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Sidonius Apollinaris

Letters & Poems 1 part 6/7

Latin original · 37 verses · some words can be tapped for a gloss · long chapter, split into parts; this part covers 1:187–1:223 (252 verses in all)

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1:187
magis ille veni nunc spiritus oro Pontificem dicture tuum, qui pectora priscae Intrasti Mariæ, rapiens cum tympana siccus Israel appensi per eoncava gurgitis iret, Aggeribus vallatus aquae, mediasque per undas Pulverulenta tuum clamaret turba triumphum. Quique manum Judith ferientem colla Holofernis Juvisti, exciso jacuit cum gutture truncus, Et fragilis valido latuit bene sexus in ictu. Expresso vel qui complens de vellere pellem, Inficiensque dehinc non tacto veHere terram, Firmasti Gedeona, tubis inserte canoris, Spiritus, ct solo venit victoria cantu.
Rather come now, that Spirit whom I invoke — I who am to sing of your bishop, you who entered the breast of ancient Miriam, snatching up the timbrels, when dry Israel went through the hollow of the suspended flood, walled in by ramparts of water, and through the midst of the waves the dust-covered throng proclaimed your triumph. And you who aided the hand of Judith striking the neck of Holofernes, when, his throat cut through, the trunk lay prostrate, and the frail sex lay well hidden in a mighty blow. And you who, filling the skin from the wrung fleece, and then wetting the untouched fleece while leaving the earth dry, made Gideon firm, being inserted into the tuneful trumpets, O Spirit; and by the song alone came the victory.
不如現在來吧,我所祈求的那位聖靈——我這將要歌頌你的主教之人,你曾進入古時米利暗的胸懷,奪取了那些手鼓,當乾涸的以色列穿過那懸立洪流的空隙而行,被水的壁壘所圍,並穿過波濤之中,那滿身塵土的群眾宣揚你的凱旋。你曾援助猶滴之手擊打何樂弗尼的頸項,當他的喉嚨被割穿,軀幹倒臥於地,那柔弱的性別在一次強有力的擊打中隱藏得甚好。你曾以那擰乾的羊毛注滿皮囊,然後沾濕那未曾觸及的羊毛,卻使大地乾燥,使基甸剛強,你被安插入那些悅耳的號角之中,聖靈啊;單憑歌聲便得了勝利。
1:188
Quique etiam assumptum pecorosi de grege « Jesse Afflasti regem, plaustro cum foederis arcam Imponens hostis, nullo moderante bubulco, Proderet obscenum turgenti podice morbum. Quique trium quondam puerorum in fauce sonasti, Quos in Chaldæi positos fornace tyrannr, Roscida combusto madefecit flamma camino. 382 Quique volobilibus spatiantem tractibus alvi Complesti Jonam, resonant dum viscera monstri Introrsum psallente cibo, vel pondera ventris Jejuni, plenique tamen vate intemerato, Ructat cruda fames; quem singultantibus extis Esuriens vomuit suspenso bellua morsu.
And you who also breathed upon the chosen king taken from the flock of shepherd-rich Jesse, when, placing the ark of the covenant upon a cart, no herdsman guiding it, he betrayed the shameful disease in the swollen hinder part. And you who once sounded in the throat of the three boys, whom, set in the furnace of the Chaldean tyrant, the dewy flame moistened when the furnace was burnt. And you who filled Jonah as he roamed in the rolling passages of the belly, while the entrails of the monster resound within as the food sings psalms, or the burdens of the fasting stomach — full nonetheless with the undefiled prophet — the raw hunger belches forth; and the beast, hungering, with sobbing bowels vomited him up with reluctant bite.
你也曾吹拂那從牧人眾多之耶西羊群中揀選出的君王,當他將約櫃放在一輛車上,無牧人駕馭,那約櫃在腫脹的後部揭露了那可恥的疾病。你曾一度在那三個少年的喉間發聲,他們被置於迦勒底暴君的火爐中,當火爐被燒紅之時,那沾露的火焰卻濕潤了他們。你曾充滿約拿,當他在那腹部滾動的通道中漫遊,那怪物的臟腑在內裡回響,當食物唱著詩篇,或那禁食之胃的重負——儘管載著那未受玷污的先知——那生澀的飢餓打著飽嗝噴出;那飢餓的巨獸,臟腑抽搐,以不情願的咬合將他吐了出來。
1:189
Quique duplex quondam venisti in pectus Elisei, Tbesbiten cum forte senem jam flammeus axis Tolleret, et scissam linquens pro munere pellem. Hispidus ardentes auriga intraret habenas. Quique etiam Eliam terris missure secundum, Zachariæ justi linguam placate ligasti, Dum faceret serum rugosa puerpera patrem, Edita significans jusso reticere propheta, Gratia cum fulsit, nosset se ut lex tacituram. Quique etiam nascens ex virgine semine nullo, Ante ullum tempus Deus, atque in tempore Christus, Ad corpus quantum spectat tu te ipse creasti.
And you who once came twofold into the breast of Elisha, when the fiery chariot was lifting up the aged Tishbite, and, leaving the torn skin as a gift, the shaggy charioteer entered the burning reins. And you who, about to send Elijah a second time to the earth, appeasing, bound the tongue of just Zechariah, while the wrinkled matron in labour became a father late in life — signifying that the prophet who was bidden to be silent should hold his peace, when grace shone forth, that the law might know itself to be about to fall silent. And you who also, being born of a virgin with no seed, God before all time and Christ in time, so far as pertains to the body, created your very self.
你曾一度雙倍地臨到以利沙的胸懷,當那火焰的車輦舉起年邁的提斯比人,而那多毛的御者,留下那撕裂的外袍作為禮物,進入那燃燒的韁繩。你將要第二次差遣以利亞到地上,你安撫著,束縛了義人撒迦利亞的舌頭,當那滿是皺紋、正在生育的婦人使他年老得子——表明那被命令緘默的先知當保持靜默,當恩典顯現之時,好使律法知曉自己將要緘默。你也曾無種而由童貞女所生,先於一切時間即是上帝,在時間之中即是基督,就軀體而言,你親自造了你自己。
1:190
Qui visum caecis, gressum quoque reddere claudis, Auditum surdis, mutis laxare loquelam Suetus, ad hoc etiam venisti, ut mortua membra Lecto, sandapila, tumulo consurgere possint. Quique etiam poenas suscepta in carne tulisti, Sustentans alapas, ludibria, verbera, vepres. Sortem, vincla, crucem, clavos, fel, missile, acetum, Postremo mortem, sed surrecturus, adisti, Eripiens quidquid veleris migraverat hostis In jus, per nostrum facinus, cum femina prima Praeceptum solvens culpa nos perpete vinxit. Qui cum te interitu petiit, nec repperit in te 383 Quod Posset proprium convincere, perdidit [omne, Quod lapsu dedit Eva suo : chirographon illud, Quo pervasus homo est, hæc compensatio rupit.
