter Cyaneas Ephyræa cacumina cautes, Qua super Idalium levat Orithion in æthram Exesi sale montis apcx, ubi forte vagantem Dum fugit, et fixit trepidus Symplegada Tiphis, Atque recurrentem ructatum ad rauca Maleam, Exit in Isthmiacum pelagus claudentibus alis Saxorum de rupe sinus; quo saepe recessu, Sic tanquam toto coeat de lumine coeli, Arctatur collecta dies, tremulasque per undas Insequitur secreta vadi; transmittitur alto Perfusus splendore latex, miroque relatu Lympha bibil solem, tenuique inserta fluento Perforat arenti radio lux sicca liquorem. . Profccit studio spatium ;
Among the Cyanean rocks, the Ephyraean peaks and crags, where above Idalium the Orithion lifts into the air the summit of a mountain eaten by the brine—where perchance, as he fled the wandering rock, trembling Tiphys fixed the Symplegades, and marked their recoil belched back at hoarse Malea—there the bay goes forth into the Isthmian sea, its recesses closed by the wings of the crags; whereby often in that retreat, just as if the whole day should gather from all the light of heaven, the collected daylight is straitened, and through the tremulous waves pursues the secrets of the shoal; in the deep the liquid is suffused, poured over with a wondrous sheen, and—strange to relate—the water drinks the sun, and, inserted into the thin flowing, the dry light pierces the moisture with an arid ray. The space has profited by its care;
在那藍色的礁石之間,在厄費拉的峰巒與峭壁之間,那裡在伊達利翁之上,俄里提翁把一座被鹹潮侵蝕的山巔舉入空中——那裡,當顫慄的提費斯躲避那漂移的岩石時,恰巧把撞岩定住,並看見它們的回彈在沙啞的馬勒亞被吐了回來——那裡,海灣伸入伊斯特米亞之海,其隱蔽處被礁石的雙翼所封閉;因此在那隱處,往往彷彿整個白晝從蒼天所有的光中匯聚而來,那聚攏的日光卻被逼窄,並穿過搖曳的波浪追逐那淺灘的隱祕;在深處,那水液被浸潤,籠罩著奇異的光澤,而——說來奇妙——那水暢飲陽光,那乾燥的光插入那纖薄的流動,以枯乾之光束穿透了那濕潤。這片天地因其精心經營而更臻美善;
1:154
nam Lemnius illic Ceu templum lusit Veneri, fulmenque relinquens, Hic ferrugineus fumavit sæpe Pyracmon, Hic lapis est de quinque locis, dans quinque colores, b Æthiops, Phrygius, Parius, Pœnus, Lacedaemon, Purpureus, viridis, maculosus, eburnus et albus. Postes chrysolithi fulvus diflulgurat ardor, Mirrhina, sardonyches, amethystus, Iberus, iaspis. ludus, Calchidicus, Scythicus, beryllus, achates, Attollunt duplices argenti cardine valvas, Per quas inclusi lucem vomit umbra sinaragdi. 365 Limina crassus onyx crustat, propterque hya- [cinthi Caerula concordem faciunt in stagna colorem. Exterior non compta silex, sed prominet alte Asper ab assiduo lympharum verbere pumex.
for there the Lemnian, as though building a temple, sported for Venus, and, leaving aside his thunderbolt, here ferruginous Pyracmon often sent up smoke. Here the stone is from five places, giving five colors—Ethiopian, Phrygian, Parian, Punic, Lacedaemonian: purple, green, spotted, ivory, and white. The tawny brilliance of chrysolite blazes forth on the doorposts, murrhine, sardonyx, amethyst, Iberian, jasper. Indian, Chalcidian, Scythian, beryl, agate lift the double folding-doors upon a hinge of silver, through which the enclosed shadow of the emerald vomits forth light. Thick onyx crusts the threshold, and hard by, the hyacinth-stones make a concordant color in the azure pools. The outer flint is not adorned, but the pumice juts up high, rough from the ceaseless lash of the waters.
因為在那裡,那勒姆諾斯之神(火神),彷彿在建造一座神廟,為維納斯而工,並擱下他的雷霆,在此那鏽色的皮拉克蒙常常升起煙來。這裡的石頭出自五個地方,呈現五種顏色——衣索比亞的、弗里吉亞的、帕羅斯的、布匿的、拉刻代蒙的:紫、綠、斑駁、象牙、與白。橄欖石那黃褐的光輝在門柱上迸射,還有螢石、纏絲瑪瑙、紫水晶、伊比利亞石、碧玉。印度石、卡爾基斯石、斯基泰石、綠柱石、瑪瑙,把那雙扇門扉舉在銀質的門樞之上,透過門扉,那被封住的祖母綠之影吐出光來。厚重的縞瑪瑙鑲覆著門檻,緊鄰之處,藍寶石在那湛藍的水池中造出協調的色彩。外面的燧石未經修飾,浮石卻高高突起,因水波不歇的拍擊而顯得粗糙。
1:155
Interiore loco simulavit Mulciber auro Exstantes late scopulos, atque arte magistra 1 Ingenti cultu naturae inculta fefellit. Huic operi insistens, quod necdum noverat illa, Quæ pro Lemniacis damnavit furta catenis. Squameus huc Triton, duplicis confinia dorsi Qua coeunt, supra sinuamina tortilis alvi, Inter aquas calido portabat corde Dionem. Sed premit adjecto radiantis pondere conchæ Semiferi Galatea iatus, quod pollice fixo Vellit, et occulto spondet connubia tactu. Tum gaudens torquente joco, subridct amator Vulnere, jamque suam parcenti pistre flagellat. Pone subit turmis flagrantibus agmen An.orum.
In an inner place Mulciber fashioned in gold crags jutting far and wide, and with masterly art deceived nature's uncultivated with a mighty adornment. Intent upon this work—which she did not yet know—she who, in place of the Lemnian chains, condemned the theft. Hither scaly Triton, where the confines of his double back meet, above the coils of his twisted belly, amid the waters bore Dione with a warm heart. But Galatea presses the side of the half-beast with the added weight of a radiant conch, which with fixed thumb she plucks, and by a secret touch pledges wedlock. Then, rejoicing with tormenting jest, the lover smiles at the wound, and now lashes his own sea-monster, though it spares him. Behind follows the band of Loves in blazing troops.
在一處內室,穆爾基柏(火神)以黃金塑出遠遠突出的峭壁,並以精湛技藝,用宏偉的裝飾瞞過了自然的未加雕琢。她——那位以雷姆諾斯的鐵鏈為代價、譴責了那偷情之事的女神——正專注於這尚未識得的作品。那鱗甲遍身的特里頓,在他雙重脊背相接、扭曲腹軀盤繞之上的交界處,在水波之間以溫熱之心載著狄俄涅。而伽拉忒亞以一枚閃亮貝殼增添的重量壓著這半獸的側身,她以按住的拇指撥動那貝殼,並以隱祕的觸碰許下姻緣。於是那情人以折磨人的戲謔而歡欣,對那傷處微笑,如今鞭打他自己那雖饒了他卻仍馴順的海獸。後面隨著一隊燃燒著火焰的愛神。
1:156
Hic cohibet delphina rosis, viridique juvenco Hic vectus, spretis pendet per cornua frenis, Hi stantes motu titubant, planlaque madenti Labuntur, firmantque pedum vestigia pinnis. Illa recurvato demiserat ora lacerto Mollia : marcebant violæ, graviorque sopore Coeperat attritu florum descendere cervix. Solus de numero fratrum, qui pulchrior ille est, Deerat Amor, dum festa parat celeberrima Gallis, « Quæ soccr Ommatius, magnorum major avorum, Patriciæque nepos gentis, natae, generoque Excolit auspiciis faustis: sed fulsit ut ille 368 Forte dies, matrem celeri petit ipse volatu. Cujus fax, arcus, a eorytus pendebat:
Here one holds back a dolphin with roses; here another, borne on a green bullock, hangs by the horns, the reins despised; these, standing, stagger with the motion, and slip on the dripping sole, and steady the footprints of their feet with their wings. She had let down her soft face upon her bent-back arm: the violets were fading, and, heavier with sleep, from the rubbing of the flowers her neck had begun to sink down. Alone of the number of brothers, he who is the fairer—Love—was absent, while he prepares the most thronged festival for the Gauls, which the father-in-law Ommatius, greater than his great forefathers and grandson of a patrician line, adorns with auspicious omens for his daughter and his son-in-law. But when that day by chance shone forth, he himself seeks his mother in swift flight. Whose torch, bow, and quiver hung down:
這裡一位以玫瑰勒住海豚;那裡另一位騎在青綠的小公牛上,甩開韁繩懸掛在牛角間;這些愛神站立著,隨那動作搖晃,在濕漉的腳掌上滑跌,並以雙翼穩住足下的步履。她已把柔美的面龐垂在後彎的臂上:紫羅蘭正在凋萎,而她的頸項,因睡意愈沉、因花朵的摩挲,已開始低垂下去。眾兄弟之中,唯獨那位較俊美者——愛神——不在場,因他正為高盧人籌備那最為熱鬧的慶典,即那岳父奧瑪提烏斯——比他偉大的先祖更偉大、貴族世系之孫——以吉兆為其女兒與女婿所妝點的婚宴。但當那日恰巧綻放光輝時,他便親自疾飛去尋他母親。他的火炬、弓與箭袋垂懸著:
1:157
at ille Cernuus, et laevae pendens in margine palmæ, Libratos per inane pedes adverberat alis, Oscula sic matris carpens, somnoque refusae Semisopora levi scalpebat lumina penna. Tum prior his alacer cœpit. Nova gaudia porto Felicis prædæ, genitrix; calet ille superbus Ruricius nostris facibus, dulcique veneno Tactus, votivum suspirat corde dolorem. Esset si præsens ætas, impenderet illi Lemnias imperium, Cressa stamen labyrinthi, Alceste vitam, Ciree herbas, poma Calypso. Scylla comas, Atalanta pedes, Medea furores, Hippodame ceras, cycno Jove nata coronam. Huic Dido in ferrum, simul in suspendia Phyllis, Evadne in flammas, et Sestias issel in undas. His hæc illa refert.
but he, stooping down and hanging at the edge of her left palm, beats his balanced feet through the empty air with his wings, thus plucking his mother's kisses, and with a light feather scratched the half-drowsy eyes of her who had melted back into sleep. Then, first and eager, he began thus: 'I bring new joys of a fortunate prey, mother; that proud Ruricius glows hot with our torches, and, touched by the sweet venom, sighs in his heart a longed-for pain. Were the present age to be, the Lemnian maid would spend an empire on him, the Cretan the thread of the labyrinth, Alcestis her life, Circe her herbs, Calypso her apples, Scylla her locks, Atalanta her feet, Medea her frenzies, Hippodame her wax tablets, the child of Jove by the swan her crown. For him Dido would go upon the sword, Phyllis alike to the noose, Evadne into the flames, and the Sestian maid would go into the waves.' To these things she replies thus.