You who were wont to restore sight to the blind, and gait too to the lame, hearing to the deaf, and to loosen speech for the mute, came also to this end: that dead limbs might rise again from the couch, the bier, the tomb. And you who also bore the penalties in the flesh you had assumed, enduring blows, mockeries, scourgings, thorns, the lot cast, chains, the cross, nails, gall, the missile, vinegar, and at last death — yet destined to rise again, you went to meet it, snatching away whatever the ancient foe had transferred into his right by our crime, when the first woman, dissolving the commandment, bound us fast with perpetual guilt. And when he sought you for destruction, and found not in you anything that could convict as his own, he lost all that Eve had given by her fall: that bond wherewith man was seized, this recompense broke it.
你曾慣於使瞎眼者重見,使瘸腿者能行,使聾者得聽,並為啞者鬆開言語,你也為此而來:好使死去的肢體能從臥榻、屍架、墳墓中再度復起。你也曾在你所取的肉身中承受那些刑罰,忍受擊打、譏誚、鞭撻、荊棘、拈鬮、鎖鏈、十字架、釘子、苦膽、投槍、醋,最後承受死亡——卻注定要復活,你迎向它,奪回那古老的仇敵藉我們的罪行所轉入其權下的一切,當那第一個女人破壞了誡命,以永恆的罪咎將我們牢牢束縛。當他為毀滅而尋索你,卻在你身上找不到任何能定為屬他之物,他便失去了夏娃因她的墮落所給予的一切:那束縛世人的字據,這贖價將它撕碎。
1:191
Expers peccati, pro peccatoribus amplum Fis pretium, veteremque novus vice fenoris Adam Dum moreris de morte rapis; sic mortua mors est, Sic sese insidiis quas fecerat ipsa, fefellit. Nam dum indiscrete petit insontemque reosque, Egit ut absolvi possent et crimine nexi. Quique etiam justos ad tempus surgere tecum Jussisti eineres, cum tectis tempore longo Irrupit festina salus, infusaque raptim Excussit tumulis solidatas viia favillas. Da Faustum laudare tuum, da solvere grates Quas et post debere juvat. Te magne sacerdos, Barbitus hic noster plectro licet impare cantat.
Free from sin, for sinners you become an ample ransom, and new, you snatch old Adam from death by the exchange of a loan, while you die; thus death is dead, thus by the snares which it had itself made, it deceived itself. For while it indiscriminately assails both the innocent and the guilty, it brought it to pass that even those bound in crime might be absolved. And you who bade the just ashes rise for a time together with you, when, after a long span of time, hastening salvation broke into their coverings, and, poured in swiftly, shook off from the tombs the ashes solidified into life. Grant me to praise your Faustus, grant me to render the thanks which it delights me to owe even afterward. You, great priest, this our lyre sings, though with unequal quill.
你無罪,卻為罪人成了豐盛的贖價,你這新亞當,藉一次借貸的交換,在你死亡之際,將老亞當從死亡中奪回;如此死亡便已死去,如此它藉自己所設下的陷阱欺騙了自己。因為當它不加區別地攻擊無辜者與有罪者之際,它促成了甚至那些被罪捆綁者也能得赦免。你曾命令那義人的骨灰隨你暫時復起,當經過漫長的時間之後,那匆促的救恩闖入他們的裹屍布,並迅速傾注,從墳墓中抖落那凝結為生命的灰燼。求你使我能讚美你的福斯圖斯,使我能獻上那即便日後仍樂於虧欠的感謝。你,偉大的祭司,我們這琴便歌頌你,儘管以不相稱的琴撥。
1:192
Hæc igitur prima est vel causa, vel actio laudum, Quod mihi germani, dum lubrica volvitur ætas, Servatus tecum domini per dona probatur Nec fama titubante pudor; te respicit istud Quantumcunque bonum; merces debebitur illi, Ille tibi; sit laus, si labi noluit, ejus : Nam quod nec potuit, totum ad te jure redundat. Praeterea, quod me pridem Reios veniente, Cum Procyon fureret, cum solis torridus ignis Flexilibus rimis sitientes a scriberet agros, Hospite te nostros excepit protinus aestus Pax, domus, umbra, latex, benedictio, mensa, cubile. Omnibus attamen his sat praestat, quod voluisti Ut sanctæ matris sanctum quoque limen adirem.
This, then, is the first cause or occasion of praise: that my brother, while his slippery age rolls on, is proven, preserved with you through the Lord's gifts, his modesty with no wavering of report; this — such good as it is — regards you; a reward will be owed to him, and he to you; let the praise be his, if he was unwilling to fall: for what he could not do, wholly redounds by right to you. Moreover, that lately, as I was coming to Riez, when Procyon raged, when the scorching fire of the sun wrote furrows upon the thirsting fields with pliant cracks, you being my host, straightway received our heats: peace, home, shade, water, blessing, table, couch. Yet more than all these does that avail, that you willed me also to approach the holy threshold of a holy mother.
那麼,這便是讚美的首要緣由或契機:即我的弟兄,當他滑溜的年歲流轉之際,藉主的恩賜與你一同得蒙保守,被證明其貞潔在名聲上毫無動搖;這——無論這善有多大——都關乎你;獎賞將歸於他,而他將歸於你;倘若他不願墮落,願讚美歸於他:因為他所不能做之事,理當全然歸功於你。此外,不久前,當我來到里茲之時,當南河三肆虐,當太陽灼熱的火以柔曲的裂紋在乾渴的田地上寫下溝壑之際,你作我的東道主,立即接納我們的暑熱:和平、家宅、蔭涼、清水、祝福、餐桌、臥榻。然而勝過這一切的,乃是你願我也能走近一位聖潔母親的聖潔門檻。
1:193
384 Dirigui, fateor, mihi conscius, atque repente Tinxit adoranlem pavido reverenlia vultum. Nec secus intremui, quam si me forte Rebeccæ Israel, aut Samuel crinitus duceret Annae. Quapropter vel te votis sine fine colentes, Affectum magnum per carmina parva latemur. Seu te flammatae Syrtes, et inhospita tesqua, Seu cœno viridanle palus, seu nigra recessu Incultum mage saxa tenent, ubi sole remoto Concava longaevas asservant antra tenebras. Seu te præruptis porrecta in rupibus Alpis, Succinctos gelido lihantem cespite somnos, b Anachoreta tremit, quæ quanquam frigora portet, Conceptum Christi nunquam dont illa calorem.