但他俯下身來,懸在她左掌的邊緣,以雙翼在虛空中拍動那平衡的雙足,如此攫取著母親的親吻,並以一根輕羽搔動那沉回睡夢者那半睡半醒的眼。於是他率先急切地開口說:「母親,我帶來一件幸運獵物的新喜訊;那高傲的魯里丘斯因我們的火炬而熾熱,被那甜蜜的毒液所觸,在心中為那渴慕的痛楚而嘆息。倘若如今是那古昔之世,那勒姆諾斯少女會為他傾其王國,克里特少女會傾其迷宮之線,阿爾刻斯提斯傾其性命,喀耳刻傾其草藥,卡呂普索傾其金蘋果,斯庫拉傾其髮絡,阿塔蘭忒傾其疾足,美狄亞傾其瘋狂,希波達彌傾其蠟板,那由天鵝所生、宙斯之女傾其冠冕。為了他,狄多會撲向利劍,菲莉絲同樣撲向絞索,厄瓦德涅撲入火焰,那塞斯托斯少女會投身波濤。」她如此回答這些話。
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Gaudemus, nate, rebellem Quod vincis, laudasque virum; sed forma puellae est, Quam si spectasset quondam Stheneboeius heros, Non pro contemptu domuisset monstra Chimerae: Thermodoontiaca vel qui genitrice superbus Sprevit Gnosiacae temeraria vola novercæ, Hac visa occiderat, fateor, sed crimine vero. Et si judicio forsan mihi quarta fuisset, Me quoque Rhœtea damnasset b pastor in Ida, Vincere vel si optas, istam da malo puellam Dixerat, hanc dederam formam pro munere formæ : Tantus honor geniusque geais :
'We rejoice, my son, that you vanquish the rebel and praise the man; but it is the girl's beauty that—had the Stheneboean hero once beheld it—he would not, out of scorn, have subdued the monsters of Chimaera: or he who, proud of his Thermodontian mother, spurned the reckless desires of the Cretan stepmother, would, had he seen her, have perished, I confess—but by a true charge. And if perchance in judgment I had been fourth, me too the shepherd on Rhoetean Ida would have condemned. Or if you wish to conquer, give that girl to my son—I had bestowed this beauty as a gift in return for beauty: so great is the honor and genius of the peoples.'
「我兒,我們歡喜你戰勝了那叛逆者、又稱讚了那人;但那是那少女的美貌——倘若當年那斯忒涅玻亞的英雄曾見過它,他便不會出於輕蔑而降服喀邁拉的怪物:又或那以其忒爾摩冬提亞(亞馬遜)之母為傲、蔑視那克里特繼母魯莽情慾之人,倘若見過她,我承認,他也會喪命——但那是憑真確的罪名。倘若在那評判中我或許曾是第四位,那羅厄提翁伊達山上的牧人也會譴責我。或者你若想得勝,就把那少女給我兒吧——我本已把這美貌作為回報美貌的禮物賜下:萬民的尊榮與天賦竟是如此之大。」
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collata rubori Pallida blatta latet, depressaque lumine vultus 367 Nigrescunt vincto baccarum fulgura collo, Te quoque multimodis ambisset Iberia ludis, Axe Pelops, cursu Hippomenes, luctaque Achelous, Æneas bellis, spectatus Gorgone Perseus. Nec minor hæc species, toties cui Juppiter esset c Delia, taurus, olor, satyrus, draco, fulmen et au­ |rum. Quare age, jungantur; nam census, forma, genusque Conveniunt; nil hic dispar tua fixit arundo. Sed quid vota moror? Dixit, currumque poposcit, Cui dederant crystalla jugum, quæ frigore primo Urbis adhuc teneri, glacies ubi Caucason auget, Strinxit Hyperboreis Tanaitica crusta pruinis, Naturam sumens gemmae, quia perdidit undæ.
Set beside her blush the pale sea-purple lies hidden, and the flashing pearls upon her bound neck are darkened, their brilliance overwhelmed by the light of her countenance. For you, too, Iberia would have contended in games of every kind: Pelops with the chariot-axle, Hippomenes in the race, Achelous in wrestling, Aeneas in wars, and Perseus, famed for the Gorgon. Nor is this beauty less, for whose sake Jupiter so many times became Delian maid, bull, swan, satyr, serpent, thunderbolt, and gold. Come then, let them be joined; for wealth, beauty, and lineage agree; here your arrow has fixed nothing ill-matched. But why do I delay the vows? So she spoke, and called for her chariot, to which crystals had given the yoke — crystals that, while the city was still tender in the first cold, where the ice heaps up Caucasus, the frost of the Tanais bound fast with Hyperborean rimes, taking on the nature of a gem because it lost that of water.
與她的紅暈相比,蒼白的海紫色黯然隱藏,繫在她頸上的珍珠光芒也黯淡下來,被她容顏的光輝所壓倒。伊比利亞也會為你舉辦各式各樣的競技:珀羅普斯駕車軸角逐,希波墨涅斯賽跑,阿刻羅俄斯角力,埃涅阿斯征戰,而以戈耳工聞名的珀爾修斯出戰。這美貌也不遜色,為她朱庇特曾多次化身為得洛斯少女、公牛、天鵝、薩堤爾、巨龍、雷霆與黃金。那麼來吧,讓他們結合;因財富、美貌與門第皆相稱;你的箭在此並未射中任何不般配之處。可我為何拖延婚誓呢?她如此說著,喚來她的車輦,那車軛以水晶製成——水晶乃在城邑初寒尚嫩之時,於冰霜堆積高加索之處,塔奈斯的冰殼被極北的寒霜凝結而成,因失去水的本性而取得了寶石的本性。
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Perforat hanc fulvo formatus temo metallo : Miserat hoc fluvius, cujus sub gurgitc Nymphae Mygdonium fovere Midam, qui pauper in auro Ditavit versis Pactoli Oumina votis. Splendet perspicuo radios tota margine cingens Marmaricae de fauce ferae, dum bellua curvis Dentibus excussis gemit exarmarier ora. Misit et hoc munus, tepidas qui nudus Erythras Concolor Æthiopi, vel crinem pinguis amomo Fluxus odoratis vexat venatibus Indus. Illa tamen pasci suetos per Cypron olores Vittata stringit myrto, queis caetera tensis Lactea puniceo sinuantur colla corallo. Ergo iter aggressi: pendens rota sulcat inanem Aera, et in liquido non solvitur orbita tractu.
A shaft of tawny metal pierces this yoke: a river had sent this gift, beneath whose eddying flood the Nymphs cherished Mygdonian Midas — Midas, who though poor amid his gold, enriched Pactolus with the streams turned to his reversed prayers. All along its clear rim it gleams, encircling the rays drawn from the maw of the Marmaric beast, while the monster, its curved tusks torn out, groans that its jaws are disarmed. This gift too was sent by the naked Indian who dwells at the warm Erythrae — of hue like the Aethiopian — or who, dripping with rich balsam, harasses his flowing hair in fragrant huntings. Yet she binds with wreathed myrtle the swans wont to feed throughout Cyprus, whose other parts — their milk-white necks — curve with rosy coral upon taut reins. So they set out upon the journey: the hanging wheel furrows the empty air, and the track is not dissolved in its liquid course.
一根黃褐色金屬製的轅桿貫穿此軛:這禮物乃一條河所贈,在其漩渦的洪流之下,眾寧芙曾養育米格多尼亞的彌達斯——彌達斯雖坐擁黃金卻貧困,卻以他反悔之禱所轉變的溪流使帕克托羅斯河富足。沿著清澈的邊緣,它閃耀著光芒,環繞著取自馬爾馬里克野獸巨口的光線,那怪獸的彎曲獠牙被拔除,哀嘆自己的巨口被解除了武裝。這禮物也是那赤身的印度人所贈,他居於溫暖的厄律特拉,膚色如埃塞俄比亞人一般,或滴著豐潤的香膏,在芬芳的狩獵中撥弄他飄逸的長髮。然而她以編織的桃金孃束縛那些慣於在整個塞浦路斯覓食的天鵝,牠們其餘的部分——乳白的頸項——在拉緊的韁繩上以玫瑰色的珊瑚彎曲。於是他們踏上旅程:懸空的車輪犁過空虛的天空,車轍在其流動的行程中不曾消散。
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Hic triplex uno comitatur gratia nexu, Hic redolet patulo fortunae copia cornu, 368 Hic spargit calathis sed flores Flora perennes Hic Cererem Siculam Pharius comitatur Osiris, Hic gravidos Pomona sinus pro tempore portat, Hic Pallas madidis venit inter prela trapetis. Hic distincta latus maculosa nebride Thyas Indica Echionio Bromii rotat orgia thyrso. Hic et Sigæis specubus qui Dindyma ludit, Jam sectus reealet Corybas, cui gutture ravo Ignem per biforcs regemunt cava buxa cavernas. Sic ventum ad thalamos :
Here the threefold Grace attends in a single bond; here Fortune's plenty breathes fragrance from her wide-mouthed horn; here Flora scatters from her baskets flowers ever-blooming; here Pharian Osiris accompanies Sicilian Ceres; here Pomona bears her fruit-laden bosom according to the season; here Pallas comes among the presses with dripping olive-mills. Here the Thyad, her flank marked with the spotted fawnskin, whirls the Indian orgies of Bromius with Echionian thyrsus. Here too the Corybas, who sports upon Dindymus in the Sigean caverns, now gashed grows fragrant again, from whose tawny throat the hollow boxwoods sound back fire through their double-cleft caverns. Thus they came to the bridal chambers.
此處三美惠女神以同一紐帶相隨;此處命運女神以她寬口的豐饒角散發芬芳;此處花神弗洛拉從她的花籃中撒下常開不謝的花朵;此處法羅斯的奧西里斯陪伴著西西里的刻瑞斯;此處波摩娜按時節懷抱她結滿果實的胸懷;此處帕拉斯攜著滴著油汁的橄欖榨具走來。此處那女祭司,脅側綴著斑點的小鹿皮,以厄客翁的酒神杖旋轉著布洛彌俄斯的印度狂歡。此處還有那科律巴斯,在西該翁的洞穴中於丁狄摩斯山上嬉戲,如今雖被割傷卻再度散發芬芳,從他黃褐色的喉間,中空的黃楊木管透過雙叉的洞穴回響出火焰。他們就這樣來到了新婚的洞房。
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thus, nardus, balsama, [myrrhæ Hic sunt, hic pboenix busti dat cinnama vivi, Proxima quin etiam festorum afflata calore, Jam minus alget hiems, speciemque tenentia vernam Hoc dant vota loco, quod non dant tempora mundo. Tum juvenis dextram Paphie dextramque puellæ Complectens, paucis cecinit solemnie dictis, Ne facerent vel verba moram; Feliciter aevum Ducite concordes, sint nati, sintque nepotes, Cernat et in proavo sibimet quod proneposoptet. CARMEN XII. d AD V. C. CATULLINUM, QUOD PROPTER HOSTILITATEM BARBARORUM EPITHALAMIUM SCRIBERE NON VALERET.
Frankincense, nard, balsam, myrrh are here; here the phoenix yields the cinnamon of its living pyre. Nay more, the very winter, breathed upon by the warmth of the festivities, now feels less cold, and these vows bestow upon this place, holding to a springtime aspect, what the seasons do not grant to the world. Then the Paphian goddess, clasping the young man's right hand and the maiden's right hand, sang a solemn rite in few words, lest even words should cause delay: 'Pass your life happily in concord; may there be children and grandchildren, and may the great-grandsire behold in himself what a great-grandson might wish for.' CARMEN XII. TO CATULLINUS, MAN OF SENATORIAL RANK, THAT BECAUSE OF THE HOSTILITY OF THE BARBARIANS HE WAS UNABLE TO WRITE AN EPITHALAMIUM.
乳香、甘松、香脂、沒藥皆在此;此處鳳凰從其活生生的火葬堆中獻出肉桂。不僅如此,就連冬天,被慶典的溫暖所吹拂,如今也不再那般寒冷,這些婚誓賦予此地一種春天的容貌,將四時之序不曾賜予世界之物給予此地。然後帕福斯女神緊握新郎的右手與少女的右手,以寥寥數語唱誦了一段莊嚴的儀典,唯恐言語也會造成延誤:「你們當和睦地度過幸福的一生;願有兒女,願有孫輩,願曾祖父在自己身上見到曾孫所可企望之事。」第十二首詩。致元老階級之人卡圖利努斯,因蠻族之敵意,他無法寫作婚歌。
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Quid me, et si valeam, parare carmen Fescennmicolæ jubes Diones, Inter crinigeras situm catervas, Et Germanica verba sustinentem, Laudantem tetrico subinde vultu, 369 Quod Burgundio cantat csculenlus, Infundens acido comam butyro? Vis dicam tibi quid poema frangat? Ei hoc barbaricis abacta plectris Spernit senipedem stylum Thalia, Ex quo a septipedes videt patronos. Fclices oculos tuos et aures, Felicemque libet vocare nasum, Cui non allia, sordidæque cepac, Ructant mane novo decem apparatus. Quem non ut vetulum patria parentem, Nutricisque virum, die nec orto, Tot tantique petunt simul Gigantes, Quod vix Alcinoi culina ferret.
Why do you bid me, even if I could, prepare a song of Fescennine Dione — I who am set amid long-haired hordes, enduring Germanic speech, praising again and again with a grim face whatever the gorged Burgundian sings, smearing his hair with rancid butter? Would you have me tell you what breaks a poem? Driven away by barbarian lyres, Thalia scorns the six-foot verse ever since she has beheld these seven-foot patrons. Happy your eyes and ears, and happy I may call your nose, upon which ten courses do not belch garlic and foul onions at the first light of morn — you whom, as though he were an aged fatherland's parent and the nurse's husband, before day has dawned, so many and such great Giants do not besiege all at once, a thing which the kitchen of Alcinous could scarcely bear.
你為何要我——即便我能——為費斯凱尼奈的狄俄涅備一首歌呢?我置身於長髮的蠻眾之間,忍受著日耳曼的言語,一次又一次板著陰沉的臉,讚美那飽食的勃艮第人所唱的一切,他以酸臭的奶油塗抹頭髮。你想要我告訴你什麼會摧毀一首詩嗎?被蠻族的琴聲驅走,塔莉亞自從見到這些七尺高的贊助者以來,便鄙棄那六音步的詩句。你的眼與耳有福,你的鼻子我也樂於稱之有福,因為晨曦初現之時,並沒有十道菜餚向它噴出大蒜與污穢洋蔥的氣味——你不像那年邁的父親、乳母的丈夫,天尚未亮,便同時被如此眾多如此巨大的巨人所圍攻,那是連阿爾喀諾俄斯的廚房也難以承受之事。
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Sed jam Musa tacet, tenetque habenas Paucis hendecasyllabis jocata. b Ne quisquam satyram vel hos vocaret. CARMEN XIII. C EPIGRAMMA QUO AB IMPERATORE MAJORIANO TRIUM CAPITUM REMEDIUM POSTULAVIT. Amphitrioniadem perhibet veneranda vetustas Dum relevat terras, promeruisse polos. Et licet in nuda torvus confregerit ulna Ille Ciconeæ guuura rauca feræ. Et quanquam ardenti gladio vii straverit hydram, Cum duplices pareret vulnere mors animas : 370 Captivumque ferens silva ex Erymanthide [monstrum Exarmata reri riserit ora suis. Collaque flammigenæ dirumpens fumida Curis Tandem directas jusserit ire boves :
But now the Muse falls silent, and holds her reins, having jested in a few hendecasyllables, lest anyone should call even these a satire. CARMEN XIII. AN EPIGRAM IN WHICH HE ASKED FROM THE EMPEROR MAJORIAN A REMEDY FOR THREE HEADS. Venerable antiquity relates that the son of Amphitryon, while he relieved the earth, earned the heavens. And though grim he crushed in his bare arm the raucous throats of the Ciconian beast; and though with blazing sword he laid low the hydra, when death by a single wound brought forth twin lives; and bearing captive the monster from the Erymanthian wood, he laughed at its jaws disarmed by his own; and bursting the smoking necks of the flame-born cattle of Cacus, at last he bade the recovered oxen go in a straight line.
但此刻繆斯緘默不語,勒住她的韁繩,以寥寥數行十一音節詩戲謔了一番,唯恐有人竟將這些也稱作諷刺詩。第十三首詩。一首短詩,其中他向皇帝馬約里安請求對三顆頭顱的療治。可敬的古人述說,安菲特律翁之子在拯救大地之際,贏得了諸天。他雖嚴厲,卻以赤裸的臂膀扼碎了西科尼亞野獸沙啞的喉嚨;他雖以熾烈的劍刃斬倒九頭蛇,當一次創傷使死亡孕育出雙重生命之時;他擒著厄律曼托斯森林的怪獸為俘,嘲笑那被自己解除武裝的巨口;他撕裂卡庫斯那火中所生之牛群冒煙的頸項,終於命那尋回的牛群直線而行。
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Taurus, cerva, gigas, hosp s, luctator, Amazon, Cres, canis, Hesperides sint monimenta viri. Nulla tamen fuso prior est Geryone pugna, Uni tergeminum cui tulit ille caput. Haec quondam Alcides; at tu Tirynthius alier, Sed princeps magni maxima cura Dei, Quem draco, cervus , aper, paribus sensere sagittis, Cum dens, cum virus, cum iuga nil valuit. Geryones nos esse puta, monstrumque tributum : Hic capita, ut vivam, tu mihi tolle tria. Has supplex famulus preces dicavlt, ' Responsum opperiens pium ac salubre, Ut reddas patriam, simulque vitam, Lugdunum exonerans suis ruinis. Hoc te Sidonius tuus precatur. Sic te Sidonio recocta fuco, Multos purpura vestiat per annos.