I stiffened, I confess, conscious of my own state, and suddenly reverence tinged my adoring face with dread. Nor did I tremble otherwise than as if by chance Israel were leading me to Rebecca, or long-haired Samuel to Hannah. Wherefore, worshipping you with vows without end, we confess a great affection through small songs. Whether the flaming Syrtes and inhospitable wastes hold you, or a marsh with greening mud, or black rocks in some untilled recess, where, the sun removed, hollow caves keep an age-long darkness; or whether the Alps, stretched out on their steep crags, tremble at you, an anchorite offering your girt slumbers upon the frozen turf — the Alps which, though they bear frost, never give the conceived warmth of Christ.
我僵住了,我承認,深知自己的狀況,忽然之間敬畏以恐懼染上了我朝拜的面容。我戰慄不已,彷彿偶然間以色列領我去見利百加,或長髮的撒母耳領我去見哈拿一般。因此,我們以無盡的祈願敬拜你,藉微小的詩歌承認一份深厚的情感。無論那火焰般的敘爾提斯與荒涼的曠野挽留你,或是長著青苔的泥沼,或是某個未經耕耘的幽處中的黑色岩石,那裡日光既已隱去,空洞的洞穴保守著久遠的黑暗;或無論那阿爾卑斯山,橫亙於陡峭的峭壁之上,因你而戰慄——你這隱修者,在冰凍的草皮上獻上你束緊的睡眠——那阿爾卑斯山雖承載著霜寒,卻永不給予那孕育於心中的基督之溫暖。
1:194
a Qua nunc Elias, nunc te jubet ire Joannes, Nunc duo Macarii, nunc et Paphnulius heros, Nunc Or, nunc Ammon, nunc Sarmata, nunc Hilarion Nunc vocat in tunica nudus te Antonius illa, Quam fecit palmae foliis manus alma magistri. d Seu te Lirinus priscum complexa parentem est, Qua tu jam fractus pro magna sæpe quiete Discipulis servire venis; vixque otia somni Vix coctos capture cibos, abstemius a vum Ducis, et insertis p ngis jejunia psalmis. Fratribus insinuans, I quantos illa insula plana Miser it in coelum montes : quae sancta a Caprasi Vita senis, b juvenisque Lupi ; quae gratia c patrem Mansit Honoratum;
Thither now Elijah, now John bids you go, now the two Macarii, now the hero Paphnutius, now Or, now Ammon, now Sarmata, now Hilarion; now naked Antony calls you in that tunic which the kindly hand of the master made from palm-leaves. Or whether Lerins has embraced you, its ancient parent, where you, now broken, often come to serve the disciples in exchange for great repose; and scarcely taking the leisure of sleep, scarcely your cooked food, you lead an abstemious life, and paint your fasts with inserted psalms, teaching the brethren how many mountains that flat island has sent into heaven: what was the holy life of aged Caprasius, and of the youth Lupus; what grace remained with father Honoratus.
如今以利亞、如今約翰吩咐你前往那裡,如今那兩位馬卡里烏斯,如今英雄帕夫努提烏斯,如今俄爾,如今阿蒙,如今薩爾馬塔,如今希拉里翁;如今赤身的安東尼以那件外衣呼喚你,那外衣是那師傅仁慈的手用棕櫚葉所製。或無論勒林斯這古老的親長是否已擁抱你,在那裡你如今已勞頓,卻常來服事門徒以換取那大安息;你幾乎不取睡眠的閒暇,幾乎不取你烹煮的食物,過著節制的生活,並以插入的詩篇裝點你的禁食,教導弟兄們那平坦的島嶼向天國送去了多少座山:年邁的卡普拉西烏斯與青年盧普斯的聖潔生命為何;何等恩典存留於父親霍諾拉圖斯身上。
1:195
fuerit d quis Maximus ille, Urbem tu cujus monachosque antistes et abbas e Bis successor agis : celebrans quoque laudibus illis 385 i Eucherii venientis iter, « redeuntis Hilari. Seu te commissus populus tenet, et minor audet Te medio tumidos majorum temnere mores. Seu tu sollicitus curas, qua languidus esca, Quave peregrinus vivat, quid pascat et illum, Lubrica crura cui tenuat sub compede carcer. Seu mage funeribus mentem distractus humandis, Livida defuncti si pauperis ossa virescant Infastiditum fers ipse ad busta cadaver. Seu te conspicuis b gradibus venerabilis arae Concionaturum 1 pes sedula circumsitit, Expositæ legis bibat auribus ut medicinam..
What manner of man that Maximus was, whose city and monks you, as bishop and abbot, twice succeed and administer; celebrating too with those praises the coming journey of Eucherius as he arrives, and of Hilarius as he returns. Or whether the people committed to you hold you, and the lesser dares, with you as mediator, to scorn the puffed-up manners of the greater. Or whether, anxious, you take thought by what food the sick, by what the pilgrim may live, and what may feed even him whose slippery legs the prison wastes away beneath the shackle. Or whether, your mind rather distracted with the burying of the dead, if the livid bones of a deceased pauper turn green, you yourself, undisgusted, bear the corpse to the pyre. Or whether the busy foot stands about you, about to preach from the conspicuous steps of the venerable altar, that it may drink through the ears the medicine of the expounded law.
那位馬克西姆斯是何等樣的人,你作為主教與院長,兩度接續並管理他的城邑與修士們;你也以那些讚美,慶祝歐凱里烏斯前來的旅程,以及希拉里烏斯歸來的旅程。或無論那託付予你的百姓是否挽留你,而較卑微者,以你為仲介,膽敢鄙棄那較尊大者傲慢的舉止。或無論你是否憂心地思量,病人靠何食物、旅客靠何食物得以存活,以及該以何物餵養那雙腿滑溜、被枷鎖下的牢獄所耗損之人。或無論你是否心思頗被埋葬死者之事所牽扯,倘若一位死去窮人那青黑的骨頭發綠,你自己毫不嫌惡地將屍身抬往火葬堆。或無論那忙碌的腳步是否環繞著你,你將要從那可敬祭壇顯眼的台階上宣道,好使人透過耳朵暢飲那闡明之律法的良藥。
1:196
Quidquid agis, quocunque loci es, semper mihi [Faustus, Semper Honoratus, semper quoque Maximus esto. CARMEN XVII. INVITAT j OMMATIUM V. C. AD NATALEM DIEM SUORUM. Quattuor ante dies, quam lux Sextilis adusti Prima spiciferum proferat orbe caput, Natalis nostris decimus sextusque coletur, Adventu felix qui petit esse tuo. Non tibi gemmatis ponentur prandia mensis, Assyrius murex nec tibi sigma dabit. Nec per multiplices abaco splendente cavernas Argenli nigri pondera defodiam. Nec scyphus hic dabitur, rutilo cui forte metallo Crustatum stringat tortilis ansa latus. Fercula sunt nobis mediocria, non ita facta, 386 Mensuræ ut grapdis suppleat ars pretium.
Whatever you do, wherever you are, always to me be Faustus, always Honoratus, always Maximus too. CARMEN XVII. HE INVITES OMMATIUS, A MAN OF SENATORIAL RANK, TO THE BIRTHDAY OF HIS OWN. Four days before the first light of scorching August brings forth its ear-bearing head upon the world, my birthday, the sixteenth, will be observed — a happy one that seeks to become so by your coming. No banquets will be set for you on jewelled tables, nor will the Assyrian murex give you a couch. Nor through the manifold recesses of a gleaming sideboard will I bury weights of black silver. Nor will a goblet be given here whose incrusted side, of ruddy metal perchance, a twisted handle might clasp. Our dishes are modest, not so made that grandeur of measure might make up for the cost.
無論你做什麼,無論你在何處,於我你永遠是福斯圖斯,永遠是霍諾拉圖斯,也永遠是馬克西姆斯。第十七首詩。他邀請元老階級之人奧瑪提烏斯前來慶祝他自己的生日。在灼熱的八月之首光將其結穗的頭顱升上世界之前四日,我的生日,第十六個,將被慶祝——這是一個吉祥的日子,它盼望藉你的到來而成為如此。不會有宴席為你擺在鑲嵌珠寶的餐桌上,亞述的紫螺也不會給你一張臥榻。我也不會透過那閃亮餐具櫃的重重凹格,埋藏成堆的黑銀。此處也不會給你一只酒杯,其鑲飾的杯壁——或許是紅光閃閃的金屬——由一個扭曲的把手環抱。我們的菜餚簡樸,並非做成那樣,好讓分量之宏大來彌補其價值。
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Non panes Libyca solitos flavescere Syrte Accipiet a Galli rusiica mensa tui. Vina mihi non sunt b Gazetica, Chia, Falerna, Quaeque Sareptano palmite missa bibas. c Pocula non hic sunt illustria nomine pagi, Quod posuit nostris ipse Triumvir agris. Tu tamen ut venias , petimus : dabit omnia Christus d Hic mihi qui patriam fecit amore tuo. CARMEN XVIII. e DE BALNEIS VILLE SUÆ SOPRA LACUM POSITÆ. Si quis Avitacum dignaris visere nostram, Non tibi displiceat : si quod habes placeat, Æmula Balano tolluntur culmina cono, Parque cothurnato vertice fulget apex. Garrula Gauranis plus murmurat uoda fluentis, Contigui collis lapsa supercilio.
The rustic table of your Gallus will not receive the loaves wont to grow golden on the Libyan Syrtis. My wines are not Gazetic, Chian, Falernian, nor such as you might drink sent from the Sareptan vine-shoot. The cups here are not illustrious with the name of a village, such as the Triumvir himself set upon our fields. Nor will a goblet be given here. Yet we ask that you come: Christ will give all things — Christ, who here has made me a fatherland for love of you. CARMEN XVIII. ON THE BATHS OF HIS VILLA SET ABOVE THE LAKE. If any of you deign to visit our Avitacum, let it not displease you: if there be anything you have that pleases, let it please. The gables are raised, rivalling the Baian cone, and the peak gleams with buskined summit to match. The chattering wave murmurs more than the Gauran streams, gliding down from the brow of the neighbouring hill.
你那高盧人的鄉野餐桌,不會擺上那慣於在利比亞敘爾提斯上泛出金黃的麵包。我的酒不是加沙的、開俄斯的、法勒尼安的,也不是你或許能暢飲的、從撒勒法葡萄枝所送來的酒。此處的酒杯並不因某個村莊之名而著名,如那三巨頭之一親自安置於我們田地上的。此處也不會給你一只酒杯。然而我們懇求你來:基督將賜下一切——基督,他在此為著愛你而使我有了一片故土。第十八首詩。論他那座建於湖畔之上的別墅的浴場。倘若你們中有誰肯屈尊造訪我們的阿維塔庫姆,願它不使你不悅:倘若你有任何可喜之物,願它使你喜悅。那些山牆高高聳起,與巴亞的錐頂相媲美,其尖峰以高履般的頂端閃耀相配。那潺潺的水波比高魯斯的溪流更為喧響,從鄰近山丘的眉梢滑落而下。
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Lucrinum dives stagnum Campani'a nollet, Æquora si nostri cerneret iila lacus. Illud puniceis ornatur littus echinis, Piseibus in nostris hospes utruMque vides, Si libet, et placido partiris gaudia corde, Quisquis ades, Baias tu facis hic animo. 387 CARMEN XIX. TETRASTIHUM SUPRA PISCINAM. Intrate algentes post balnea torrida fluctus, Ut solidet calidam frigore lympha cutem. Et licet hoc solo mergatis membra liquore, Per stagnum nostrum lumina vestra natanl. CARMEN XX. f AD SORORIUM SUUM ECDICIUM. Natalis noster nonas instare NQvembres Admonet : oecurras non rogo, sed jubeo : Sit tecum conjux, duo nunc properate; sed illud Post annum optamus tertius ut venias. CARMEN XXI.