Bull, hind, giant, host, wrestler, Amazon, Cretan beast, dog, and the Hesperides — let these be the memorials of the hero. Yet no battle is greater than that with slain Geryon, upon whom alone he inflicted a threefold head. These things once did Alcides; but you are another Tirynthian, yet a prince, the greatest care of great God — you whom the serpent, the stag, the boar felt with matching arrows, when tooth, when venom, when antlers availed nothing. Suppose that I am Geryon, and the monster is a tribute: take from me these heads, three of them, that I may live. These prayers a suppliant servant offered, awaiting a pious and healing answer — that you restore his fatherland and his life together, unburdening Lugdunum of its ruins. This your own Sidonius entreats of you. So may the purple, steeped anew in Sidonian dye, clothe you for many years.
公牛、母鹿、巨人、客旅、角力者、亞馬遜女戰士、克里特之獸、獵犬、以及赫斯珀里得斯——願這些成為英雄的紀念。然而沒有一場戰鬥比與被殺的革律翁之戰更偉大,他獨自使那三重的頭顱歸於一身。這些是阿爾喀得斯昔日的功績;但你是另一位提林斯英雄,卻是君王,是偉大上帝最大的眷顧——那毒龍、雄鹿、野豬曾以相配的箭矢感受過你,當牙齒、當毒液、當犄角都無濟於事之時。且當我是革律翁,那怪物是貢物:從我身上取去這三顆頭顱,好使我能存活。這些禱告,一位懇求的僕人獻上,等候著虔誠而有益的回應——願你恢復他的故土,同時恢復他的生命,卸下盧格杜努姆的廢墟重擔。這是你的西多尼烏斯向你懇求的。願那以西頓染料重新浸染的紫袍,多年披覆於你身。
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Sicd lustro imperii perennis acto, Quinquennalia fascibus dicentur. Sic ripæ duplicis tumore fracto, Detonsus Vachalim bibat Sicamber. Quod si contuleris tuo poetæ, Mandem perpetuis legenda fastis; Quæcunque egregiis geris triumphis. Nam nunc Musa loquax tacet tributo, 371 Quae pro Virgilio Terentiaque, Sextantes legit unciasque fisci, e Marsyæque limet manum ac rudentem, Qui Phoebi ex odio vetustiore Nunc suspendia vatibus minatur. Sidonius i Polemio suo salutem.
So, when a lustrum of your everlasting reign is accomplished, may the quinquennial games be proclaimed to your fasces. So, when the swelling of the twofold bank is broken, may the shorn Sygambrian drink the Vahalis. But if you grant this to your poet, I will commit to be read in the perpetual annals whatever glorious triumphs you achieve. For now the talkative Muse is silent for a tribute — she who, in place of Virgil and Terence, gathers up the sixths and twelfths of the treasury, and files the hand and the rope of Marsyas, who out of an ancient hatred for Phoebus now threatens hangings to the poets. Sidonius to his own Polemius, greeting.
如此,當你永恆治世的一個五年期完成之時,願那五年一度的競技被宣告於你的權標之前。如此,當那雙重河岸的漲勢被打破之時,願那剃了髮的西康布里人暢飲瓦哈利斯河的水。但倘若你將此賜予你的詩人,我便要將你所成就的一切輝煌凱旋交付永恆的史冊供人傳誦。因為如今那多言的繆斯為了一筆稅賦而緘默——她本應代替維吉爾與泰倫斯,如今卻搜刮著國庫的六分之一與十二分之一錢幣,並磨銼著瑪爾緒阿斯的手與繩索,那瑪爾緒阿斯出於對福玻斯古老的仇恨,如今威脅要將詩人們吊死。西多尼烏斯向他的波勒彌烏斯問安。
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Dum post profectionem tuam, mi Polemi, frater amantissime, mecum granditer reputo, quatinus in votis tuis philosophi fescennina canlarem , obrepsit maleria, qua decursa facile dignosci s valet, magis me doctrinæ quam causæ tuæ habuisse rationem. Omissa itaque epithalamii teneritudine, per asperrimas philosophiæ et salebrosissimas regulas stylum traxi. Quarum talis ordo eat, ut sine plurimis novis verbis quæ, præfata pace pluri­ morum eloquentum9 specialiter tibi et compta onicis tuis nota sunt, nugæ ipsæ non valuerint expediri. Videris utrum aures quorumdam per imperitiam temere men­ tionem centri, proportionis, diastematum, climatum, vel h mirarum, epithalamio conducibilem non putent.
While after your departure, my Polemius, most beloved brother, I was pondering deeply within myself in what manner I might, according to your wishes, sing Fescennine verses for a philosopher, a theme crept upon me, from the running of which it can readily be discerned that I had regard rather to your learning than to your cause. And so, setting aside the tenderness of an epithalamium, I drew my pen through the roughest and most rugged rules of philosophy. Their order is such that, without very many new words which — with the leave of many eloquent men be it said — are specially known to you and to your friends, these trifles themselves could not have been unfolded. You must see whether some, through their inexperience, rashly think that the mention of a centre, of proportion, of intervals, of climes, or of wonders, is not suited to an epithalamium.
在你離去之後,我親愛的波勒彌烏斯,最摯愛的弟兄啊,我在心中深深思量,該以何種方式按你的心願為一位哲學家唱誦費斯凱尼奈的婚歌,一個主題悄然臨到我身上,從其展開便可輕易辨知,我所顧念的乃是你的學識,而非你的事由。於是,撇開婚歌的溫柔情調,我將筆鋒穿過哲學最粗糙最崎嶇的規則之間。這些規則的次序是這樣的:若沒有許多新造的詞語——容許我當著眾多雄辯之士的面說——這些詞語是你和你的友人所特別熟知的,那麼這些瑣言本身便無法展開。你須看看,是否有些人因無知而輕率地認為,提及中心、比例、音程、天區或種種奇妙之事,並不適於一首婚歌。
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Illud certe consular; viro vere magno, quæstorio viro Domnulo, spectabili viro Leone ducibus audacter affir- , mo, musicam et astrologiam , quæ sunt infra arithme­ ticam consequentia membra philosophice, nullatenus posse sine hisce nominibus indicari. Quæ si quispiam ut Græca, sicut sunt, et peregrina verba contempserit, noverit 372 sibi aut super ejuscemodi artis mentione supersedendum, aut nihil omnino se , aut certe non ad assem, Latiari lingua hinc posse disserere. Quod si ali­ quis secus atque assero, rem se habere censuerit, do quidem absens obtrectatoribus manus;
This at least I boldly affirm, with those leaders as witnesses — the truly great consular Domnulus, the man of quaestorian rank, and the respectable Leo — that music and astrology, which are members of philosophy subordinate to arithmetic, can by no means be expounded without these terms. And if anyone should despise these as Greek and foreign words — as indeed they are — let him know that he must either forbear to make mention of an art of this kind, or that he can discourse on this matter in the Latin tongue not at all, or at least not to the full. But if anyone should judge the matter to stand otherwise than I assert, I, being absent, indeed yield my hands to the detractors.
至少這一點我大膽斷言,並以那些領袖為證——真正偉大的執政官級人物多姆努路斯、財務官級之人、以及可敬的萊奧——即音樂與占星學,這些是隸屬於算術之下的哲學分支,斷不可能不用這些術語來闡述。倘若有人鄙棄這些希臘外來的詞語——它們確實如此——那就讓他明白,他要麼須克制自己不去提及這類技藝,要麼就是他根本無法、或至少無法完全地以拉丁語言論述此事。但倘若有人判斷此事並非如我所斷言,那麼我,雖然身在遠處,確實向那些詆毀者舉手認輸。
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sed noverint sen­ tentiam meam discrepantia sentientes sine Marco Var­ rone, sine a Sereno, non Septimio, sed Sammonico, sine Censorino, qui de die natali volumen illustre con­ fecit, non poue damnari. Lecturus es hic etiam novum verbum, id est, essentiam : sed scias hoc ipsum dixisse Ciceronem. Nam b essentiam, nec non et indoloriam nominavit, addens , Licet enim novis rebus nova no­ mina imponere : et recte dixit. Nam sicut ab eo quod est, verbi gratia, sapere et intelligere , sapientiam et intelligentiam nominamus, regulariter et ab eo quod est esse, essentiam non tacemus.
But let those who hold a differing opinion know that my judgement cannot be condemned without Marcus Varro, without Serenus — not Septimius, but Sammonicus — without Censorinus, who composed a distinguished volume on the natal day. You will also read here a new word, that is, essentia (essence): but know that Cicero himself used this very word. For he named both essentia and indoloria (freedom from pain), adding, 'For it is permitted to impose new names upon new things' — and rightly did he say it. For just as from that which is 'to be wise' and 'to understand,' verbi gratia, we name wisdom and intelligence, so regularly from that which is 'to be' we do not keep silent about essence.
但願那些持不同見解者知道,我的判斷若無馬爾庫斯·瓦羅、若無塞雷努斯——不是塞普提米烏斯,而是薩姆莫尼庫斯——若無那撰寫了一部關於誕辰之傑出著作的肯索里努斯,是不能被駁斥的。你在此還將讀到一個新詞,即 essentia(本質):但要知道,西塞羅本人曾用過這個詞。因為他既命名了 essentia,也命名了 indoloria(無痛之境),並補充道:「因為容許為新事物賦予新名」——他說得很對。因為正如從『有智慧』與『理解』——舉例而言——我們命名了智慧與理智,同樣,我們也依規則從『存在』一詞而不對『本質』一詞保持緘默。
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Igitur quoniam tui amo­ ris studio inductus homo Gallus, scholæ sophisticæ in­ tromisi materiam, vel te potissimum facti mei depreca­ torem requiro. Illi Venus, vel Amorum commentitia pigmenta tribuantur, cui defuerit sic posse laudari. Vale. CARMEN XIV. PRÆFATIO EPITHALAMII POLEMIO ET ARANEOLÆ DICTI. Prosper connubio dies coruscat, Quem Clotho niveis beuigna pensis, Albus quem picei lapillus Indi Quem pacis simul arbor et juventæ, 373 AEternumque virens oliva signet. Eia, Calliope, nitente palma, Da sacri laticis loquacitatem, Quem fodit pede Pegasus volanti, Cognato madidus jubam veneno. Non hic impietas, nec hanc puellam Donat mortibus ambitus procorum.