Rich Campania would not want the Lucrine pool, if it beheld the waters of our lake. That shore is adorned with crimson sea-urchins; among our fish, guest, you see both alike. If it please you, and you share the joys with a placid heart, whoever you are who are present, you make a Baiae here in your mind. CARMEN XIX. A TETRASTICH ABOVE THE FISHPOND. Enter the chill waters after the scorching baths, that the cool water may firm the skin heated with warmth. And though you plunge your limbs in this water alone, throughout our pool your eyes swim. CARMEN XX. TO HIS BROTHER-IN-LAW ECDICIUS. Our birthday admonishes that the Nones of November are at hand: I do not ask, but command that you meet me. Let your wife be with you, hasten now, you two; but this we wish — that a third come after a year. CARMEN XXI.
倘若富庶的坎帕尼亞見到我們湖泊的水面,它便不會渴求那盧克林湖了。那湖岸以緋紅的海膽點綴;在我們的魚群之中,客人啊,你兩者都見得到。倘若這使你歡喜,你以平靜的心分享這些喜樂,無論你這在場之人是誰,你便在心中造出了一座巴亞。第十九首詩。魚池上方的四行詩。在灼熱的浴後進入清涼的水中,好讓那冷水使被溫熱過的皮膚結實。儘管你僅將肢體浸入這水中,你的雙眼卻游遍我們整個池塘。第二十首詩。致他的姊夫埃克狄基烏斯。我們的生日提醒著十一月的初五日已近:我不是請求,而是命令你來與我相會。願你的妻子與你同在,如今你們二人快來吧;但我們所盼望的是——願一位第三者在一年之後前來。第二十一首詩。
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DE PISCIBUS NOCTE CAPTIS, Quattuor haec primum pisces nox insuit hamis. 4nde duos tenui, tu quoque sume duos. Quos misi sunt majores : rectissimus ordo met. Namque animae nostrae portio major eras. 388 Sollius Apollinaris Sidonius Pontio Leonii. salutem. Dum apud g Narbonem quondam Marlium dictum, sed nuper factum, moras necto , subiit animum quos­ piam secundum amorem tuum hexametros concinnare, quibus lectis oppido scires, etsi utrique nostrum dispa- ratis æquo plusculum locis lar familiaris incolitur, non , idcirco tam nobis animum dissidere quam patriam. Habes ergo hic Dionysium inter triumphi Indici oble­ ctamenta marcentem;
On fish caught by night. First the night stitched these four fishes upon the hooks. Of them I kept two; do you also take two. Those I have sent are the larger — a most just arrangement, methinks — for you were the greater portion of my soul. Sollius Apollinaris Sidonius to Pontius Leontius, greeting. While I was weaving delays at Narbo, once called Martius but of late made so in deed, it came into my mind to fashion certain hexameters in keeping with my affection for you, upon reading which you would fully know that, although each of us dwells in his household seat somewhat more than moderately far apart in place, yet our minds are not so far divided from one another as is our homeland. Here, then, you have Dionysus languishing amid the delights of his Indian triumph;
論夜間所捕之魚。夜色最先把這四尾魚綴上鉤來。其中我留下兩尾,你也取兩尾。我送去的乃是較大的,我想這安排最為公道,因你本是我靈魂中較大的一份。索利烏斯.阿波利納里斯.西多尼烏斯問候彭提烏斯.萊翁提烏斯。當我在納爾波(昔稱馬提烏斯,近日果真以戰事應其名)盤桓遲留之時,心中忽起一念,欲順我對你的情誼作幾行六音步詩;你讀後便會全然明白:雖然我倆各居其家宅,處所相隔略過於適中之遠,然我倆的心志分離,卻不及我倆故鄉之遠。因此在此你便見到戴歐尼修斯,正倦臥於他印度凱旋的種種歡樂之中;
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habes et Phœbum, quem tibi jure poetico inquitinum factum constat ex numine : illum scilicet Phœbum, a Anthedii mei perfamiliarem, cujus collegio vir praefectus, non modo musicos quosque. ve­ rum etiam geometras, arithmeticos et astrologos diss­ rendi arte supervenit. Siquidem nullum hoc exactius compertum habere censuerim, quid b sidera zodiaci obli­ qua, quid planetarum vaga, quid exotica sparsa præ­ valeant. Nam ita, ut sic dixerim, his membris philoso phiæ claret, ut videatur mihi Julium Firmicum, Sam­ monicum, Julianum Vertacum, Fullonium Saturninum, in libris matheseos peritissimos conditores absque inter- prete, ingenio tantum suffragante, didicisse. Nos testi.
you have also Phoebus, whom by poetic right it is agreed has been made your lodger out of a deity: that Phoebus, namely, the close intimate of my Anthedius, in whose fellowship that man surpassed in the art of discoursing not only every musician, but even the geometers, arithmeticians, and astrologers. Indeed I would judge that no one has more exactly ascertained what the oblique stars of the zodiac, what the wandering planets, what the scattered exotic ones avail. For in these limbs of philosophy, if I may so speak, he shines so brightly that he seems to me to have learned Julius Firmicus, Sammonicus, Julianus Vertacus, and Fullonius Saturninus, those most skilled founders in the books of astrology, without any interpreter, his native talent alone availing. We, bearing witness
你也見到福玻斯(阿波羅),依詩人之權,眾所公認他已由一位神明化為你的房客:正是那位福玻斯,我那安特狄烏斯的至交;在他的同儕之中,那人論辯之術不但勝過一切樂師,甚而勝過幾何學家、算術家與星占家。誠然我以為,關於黃道傾斜之群星、行星之遊行、遠方散布之異星各有何力,無人考究得比他更為精確。因為,容我如此說,他在哲學的這些肢節上如此光耀,以致在我看來,他無須任何講解者,僅憑天賦之才,便學得了尤利烏斯.菲爾米庫斯、薩摩尼庫斯、尤利安努斯.韋爾塔庫斯、富洛尼烏斯.薩圖爾尼努斯——那些在星占典籍中最為精熟的著述者。至於我們,作見證者
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gia doctrinæ' ipsius adorantes, coram canoro cycno raucum anserem profitemur.. Quid te amplius moror ? Burgum tuam, quo jure amicum decuit, meam feci : probe 389 sciens, vel materiam tibi esse placituram, etiamsi ex solido poema displiceat. CARMEN XXU, c BURGUS PONTII LEONTII. Bistonii stabulum regis, Busiridis aras, Antiphatæ mensas, et Taurica regna Thoantis, Atque llbaci ingenio fraudatum luce cyclopem, Portantem frontis campo per concava montis Par prope transfossi tenebrosum luminis antrum, Hospes adi, siquis 8urgum taciturus adisti : Et licet in carmen non passim laxet habenas 1 Phoebus, et hic totis non pandat carbasa fandi;