Therefore, since I, a Gaul, led on by zeal for your love, have introduced the matter of the sophistic school, I seek you above all as the intercessor for my deed. Let Venus, or the feigned figments of the Loves, be assigned to him who has lacked the means of being thus praised. Farewell. CARMEN XIV. PREFACE TO THE EPITHALAMIUM ADDRESSED TO POLEMIUS AND ARANEOLA. A prosperous day gleams for the marriage, a day which kindly Clotho marks with snow-white spinning, which the white pebble of the pitch-dark Indian marks, which the tree of peace and of youth together, and the ever-green olive, mark. Come, Calliope, with shining palm, grant the eloquence of the sacred stream which Pegasus dug with flying hoof, his mane dripping with kindred venom. Here is no impiety, nor does the rivalry of suitors deliver up this maiden to deaths.
因此,既然我這高盧人,受了對你之愛的熱忱驅使,引入了詭辯學派的題材,我便格外求你作我此番作為的代求者。願維納斯,或愛神們虛構的粉飾,被歸給那缺乏如此受讚美之途徑的人。再會。第十四首詩。致波勒彌烏斯與阿拉尼奧拉之婚歌的序言。一個吉祥的日子為這婚姻而閃耀,這日子是仁慈的克洛托以雪白的紡線所標記,是那漆黑印度人的白色石子所標記,是和平與青春之樹、以及那常青的橄欖所共同標記。來吧,卡利俄佩,以你閃亮的棕櫚枝,賜下那神聖溪流的雄辯,那溪流是佩伽索斯以飛翔的蹄所掘,其鬃毛滴著同族的毒液。此處沒有褻瀆,求婚者的競爭也不將這少女交付於死亡。
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Non hic Œnomai cruenta circo Audit pacta Pclops, nec insequentem Pallens Hippomenes ad ima metæ Tardat Schœnida ter cadente pomo. Non hic Herculeas videt palaestras Ætola Calydon stupens ab arce, i Cum cornu fluvii superbientis Alcides premeret, subinde fessum i Undoso refovens ab hoste pectus. Sed doctus juvenis, decensque virgo, c Oriu culmina Galliæ tenentes : Junguntur; cito Diva necte chordas; Nec quod detonuit camœna major, Nostram pauperiem silere cogas. At tædas Thetidis, probante Phœbo, Et Cbiron cecinit minore plectro : Nec risit pia turba ruslicanlem, Quamvis saepe senex biformis illic Carmen rumperet binniente cantu. 374 CARMEN XV. EPITHALAMIUM POLEMIO ET ARANEOLÆ DICTUM.
Not here does Pelops hear the bloody covenants of Oenomaus in the circus, nor does pale Hippomenes at the turning-post's edge delay the pursuing daughter of Schoeneus with the apple falling thrice. Not here does Aetolian Calydon, amazed from its citadel, behold the wrestlings of Hercules, when Alcides pressed the horn of the proud river-god, then, refreshing his weary breast time and again from the watery foe. But a learned youth and a comely maiden, holding the heights of Eastern Gaul, are joined: quickly, Goddess, weave the strings; nor, because a greater muse has thundered, compel our poverty to be silent. Yet the torches of Thetis, with Phoebus approving, Chiron too sang with a lesser quill: nor did the pious throng laugh at his rusticity, though the twiform old man there often broke off his song with a neighing chant. CARMEN XV. THE EPITHALAMIUM ADDRESSED TO POLEMIUS AND ARANEOLA.
此處珀羅普斯不聽俄諾馬俄斯在競技場中血腥的盟約,蒼白的希波墨涅斯也不在轉彎柱的邊緣以三度落下的蘋果拖延那追趕的斯科俄紐斯之女。此處埃托利亞的卡呂冬不從其城堡驚愕地觀看赫拉克勒斯的角力,當阿爾喀得斯壓制那驕傲河神的角,然後一次又一次地從那波濤洶湧的敵手身上使他疲憊的胸膛重獲氣力。但一位博學的青年與一位貌美的少女,掌管著東高盧的高地,如今結合了:快啊,女神,編織琴弦;也不要因為一位更偉大的繆斯曾發出雷鳴,就迫使我們的貧乏緘默。然而在福玻斯的贊許下,就連喀戎也曾以較低微的琴撥唱誦忒提斯的婚炬:那虔敬的眾人並不嘲笑他的粗野,儘管那雙形的老者在那裡常以嘶鳴之歌打斷自己的樂章。第十五首詩。致波勒彌烏斯與阿拉尼奧拉之婚歌。
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Forte procellosi remeans ex arce Capharei, Phoebados Hiacæ raptum satis ulta pudorem. Pallas, Erichthæo Xanlhum mutabat Hymetto : Aurato micat aere caput, majusque serenum Deterrore capit : posito nam fulmine necdum Cinyphio Tritone truces hilaraverat artus. Gorgo tenet pectus medium , factura videnti Et truncata moras: nitet insidiosa superbum Effigies, vivitque anima pereunte venustas. Alia cerastarum spiris caput asperat aurum Congeries; torquet maculosa volumina mordax Crinis, et irati dant sibila tetra capilli. Sqnameus ad mediam thorax non pervenit alvum Post chalybem pendente peplo;
By chance, returning from the storm-swept height of Caphareus, having sufficiently avenged the ravished honour of the Ilian Phoebas, Pallas was exchanging Xanthus for Erechthean Hymettus: her head flashes with gilded bronze, and she takes on a greater serenity from her terror; for, having laid aside the thunderbolt, she had not yet gladdened her fierce limbs with the Cinyphian Triton. The Gorgon holds the middle of her breast, destined to make the beholder both truncated and delayed; the treacherous image gleams haughtily, and its beauty lives on though the soul perishes. Another heap of gold makes her head rough with the coils of horned serpents; the biting hair twists its spotted windings, and the angry locks give forth foul hissings. The scaly cuirass does not reach to the middle of her belly, the robe hanging behind the steel.
偶然間,帕拉斯從卡法瑞烏斯風暴肆虐的高處歸來,已充分為那伊利昂的福玻斯之女被玷污的貞操復仇,她正將克珊托斯換作厄瑞克透斯的許墨托斯:她的頭以鍍金的青銅閃耀,並從她的恐怖中取得了更大的莊嚴;因為她放下了雷霆,尚未以基尼菲亞的特里同使她凶猛的肢體歡愉。戈耳工居於她胸膛的中央,注定要使觀者既斷首又遲滯;那狡詐的形象傲然閃耀,其美貌雖靈魂消逝卻仍長存。另一堆黃金以有角毒蛇的盤繞使她的頭顱崢嶸;那咬齧的頭髮扭轉著斑點的蜷曲,那憤怒的髮絲發出污穢的嘶嘶聲。那鱗片的胸甲並不及於她腹部的中央,長袍懸在鋼甲之後。
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tegit extima d lim « CirciLe palla pedes, qui cum sub veste moventur, Crispato rigidae crepitant in syrmate rugae. Laevam parma tegit, Phlegræi plena tumultus. Ilic rotat excussum vibrans in sidera Pindum Enceladus, rapido At missilis Ossa Typhœo. Porpbyrion Pangaea rapit, Rhodopenque Adamasthor Strymonio cum fonte levat, veniensque superne Intorto calidum restinguit flumine fulmen. Hic Pallas Pallania petit, cui Gorgone visa Invenit solidum jam lancea tarda cadaver. 375 Hic Lemnon pro fratre Mimas contra aegida [ torquet, Impulsumque quatit jaculabulis insula coelum.
A robe covers the extremities of her feet, which, when they move beneath the garment, cause the stiff folds to crackle in the crinkled train. Her left hand a shield covers, full of the tumult of Phlegra. Here Enceladus, brandishing it, whirls uprooted Pindus into the stars, while swift Typhoeus hurls Ossa as a missile. Porphyrion snatches up Pangaeus, and Adamasthor raises Rhodope with the Strymonian spring, and coming from above, quenches with the twisted river the burning thunderbolt. Here Pallas seeks Pallania, for whom, once the Gorgon was seen, the tardy lance finds a body already turned to solid corpse. Here Mimas, in his brother's stead, hurls Lemnos against the aegis, and the island, driven by the throwing-slings, shakes the smitten sky.