and adoring the learning of that very man, confess ourselves a hoarse goose before a melodious swan. Why do I detain you longer? Your Burgus I have made mine, as by right befits a friend, well knowing that either the subject will please you, even if the poem as a whole should displease. POEM XXII: THE BURGUS OF PONTIUS LEONTIUS. The stall of the Bistonian king, the altars of Busiris, the tables of Antiphates, and the Tauric realm of Thoas, and the Cyclops cheated of his light by Ithacan cunning, bearing over the field of his brow, through the hollows of the mountain, well-nigh the equal of a pierced-through dark cavern of light — approach these, O guest, whoever you are that have come to Burgus meaning to keep silent. And though Phoebus does not everywhere slacken the reins into song, and here does not spread out all the sails of speech;
我們敬慕那人的學問,只得在悅耳的天鵝之前,自認是隻沙啞的鵝。何必再多留你?你的布爾古斯,我已依朋友之權據為己有,深知這題材必令你喜悅,縱使全詩令你不悅亦然。第二十二首詩:彭提烏斯.萊翁提烏斯的布爾古斯。比斯托尼亞王的馬廄、布西里斯的祭壇、安提法特斯的餐桌、托阿斯的陶里斯之邦,以及那被伊塔卡人(奧德修斯)之計謀騙去光明的獨眼巨人——他在額頭之野、穿過山谷之凹陷,帶著那幾乎等於一穿透而成的黑暗光穴(他被刺瞎的眼窩)——客人啊,你這打算緘默而來到布爾古斯的人,無論你是誰,且來親近這些。縱然福玻斯並非處處放鬆詩歌的韁繩,在此也不張開言語的全帆;
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Quisque tamen tantos non laudans ore penates Inspicis, inspiceris : resonat sine voce voluntas : Nam tua te tacitum livere silentia clamant. Ergo age, Pierias Erato mihi percute chordas: Responsent Satyri, digitumque pedemque moventes, Ludant, et tremulo non rumpant cantica saltu. Quidquid forte Dryas, vel quidquid Hamadryas un­ lquam Connexis sibimet festum plausere Napaeis, Dependant inodo, Burge, tibi, vel Naidas istic Nereidum chorus alme doce, cum forte Garumna Huc redeunte venis, pontumque in flumine sulcas. Nande igitur causas Erato, laribusque sit ede Quis genius: tantum non est sine præsule culmen.
yet whoever you are that gaze upon such mighty household gods without praising them with your lips, you yourself are gazed upon: the will resounds without a voice, for your very silences cry aloud that you, though mute, are livid with wonder. Come then, Erato, strike for me the Pierian strings: let the Satyrs answer, and moving finger and foot, let them sport and not break off their songs with a tremulous leap. Whatever the Dryad, or whatever the Hamadryad, joined with her Napaeae, ever applauded as a festal thing, let them now pay it out to you, O Burgus; or let the kindly chorus of the Nereids there teach the Naiads, when perchance you come hither on the returning Garonne and furrow the sea within the river. Unfold, then, Erato, the causes, and tell what genius belongs to this dwelling: so great a summit is not without its presiding spirit.
然而你這不以雙唇讚頌卻凝望如此宏偉家神的人,無論是誰,你自己也正被凝望著:意願無聲卻自迴響,因你的沉默本身高聲宣告:你雖無言,卻因驚羨而發青。厄拉托啊,來為我撥動皮埃里亞的琴弦罷:願眾薩堤爾應和,動起手指與腳步,戲舞歡騰,莫以顫抖的跳躍中斷歌聲。凡林中女神德律阿斯、或樹精哈瑪德律阿斯,偕其山谷仙女納培埃,曾為節慶而鼓掌稱頌之事,如今都讓她們獻與你,布爾古斯啊;又或令涅瑞伊得斯眾女的慈美歌隊在此教導水中仙女納伊阿得斯——當你或許乘著回流的加倫河來到此地、在河中犁開海潮之時。厄拉托啊,就此展述緣由,述說這居所有何守護之靈:如此崇高的巔頂,斷非無主宰之神。
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Forte sagittiferas Evan populatus Erythras, Vite capistratas cogebat ad esseda tigres : Intrabat duplicem qua temo racemifer arcum, 390 Marcidus ipse sedet curru : madet ardua cervix Sudati de rore meri : caput aurea rumpunt Cornua, et indigenam jaculantur fulminis ignem. Sumpserat hoc primum nascens, cum transiit olim In patrium de matre femur; fert tempus utrumque Veris opes , rutilosque ligat vindemia ftores. Cantharus et thyrsus dextra lævaque feruntur : Nec tegit exsertos, sed tangit palla lacertos. Dulce natant oculi, quos si fors vertat in hostem, Attonitos solum dum cernit inebriat Indus. Tum salebris saliens quoties se concutit axis, Passim deciduo perfunditur orbita musto.
By chance Evan, having laid waste arrow-bearing Erythrae, was driving to his chariot tigers haltered with the vine: where the cluster-bearing pole entered the double bow of the yoke, he himself sits languid in the car; his lofty neck is wet with the dew of sweated wine; golden horns burst from his head and dart forth the native fire of the thunderbolt. This he had taken up first at his birth, when once he passed from his mother into his father's thigh; each season brings the wealth of spring, and the vintage binds his ruddy blossoms. The cantharus and the thyrsus are borne in his right hand and his left; nor does his robe cover his bared arms, but grazes them. Sweetly swim his eyes, which, should chance turn them upon a foe, the Indian, thunderstruck, is made drunk merely by beholding. Then, as often as the axle, leaping over the ruts, shakes itself, everywhere the wheel-track is drenched with falling must.