一件長袍覆蓋著她腳的末端,當它們在衣物之下移動時,使那僵硬的褶皺在皺起的裙裾中沙沙作響。她的左手為盾牌所覆,充滿弗勒格拉戰場的喧囂。此處恩克拉多斯揮舞著它,將連根拔起的品都斯山旋入群星之中,而迅捷的堤福厄俄斯將俄薩山當作投擲物擲出。波爾費里翁攫取潘蓋俄斯山,阿達瑪斯托爾連同斯特律蒙河的泉源舉起羅多珀山,並從高處而來,以扭曲的河水澆熄那燃燒的雷霆。此處帕拉斯尋找帕拉尼亞,一見戈耳工,那遲來的長矛便發現一具已化為僵硬屍體的軀體。此處彌馬斯代其兄弟將楞諾斯島擲向那神盾,那被投石索所推動的島嶼,撼動了被擊中的天空。
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Plurimus hic Rriareus populoso corpore pugnat, Cognatam portans aciem, cui vertice ab uno Cernas ramosis palmas fruticare lacertis. Nec species solas monstris, dedit arte furorem Mulciber. atque ipsas timuit quas finxerat iras. Jlastam dextra tenet, nuper quam a valle Aracynthi Ipsa sibi posita Pallas protraxit oliva. Hoc steterat genio, super ut vestigia divae Labentes teneat Marathonia bacca trapetas. Hic duo tempta micant, quorum supereminet unus Ut meritis, sic sede locus, qui continet alta Scrutantes ratione viros, quid macbina coeli, Quid tellus, quid fossa maris, quid turbidus aer, Quid noctis lucisque vices, quid menstrua lunæ Incrementa parent, totidem cur damna sequantur.
Here Briareus in great numbers fights with his populous body, bearing a kindred battle-line, so that from one summit you might behold palms sprouting into branching arms. Nor did Mulciber give shapes alone to the monsters, but by his art gave them frenzy too, and himself feared the very rages he had fashioned. In her right hand she holds the spear which lately Pallas herself drew forth for herself from the vale of Aracynthus, once the olive was set in its place. It had stood there as a portent, that above the goddess's footprints it might hold the Marathonian olive as it fell, gliding upon the presses. Here two eminences gleam, of which one surpasses the other in position as in merits, holding on high those men who search out by reason what the machine of heaven is, what the earth, what the trench of the sea, what the turbid air, what the alternations of night and light, what the monthly waxings of the moon prepare, and why as many losses follow.
此處布里阿柔斯以其眾多的身軀成群作戰,率領著同族的戰列,以至於你從一個頂端便可見到手掌長成分岔的臂膀。伏爾坎不僅賦予那些怪物形狀,更以其技藝賦予牠們狂暴,且自己也懼怕他所塑造的那些憤怒。她的右手握著那長矛,那是帕拉斯本人不久前從阿拉庫恩托斯的山谷為自己抽取出來的,當那橄欖被安置在原處之時。它曾如一個徵兆般矗立在那裡,好使它能在女神的足跡之上,承接那滑落於榨具上的馬拉松橄欖。此處有兩座高台閃耀,其一在地位上如在功績上勝過另一座,高高承載著那些以理性探究天之機械為何、大地為何、海之溝壑為何、混濁之空氣為何、晝夜之更替為何、月之每月盈虧預備何事、以及為何有同樣多的虧損隨之而來的人。
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Ilicet hic summi resident septem sapientes, Innumerabilium primordia philosophorum. Thales Mileto genitus vadimonia damnat, Lyndie tu Cleobule jubes modus optimus ut sii, Tu meditans totum decoras Pcriandre Corinthon, Atticus inde Solon ne quid nimis approbat unum, Prienæe Bia, plureis ais esse malignos, Tu Mitylene saLus cognoscis PiUace tempus, Noscere sese ipsum Chilon Spartane docebas. Asserit hic Samius post docta silentia lustri Pythagoras, solidum princeps quod musica mundum Temperet, et certis concentum reddat ab astris, Signaque Zodiacus quae circulus axe supremo 376Terna quater retinet, proprio non currere motu, Æquis inter se spatiis tamen esse locata.
Straightway here reside the seven Sages, the first beginnings of countless philosophers. Thales, born of Miletus, condemns the giving of pledges; you, Cleobulus of Lindus, bid that measure is best; you, Periander, meditating, adorn all Corinth; then Attic Solon approves the one maxim, 'Nothing in excess'; Bias of Priene, you say the wicked are the majority; you, Pittacus of Mitylene, safety, come to know the right time; you, Chilon of Sparta, used to teach men to know themselves. Here too the Samian Pythagoras asserts, after the learned silences of a five-year period, as chief principle that music tempers the solid world and renders concord from the fixed stars, and that the signs which the circle of the Zodiac, in the highest axle, holds thrice four, do not run by their own motion, yet are set at equal distances from one another.
此處立即坐著那七位智者,無數哲學家的最初開端。米利都所生的泰勒斯譴責立誓擔保;你,林都斯的克利歐布洛斯,教導說中庸為上;你,佩里安德,沉思著,裝點著整個科林斯;然後阿提卡的梭倫贊同那一句格言:「凡事勿過度」;普里埃內的比阿斯,你說惡人是多數;你,米蒂利尼的庇塔庫斯,安全所在,得知適當的時機;你,斯巴達的基隆,曾教導世人認識自己。此處薩摩斯的畢達哥拉斯,在五年博學的緘默之後,斷言其首要原則:音樂調諧著這堅實的世界,並從那些固定的星辰奏出和諧,而黃道帶那圓環在至高之軸上所持的三乘四個星座,並非以自身的運動運行,卻彼此設於相等的距離。
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Fixaque signifero pariter quoque cernua ferri, Præcipuumque etiam septem vaga sidera cantum Hinc dare, perfectus numerus quod uterque habeatur: Hoc numero affirmans, hoc ordine cuncta rotari. Falciferi b Cronon ire senis per summa polorum, Martis contiguum, medio Jove, pergere sidus, Post bos, jam quarto se flectere tramite solem, Sic placidam Paphien servare diastema quintum, Arcadium sexto, lunam sic orbe supremo c Ter denas tropico prope currere climate miras. Si quos ergo chelys, si quos lyra, tibia si quos Ediderint cum voce modos, exemplar ad istud Ponderibus positis, quantum proporiio suadet, lntervalla sequi septeni sideris edit.
He says too that they are fixed and likewise borne downward with the sign-bearer, and that above all the seven wandering stars give their pre-eminent song from this, because each is held a perfect number; affirming that by this number, in this order, all things are turned about. That scythe-bearing Cronos, an old man, passes over the summits of the poles; the star of Mars, next to it, goes on with Jupiter between; after these, the sun now bends itself in a fourth track; thus placid Venus keeps the fifth interval, the Arcadian the sixth, and thus the moon in the highest orb runs its thrice-ten climes near the tropic circle. If, then, any modes the lyre, or the harp, or the flute has produced together with the voice, according to this pattern, the weights being set down, as far as proportion counsels, the intervals of the seven stars follow suit, he declares.
他還說,它們與那攜帶星座者一同固定並被向下帶動,而在一切之上,那七顆遊走的星辰給出其卓越的樂音,因為每一顆都被視為一個完美之數;他斷言依此數、依此序,萬物旋轉運行。那持鐮的克洛諾斯,一位老者,越過諸極的頂端而行;緊鄰它的火星之星,以朱庇特居於中間而前行;在這些之後,太陽如今在第四軌道上彎轉自身;如此平靜的維納斯保守著第五個音程,阿爾卡狄亞之星保守第六個,而月亮如此在至高的軌道上,於回歸線圈附近運行其三十度的天區。因此,倘若琴、或豎琴、或笛連同人聲奏出任何調式,依照此範式,權重既已定下,如比例所勸諭者,那七顆星辰的音程便隨之相應——他如此宣稱。
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Harmoniam dicens etiam, quod quatuor istis Sic sedeant elementa modis, ut pondere magnis Sit locus inferior : media tellure quod autem Perfecte medium est, imum patet esse rotundi, Hinc fieri, ut terram levior superemicet undas; Altior his quoque sit, qui purior eminet aer; Omnia concludat coelum levitate supremae, Pendeat et totum simul hoc ab origine centri. Thales hic etiam numeris perquirit et astris, Defectum ut Phoebi, nec non lunaeque laborem Nuntiet anterius; sed rebus inutile ponit Principium, dum credit aquis subsistere mundum. Hujus discipuli versa est sententia, dicens Principiis propriis semper res quasque creari.
Speaking of harmony too, he says that the four elements are so seated in these modes that the place of the great by weight is the lowest; but because the earth is perfectly in the middle, it is clear that the base of the round is lowest; hence it comes that the lighter earth gleams forth above the waters; higher than these too is the air, which stands forth purer; heaven encloses all with the lightness of the topmost, and this whole hangs together from the origin of the centre. This Thales also inquires by numbers and stars, so as to announce beforehand the eclipse of Phoebus and likewise the labouring of the moon; but he sets a principle useless for things, in that he believes the world subsists upon the waters. The opinion of his disciple is reversed, saying that each several thing is always created from its own principles.
他也論及和諧,說那四種元素在這些模式中如此排列,以致依重量而言,大者之位最低;但因大地完美地居於中央,故顯然那圓球之底最低;由此而來,較輕的大地在諸水之上顯露;比這些更高的還有空氣,它更純淨地顯現;天以最上者的輕盈包羅萬有,而這整體從中心的本原一同懸繫。泰勒斯也以數與星辰探究此事,好預先宣告福玻斯的日蝕以及月亮的虧損;但他確立了一個對事物無用的本原,因他相信世界依存於諸水之上。他門徒的見解則相反,說每一件事物總是從其自身的本原被造出。
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377 Singula qui quosdam fontes decernit habere Æternum irriguos, ac rerum semine plenos, Hunc etiam sequitur qui gignere cuncta putabat Hunc aerem, pariterque deos sic autumat ortos. Quartus Anaxagoras Thaletica dogmata servat. Sed divinum animum sentit, qui fecerit orbem. Junior huic junctus residet collega; sed idem Materiam cunctis creaturis aera credens, Judicat inde Deum faceret quo cuncta tulisse. Post hos Arcesilas divina mente paratam Conjicit hanc molem, confectam partibus iliis Quas atomos vocai ipse leves d Socratica post hunc Secta mical, quae de naturae pondere migrans Ad mores hominum limandos transtulit usum. Hanc sectam perhibent summum excoluisse Platona.
This one decrees that individual things have certain springs, everlastingly flowing and full of the seed of things. Him also follows one who thought that this air begets all things, and likewise asserts that the gods thus arose. The fourth, Anaxagoras, keeps the Thaletic dogmas, but perceives a divine mind that made the world. A younger colleague sits joined to him; yet he, believing air to be the matter of all created things, judges therefrom that God, from which he brought forth all things, made it. After these, Arcesilaus conjectures that this mass was prepared by a divine mind, made up of those parts which he himself calls light atoms. After him the Socratic sect gleams, which, migrating from the weight of nature, transferred its practice to the polishing of men's morals. This sect they relate that supreme Plato most cultivated.
這一位裁定,個別事物擁有某些泉源,永遠流淌並充滿事物的種子。跟隨他的還有一位,他認為這空氣生出萬物,並同樣斷言諸神如此興起。第四位,阿那克薩哥拉,持守泰勒斯的教義,卻覺察到一個造了世界的神聖心智。一位較年輕的同僚與他相鄰而坐;然而他相信空氣是一切被造物的質料,由此判斷上帝——他從空氣中帶出萬物——造了它。在這些之後,阿爾克西拉俄斯推測,這團塊乃由一個神聖的心智所預備,由他自己所稱的輕微原子那些部分所構成。在他之後,蘇格拉底學派閃耀,該派從自然之重量遷移,將其實踐轉向磨礪世人的德行。人們述說,至高的柏拉圖最悉心培育了這一學派。
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Sed triplici formasse modo, dum primus et unus Physica vcl logico, logicum vel jungil ad ethos. Invenit hic princeps quid prima essentia distet A summo sextoque bono; cum denique saxa Sint tantum, penitusque nihil nisi esse probentur: Proxima succedant, quibus esse et vivere promptum Iest, Addere quis possis nil amplius ar!)ore et herba; Tertia sit pecorum, quorum esse et vivere motu Non caret et sensu; mortales quarta deindc Respiciat factura suos, quibus esse, moveri, Vivere, cum sensu datur, et supereminet illud Quod sapiunt, veroque valent discernere falsum :
But he shaped it in a threefold mode, being first and one, joining physics either to logic, or logic to ethics. This chief discovered how far the first essence differs from the supreme and sixth good: since at last stones merely are, and are proved to be nothing at all save existent; next succeed those to which it is granted to be and to live — you can add nothing further to tree and herb; the third is of cattle, whose being and living do not lack motion and sense; the fourth regards its own creation, mortals, to whom being, moving, and living are given, together with sense, and there rises pre-eminent that which they know, and are able by the truth to discern the false.
但他以三重的方式塑造它,既是首要又是唯一,將物理學或聯於邏輯學,或將邏輯學聯於倫理學。這位領袖發現,那第一本質與至高的、第六的善相距多遠:因為石頭終究只是存在,且被證明除了存在之外一無所是;其次接續的是那些被賜予存在與生命者——你對樹木與草本再無可添加;第三是牲畜,牠們的存在與生命不缺乏運動與感覺;第四則顧及它自身的造物,即凡人,他們被賜予存在、運動與生命,連同感覺,而在其上卓然升起的,乃是他們所知曉、並能藉真理辨別虛假的那能力。
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Quinta creaturas superas substantia prodat, Quas quidam dixere deos, quia corpora sumant Contemplanda homini, paulo post ipsa relinquant, 378 Inque suam redeam, si qua est tennissima, [formata: Sic fieri ut pateat substantia summa creator: Sexta tamen, supraque nihil, sed cUncta sub ipso. Hoc in gymnasio Polemi sapientia vitam Excolit, adjunctamque suo fovet ipsa Platoni. Obviet et quanquam totis Academia sactis, Atque neget verum, veris hunc lattdibus ornat. Stoica post istos, sed concordantibus ipsis, Chrysippus, Zenonque docent pracepta tenere. Exclusi prope jam Cyuici, sed limine restant, Ast Epicurcos eliminat undique virtus. At parte ex alia texirino prima Minervæ.
Let the fifth substance bring forth the higher creatures, which some have called gods, because they assume bodies to be contemplated by man, and a little after leave them, and return into their own — if any is the most tenuous, once formed: so that it may be made clear that the supreme substance is creator. The sixth, however, and above it nothing, but all things beneath it. In this gymnasium the wisdom of Polemius cultivates life, and cherishes it joined to her own Plato. And although the Academy may withstand it with all its dogmas, and deny the truth, yet with true praises she adorns him. After these the Stoics — but with them in agreement — Chrysippus and Zeno teach to hold their precepts. The Cynics are almost shut out, but they remain upon the threshold, while virtue banishes the Epicureans on every side. But on the other part, at the first loom of Minerva.
願那第五種實體產生那些更高的受造物,有些人稱之為神明,因為它們取得軀體供人默觀,稍後便離開軀體,回歸其自身——若有任何一種一經成形便最為精微:好使人明白,那至高的實體乃是造物主。然而第六種,其上一無所有,卻萬物皆在其下。在這座學園中,波勒彌烏斯的智慧培育著生命,並珍愛那與她自己的柏拉圖相聯結的生命。儘管學園派可能以其一切教義抵擋它,並否認真理,她卻以真實的讚美裝點著他。在這些之後是斯多噶派——但與他們意見一致——克律西波斯與芝諾教導人持守其教訓。犬儒派幾乎被摒除在外,卻仍逗留在門檻上,而德行則從各方驅逐伊比鳩魯派。但在另一邊,於彌涅耳瓦最初的織機旁。
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Palla Jovis rutilat, cujus bis coctus abeno Serica Sidonius fucabat stamina murex. Ebria nec solum spirat conchylia sandix : Insertum l am fulgur habet, filoque rigenti Ardebat gravidum de fragmine fulminis ostrum . Hic viridis patrio Glaucus pendebat amictu : Undabant hic arte Sinus, fictoque tumore Mersabat pandas tempestas texta carinas. Amphitryoniadi surgebat tertia veStis : Parvulus bic gemino cinctus serpente novercæ, Inscius arridet monstris, ludumque putando Insidias dum nescit amat, vultuque dolentis Exstingui deflet quos ipse interficit angues.
The robe of Jupiter glows red, whose threads, twice boiled in a cauldron, the Sidonian murex had dyed as silken warp. Nor does the crimson breathe forth only the sea-purple: it has lightning inwoven, and upon the stiffening thread the heavy sea-purple blazed from a fragment of the thunderbolt. Here green Glaucus hung in his ancestral cloak; here the folds waved with art, and with feigned swelling the tempest, woven into the cloth, sank the curved keels. For the son of Amphitryon a third garment rose: here the little infant, girt with the stepmother's twin serpents, smiles unknowing at the monsters, and, deeming their treachery to be play — for he knows not the ambush — he loves it, and with a grieving face weeps that they should be extinguished, the snakes which he himself slays.
朱庇特的長袍泛著紅光,其絲線曾兩度在鍋中煮沸,被西頓的紫螺染作絲質的經線。這緋紅所散發的不僅是海紫色:它織入了閃電,在那僵直的絲線上,沉重的海紫色從雷霆的碎片中熾燃。此處綠色的格勞科斯披著他祖傳的斗篷懸掛著;此處衣褶以技藝波動,而暴風雨以虛構的漲勢,被織入布中,使那些彎曲的船底沉沒。為安菲特律翁之子升起了第三件衣裳:此處那小嬰孩,被繼母的雙蛇纏繞,天真無知地對著怪物微笑,且以為牠們的詭計是遊戲——因為他不知那埋伏——他喜愛它,並帶著哀傷的面容哭泣,為那他親手所殺的蛇該被消滅而哭。
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Praeterea sparsis sunt hæc subjecta figuris, Sua,leo, cerra, gigas, taurus, juga, Cerberus, hydra, Hospes, Nessus, Eryx, volucres, Thrax, Cacus, [Amazon. Cres, fluvios, Libs, poma, Lycus, virgo, polus, Oete. Hoc opus, et si quid superest, quod nomina nescit, 379 Virgineæ posuere manus; sed in agmine toto Inter Cecropias Epbyreiadasque puetlas ; Araneola micat : proprias conferre laborat Ipsa Minerva manus, calathisque evicta recedens, Cum tenet hæc telas, vult hæc plus tela tenere. Hic igitur proavi trabeas imitata rigentes, aPalmatam parat ipsa patri, qua consul et idem Agricolam contingat avum, doceatque nepotes Non abavi solum, sed avi quoque jungere fasces.
Moreover, these figures are set beneath, scattered about: the sow, lion, hind, giant, bull, antlers, Cerberus, hydra, the host, Nessus, Eryx, birds, the Thracian, Cacus, Amazon, the Cretan, rivers, the Libyan, apples, Lycus, the maiden, the pole, Oeta. This work, and whatever remains that knows no name, virgin hands set in place; but in the whole company, among the Cecropian and Ephyrean maidens, Araneola gleams: Minerva herself labours to match her own hands with hers, and, outdone, withdraws from the wool-baskets, since, when the one holds the webs, the other wishes rather to hold the weapons. Here, then, imitating her forefather's stiff robes of state, she herself prepares a palm-embroidered robe for her father, whereby, as consul and also as Agricola, he may touch his grandfather, and teach his descendants to join the fasces not of a great-great-grandfather alone, but of a grandfather too.