卻說巴克科斯(厄凡)洗劫了產箭的厄律特賴之後,正把以葡萄藤為韁的猛虎駕向他的戰車:當結著葡萄串的車轅駛入軛的雙弓之際,他自己慵懶地坐在車中;他高昂的頸項被冒汗的酒露沾濕;金角自他頭上迸出,射出雷電那與生俱來的火焰。這是他出生時最先取得的——當年他曾自母胎轉入父親的股中;四季皆為他帶來春天的豐盈,葡萄的收穫束起他嫣紅的花朵。酒杯(坎塔洛斯)與酒神杖執於他的左右手中;他的長袍不遮蓋其裸露的雙臂,卻輕拂之。他的雙眼柔媚地流轉,倘機緣使其轉向仇敵,那印度人只因目睹便驚怖如遭雷擊、醉倒於地。而後每當車軸躍過轍溝、震顫自身之時,車轍處處皆為墜落的葡萄新汁所浸透。
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Bassaridas, Satyros, Panas, Faunosque docebat Ludere Silenus, jam numine plenus alumno, Sed comptus tamen ille caput; nam vertice nudo Amissos sertis studet excusare capillos. 'Corniger inde novi Ganges fit pompa triumphi. Cernuus impexam faciem stetit ore madenti, et Arentes vitreis adjuvit fletibus undas. Conjectas in vincla manus post terga revinxit Pampinus; hic sensim captivo humore refusus Sponte refrondescit per brachia roscida palmes. Nec non et rapti conjux ibi vincta mariti It croceas demissa genas, vetitaque recondi Lampade, cum solis radiis aurora rubebat. Adfuit bic etiam post perdita cinnama phœnix, Formidans mortem sibi non superesse secundam.
Silenus was teaching the Bassarids, Satyrs, Pans, and Fauns to sport, now full of the godhead of his foster-child, yet trim as to his head; for with bald crown he strives to excuse his lost locks with garlands. Thence horned Ganges becomes the pageant of the new triumph. Bowed low he stood with unkempt face and dripping mouth, and aided his parched waters with glassy tears. His hands, cast into chains, the vine-shoot bound behind his back; here, gradually poured back with the captive moisture, of its own accord the palm-branch grows green again along his dewy arms. Nor is his consort lacking there, bound, the wife of the ravished lord; she goes with saffron cheeks cast down, her torch forbidden to be hidden, when Dawn was reddening with the sun's rays. Here too was present, after its cinnamon lost, the Phoenix, dreading that no second death remains for it.
西勒諾斯正教導巴薩里得斯、薩堤爾、潘與法烏努斯戲舞,此刻已滿被其養子的神性,然頭首仍修飾整齊;因他以禿頂之顱,力圖用花冠遮掩其失落的鬚髮。於是有角的恒河(象徵之神)成了這新凱旋的行列。他低垂而立,面容蓬亂、口中滴瀝,並以晶瑩的淚水補濟其乾涸的水流。他被投入枷鎖的雙手,被葡萄藤反縛於背後;在此,那藤蔓漸漸吸回被擄之濕潤,便自行沿他沾露的雙臂重新抽出綠葉。那被擄之主的妻子(曙光女神)也在其中受縛未缺;她垂著番紅色的雙頰而行,火炬雖被禁而不得隱藏——當曙光正因日光而泛紅之時。此處還有那失去肉桂之後的鳳凰,惟恐再無第二次死亡為它存留。
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Succedit captiva cohors, quae fercula gazis Fert onerata suis : ebur hic, hebenusque, vel aurum, Et niveae piceo raptae de pectore baccæ 391 Gestantur; quicunque nihil sustentat odoris, Mittitur in nexus. Videas hic ipsa placere Supplicia, et virides vio!is halare catenas. Ultima aigrantes incedunt præda elephanti. Informis cui forma gregi; riget hispida dorso Vix ferrum passura cutis : quippe improba cratem Nativam nec tela forant, contracta vicissim Tensaque terga feris crepitant, usuque cavendi Pellunt excussis impactum missile rugis. Jamque iter ad Thebas per magnum victor agebat Aera, et ad summas erexerat orgia nubes : Cum videt Aonia venientem Delion arce. Grypas et ipse tenet:
A captive band comes next, bearing litters laden with their own treasures: here ivory, and ebony, or gold, and snowy pearls torn from a pitch-black breast are carried; whoever bears no fragrance is cast into bonds. Here you might see the very punishments give pleasure, and green chains breathe with violets. Last of all the black elephants march as booty. Shapeless is the form of that herd; the bristly hide stiffens upon the back, scarce able to endure iron: for the wicked spears do not pierce that native wickerwork, and their backs, drawn in and stretched by turns, crackle at the beasts, and by their practised guarding they drive off the hurled missile with their shaken wrinkles. And now the victor was making his way to Thebes through the great air, and had raised his rites to the highest clouds, when he sees the Delian coming from the Aonian citadel. He too holds griffins;
接著來了一隊俘虜,扛著載滿各自珍寶的擔架:此處抬著象牙、烏木、或黃金,以及自漆黑胸膛採下的雪白珍珠;凡不帶芳香者,皆被投入桎梏。在此你或可見到刑罰本身竟成歡愉,青綠的鎖鏈亦吐紫羅蘭之息。最後,黑象作為戰利品列隊而行。這群獸的形貌畸醜無狀;背上剛硬的粗皮僵直,幾乎能抵禦鐵器:因惡毒的矛槍刺不穿那天生的柵網般之皮,牠們的脊背交替收縮伸張,向獸群發出爆裂之聲,並憑久經演練的防備,以抖動的皺褶擊落擲來的飛矢。此時勝利者正取道浩大的天空駛向底比斯,已將他的酒神秘儀高舉至極頂之雲,忽見得洛斯之神(阿波羅)從阿俄尼亞的城堡而來。他也駕著獅鷲;
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vultus his laurea curvos Fronde lupata ligant, hederis quoque circumplexis Pendula lora virent; sensim Cera subvolat ales Aerias terraeque vias, ne forte citato Alarum strepitu lignosas frangat habenas. Æternum nitet ipse genas : crevere corymbis Tempora, et auratum verrit coma concolor axem. Læva parte tenet vasta dulcedine raucam Cælato Pithone lyram, pars dextra sagittas Continet, atque alio resonantes murmure nervos. Ibant Pimpliades pariter, mediumque noveno Circumsistentes umbrabant syrmate curruM. Pendet per teretes tripodas Epidaurius anguis, Diffusus sanctum per colla salubria virus. u Hic et crinisatas jungebat Pegasus alas, Portans doctiloquo facundum crure Creontem.
the laurel binds their curved faces with its foliage as a curb, and, with ivies too clasped about, the hanging reins grow green; gently the winged one flies up the airy and earthly ways, lest perchance with the quickened noise of its wings it snap the woody reins. He himself shines eternal in the cheeks; his temples have grown with clusters, and his hair, of one hue, sweeps the gilded axle. In his left he holds a lyre hoarse with vast sweetness, with Python engraved thereon; his right hand holds arrows, and strings resounding with another murmur. The Pimplean maidens went along beside him, and standing about the midst they shadowed the car with their nine-fold train. Over the smooth tripods hangs the Epidaurian serpent, diffused with holy healing venom along his salubrious neck. Here too Pegasus joined his crested wings, bearing eloquent Creon on his learned-speaking leg.