此外,這些形象設於下方,四處散布:母豬、獅子、母鹿、巨人、公牛、犄角、刻耳柏洛斯、九頭蛇、客旅、涅索斯、厄律克斯、飛鳥、色雷斯人、卡庫斯、亞馬遜女戰士、克里特之獸、河流、利比亞人、金蘋果、呂科斯、少女、天極、俄塔山。這件作品,以及其餘一切無名之物,皆由處女之手安置;但在整個行列中,在刻克洛普斯與厄費瑞的少女們之間,阿拉尼奧拉閃耀著:彌涅耳瓦本人費力想將自己的雙手與她的相匹敵,卻被勝過,從羊毛籃前退下,因為當一位手持織物時,另一位卻寧願手持武器。於是在此,她仿效其先祖僵硬的禮袍,親自為她父親備了一件棕櫚刺繡的禮袍,藉此,作為執政官並且作為阿格里科拉,他可觸及他的祖父,並教導他的後裔,不僅要接續高祖的權標,也要接續祖父的權標。
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Texuerat tamen et cblamydcs, quibus ille magister Per Tartesiacas conspectus splenduit urbes, Et quibus ingestae sub tempore praefecturae Conspicuus, sanctas se reddit præsule leges. Attamen in trabea segmento luserat alto, Quod priscis illustre toris. Ithacesia primum Fabula, Dulicbiique lares formantur, et ipsam Penelopen tardas texit distexere telas. Tænaron hic frustra, bis rapta conjuge, pulsat Thrax fidibus, legem postquam temeravit A verni, Et prodesse putans, iterum non respicit umbram Hic vovet Alceste prælato conjuge vilam Rumpere : quam cernas Parcarum vellere in ipso Nondum pernetam, fato praestante salutem.
Yet she had woven also the cloaks in which that master, conspicuous throughout the cities of Tartessus, shone in splendour, and in which, distinguished at the time of his imposed prefecture, he rendered the holy laws himself as their protector. Nevertheless upon the robe she had sported in a lofty border, which was illustrious for its ancient couches. First the Ithacan tale and the Dulichian household are figured, and Penelope herself unweaving her slow-woven webs. Here in vain does the Thracian, his wife twice snatched away, beat upon Taenarus with the lyre, after he violated the law of Avernus, and thinking it profitable, does not again look back upon the shade. Here Alcestis vows to break off her life, her husband preferred before it — whom you may behold, in the very fleece of the Fates, not yet fully spun, safety being granted by fate.
然而她也織了那些斗篷,那位主人身披它們,聞名於整個塔爾特索斯的城邑,光彩奪目,並身披它們,在他被委任執政官之際卓然顯赫,作為守護者親自施行神聖的律法。儘管如此,在那禮袍上,她曾在一道高高的邊飾中盡情發揮,那邊飾因其古老的婚榻而著名。首先描繪的是伊薩卡的故事與杜利基烏姆的家宅,以及珀涅羅珀本人拆解她那緩慢織就的織物。此處色雷斯人徒然地——他的妻子兩度被奪去——以七弦琴敲擊塔埃納魯斯,在他違犯了阿維爾努斯的律法之後,並以為有益,不再回望那幽魂。此處阿爾刻斯提斯發誓要斷絕自己的生命,將她的丈夫置於生命之前——你可見她,就在命運女神那尚未完全紡就的羊毛之中,因命運的恩准而得救。
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IIic nox natarum Danai lucebat in auro, Quinquaginta enses genitor quibus impius aptat, Et dat concordem discordia jussa furorem. Solus Hypermnestræ servatus munere Lynceus Effugit, aspicias illam sibi parva paventem, Et pro dimisso tantum pallere marito. Jamque Jovem in formas mutat, quibus ille tenere 380 Mnemosynem, Europam, Semelen, Ledam, [Cynosuram, Serpens, bos, fulmen, cygnus, Dictynna solebat. Jamque opus in turrem Danaæ, pluviamque metalli Ibat, et hic alio stillabat Juppiter auro. Cum virgo aspiciens vidit Tritonida verso Lumine, doctisenas spectare libentius artes :
Here the night of Danaus's daughters shone in gold, wherein the impious father fits fifty swords, and discord's command grants a concordant fury. Alone by the gift of Hypermnestra was Lynceus saved and escaped — you might behold her fearing little for herself, and turning pale only for the husband she had let go. And now she changes Jupiter into the forms in which he was wont to hold Mnemosyne, Europa, Semele, Leda, Cynosura — serpent, bull, thunderbolt, swan, Dictynna. And now the work went on to the tower of Danae and the shower of metal, and here Jupiter dripped with alien gold. When the maiden, looking on, beheld the Tritonian goddess with turned eye more willingly gazing at the learned arts.
此處達那俄斯眾女兒之夜在黃金中閃耀,那不虔敬的父親在其中裝配了五十把劍,而不和的命令賜下一致的狂怒。唯獨林叩斯藉許珀爾姆涅斯特拉之恩得救並逃脫——你可見她為自己甚少懼怕,唯獨為她所放走的丈夫而臉色蒼白。如今她將朱庇特化為那些形狀,他曾以之擁抱謨涅摩緒涅、歐羅巴、塞墨勒、勒達、庫諾蘇拉——毒蛇、公牛、雷霆、天鵝、狄克堤娜。如今那作品進展到達那厄的高塔與金屬之雨,此處朱庇特滴著外來的黃金。當那少女觀看之際,見到那特里同女神以轉過的目光更樂於凝視那些博學的技藝。
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Commutat commota manus, ac pollice docto Pingerc philosophi victricem 1 Laida coepit, Quæ Cynici per menta reri, rugosaque colla, Rupit cdoratam redolenli forcipe barbam. Subrisit Pallas, castoque haec addidit ore : Non nostra ulterius ridebis dogmata, virgo Philosopho nuptura meo; mage flammea sumens, Hoc mater sine texat opus. Consurge sophorum Egregium Po!emi de< us, ac nunc stoica tandem Pone supercilia, et Cynicos imitatus amantes, Incipias iterum parvum mihi ferre Platona. Haerentem tali compellat voce magister; Perge libens, neu tu damnes formasse jugari Quod noster jubet ille senex, qui non piger hausit Numina condemnans Anyto pallente venenum. Dixerat;
Moved, she changes her hands, and with skilful thumb she began to depict Lais, victress over the philosopher, who, through the chin and wrinkled neck of the Cynic, tore his perfumed beard with a fragrant tweezer. Pallas smiled, and with chaste lips added these words: 'No longer, maiden, shall you laugh at our teachings, you who are to wed my philosopher; rather, taking up the bridal veil, let your mother weave this work without you. Rise up, illustrious glory of the sages, Polemius's ornament, and now at last lay aside the Stoic eyebrows, and, imitating the Cynic lovers, begin once more to bear for me a little Plato.' The master addresses the lingering one with such a voice: 'Go gladly, and do not condemn the joining you were shaped for, which our old man bids — he who, not slothful, drank in the divinities, condemning Anytus while the poison paled him.' He had spoken.
她受了感動,改換她的雙手,並以靈巧的拇指開始描繪拉伊斯,那勝過哲學家之人,她穿過犬儒者的下巴與皺紋的頸項,以芬芳的鑷子拔去他熏了香的鬍鬚。帕拉斯微笑,並以貞潔的雙唇加上這些話:「少女啊,你將不再嘲笑我們的教義,你這將要嫁給我的哲學家之人;不如取起新娘的頭紗,讓你的母親不用你而織這件作品。起來吧,智者們卓越的榮耀,波勒彌烏斯的裝飾,如今終於放下那斯多噶的眉頭,並仿效犬儒派的愛人,重新開始為我生下一個小柏拉圖。」那位師傅以這樣的聲音對那躊躇者說:「欣然前去吧,不要譴責你被塑造以結合之事,那是我們那位老者所命令的——他不懶惰,暢飲了那些神性,在毒藥使他臉色蒼白之際譴責阿倪托斯。」他說完了。
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ille simul surgit, vultuque modesto Tetrica nodosæ commendat pallia clarae, Amborum tum diva comas viridantis olivae Pace ligat, nectit dextras, ac fœdera mandat, Nymphidius quæ cernat avys, probat Atropos omen, Fulvaque concordes junxerunt fila Sorores. 381 CARMEN XVI. b EUCHARISTICUM AD FAUSTUM REIENSEM I PISCOPUM. Phœbum et ter ternas decima cum Pallade Musas, Orpheaque, et laticem simulatum fontis equini, Ogygiamque ebelyn, quae saxa sequacia flectens Cantibus, auritos erexit carmine muros, Sperne fidis;
At once he rises, and with modest countenance commends the stern cloaks to the knotted torch. Then the goddess binds the hair of both with peace of the greening olive, joins their right hands, and enjoins the covenants, which Nymphidius the grandsire beholds, Atropos approves the omen, and the tawny Sisters wove together the concordant threads. CARMEN XVI. THE EUCHARISTICON TO FAUSTUS, BISHOP OF RIEZ. Phoebus and the thrice-three Muses with Pallas the tenth, and Orpheus, and the feigned stream of the horse's spring, and the Ogygian lyre, which, bending the following rocks with its songs, raised the walls that had ears by its chant — spurn these on the strings.
他立即起身,以謙恭的容顏將那些嚴肅的斗篷託付於那打了結的婚炬。然後女神以那萌發的橄欖之和平束縛二人的頭髮,接合他們的右手,並頒布那盟約,此盟約祖父寧菲狄烏斯注視著,阿特羅波斯贊許此兆,而那黃褐色的姊妹們一同織就了和諧的絲線。第十六首詩。致里茲主教福斯圖斯的感恩詩。福玻斯與那三乘三的繆斯連同居第十的帕拉斯,以及奧爾甫斯,與那馬泉虛構的水流,還有那俄古癸亞的七弦琴,它以歌聲彎折那跟隨的岩石,以其吟唱豎起了長了耳朵的城牆——在琴弦上鄙棄這些吧。
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