月桂以其枝葉如馬勒般束住牠們彎曲的面容,長春藤也纏繞其上,垂懸的韁繩泛出綠意;那長翼之獸輕緩地飛升於空中與大地之道,惟恐因翅翼加速的鼓響折斷了那木質的韁。他(阿波羅)自身雙頰永放光輝;他的鬢角綴生葡萄叢串,他那同一色澤的長髮拂掃著鍍金的車軸。他左手執一把因無盡甜美而喑啞的豎琴,琴上刻著皮同巨蟒;他右手持箭,與那以別樣低吟迴響的弓弦。皮姆普拉的眾繆斯伴他而行,環立於車之中央,以她們九重的長裾為車遮蔭。在光滑的三足鼎之上,懸著埃庇道洛斯的靈蛇,沿其康健的頸項散布著聖潔療癒的毒液。此處佩伽索斯也並上牠有冠羽的雙翼,用牠善於論說的腿載著能言的克瑞翁。
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Ut sese junxere chori , consurgit uterque Fratris in amplexus; sed paulo segnior Evan, 392 Dum pudet instabiles, si surgat,prodere plantas. Tum Phœbus : Quo pergis? ait : num forte nocentes Bacche petis Thebas? te cretus Ecbione nempe Abnegat esse deum; linque iis, rogo, moenia, linque; Et mecum mage flecte rotas; despexit Agave Te colere, et nosmet Niobe ; riget inde superbum, Vulnera tot patiens, quot spectat pignora ventris, Optantemque mori gravius clementia fixit. Parcere sæpe malum est, sensumque inferre dolori. Ipsa autem nato occiso Pentheia mater Amplius ut furiat, nunquid vesana futura est?
When the choirs had joined, each rises into his brother's embrace; but Evan a little slower, while he is ashamed, should he rise, to betray his unsteady soles. Then Phoebus: 'Whither goest thou?' he says. 'Dost thou perchance, Bacchus, seek guilty Thebes? He that is sprung of Echion surely denies thee to be a god; leave, I pray, those walls, leave them; and rather turn thy wheels with me. Agave scorned to worship thee, and Niobe us; therefore she stands stiff and proud, suffering as many wounds as she looks upon pledges of her womb, and though she longs to die, clemency has more grievously fixed her. To spare is often an evil, and to bring feeling upon grief. But she herself, the Penthean mother, her son slain, that she may rage the more — will she not be made mad?'
當兩支歌隊會合時,兄弟二人各自起身相擁;惟厄凡稍慢,因他自覺羞愧:一旦起身,便會洩露他那站立不穩的腳掌。於是福玻斯道:「你往何處去?你莫非要尋那有罪的底比斯麼,巴克科斯?那埃基翁的後裔(彭透斯)分明否認你是神;求你離開那些城牆罷,離開罷;不如同我一起掉轉你的車輪。阿伽維不屑敬拜你,尼俄柏也不屑敬拜我們;因此她(尼俄柏)僵立而傲慢,望見腹中多少骨肉,便忍受多少創痛,縱她渴望一死,仁慈卻更沉重地將她定住。饒恕往往是惡事,把感受加於悲痛之上亦然。至於那彭透斯之母(阿伽維)自己,殺了親兒,為使她更加瘋狂——她豈非注定要發狂?」
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Ergo nec Aonios colles habitare valemus, Cum patris exstincti thalamis potietur adulter, Frater natorum, conjux genitricis habendus, Vitricus ipse suus. Cordi est si jungere gressum , Dicam, qua pariter sedem tellure locemus. b Est locus, irrigua qua rupe Garumna rotate, Et tu, qui simili festinus in xquora lapsu Exis, curvata Durant muscose saburra , iam pigrescentes sensim confunditis amnes. Currit in adversum hic pontus, multoque recursu Flumina quas volvunt, et spernit et expedituudas. At cum summotus lunaribus incrementis Ipse Garumna suos in dorsa recolligit æstus, Praecipiti fluctu raptim redit, atque videtur In fontem jam non refluus, sed defluus ire.
'Therefore we cannot dwell upon the Aonian hills, since an adulterer shall possess the bridal-chamber of the slain father, to be held brother of the sons, husband of the mother, his own stepfather. If it be thy heart's desire to join thy step, I will tell in what land we may equally set our seat. There is a place where the Garonne is turned back by the watered cliff, and thou, who, hastening with like glide, goest forth into the deep, curved with mossy ballast, gradually mingle thy now-sluggish streams. Here the sea runs against them, and with much recoil spurns and speeds forth the waves the rivers roll. But when Garonne himself, thrust back by the lunar swellings, gathers his tides again upon his back, he returns headlong in swift flood, and seems to go into his source now not flowing back but flowing down.'
「故此我們無法棲居阿俄尼亞的群山,因將有一姦夫佔據那被殺父親的婚房,被稱作眾子之兄弟、母親之丈夫、自己的繼父。倘你有心與我並步同行,我便告訴你,我們可在哪一片土地同設居所。有一處,加倫河為浸潤的峭壁所折回,而你(另一河),以相似的滑流匆匆奔入深海,被生苔的沙石壓彎,漸漸匯合你那已然遲緩的水流。此處大海逆流而來,以再三的回衝,既輕蔑又催送那諸河所卷的波浪。然而當加倫河自身被月潮的漲勢逼退、把他的潮汐重新收攏於背上之時,他便以傾瀉之勢急速回返,看似流入其源頭,卻已不是逆流,而是順流而下。」
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Tum recipit lalicem, quamvis minor ille, minore Stagnanti de fratre suum, turgescit et ipse Oceano, propriasque facit sibi littora ripas. Hos inter fluvios, uni mage proximus unde est 393 Æthera mons rumpens, alia spectabitis arce, Plus celsos habiturus heros, vernamque senatum. Quem generis princeps Paulinus P. ntius olim, Cum Latius patriae dominabitur , ambiet altis Moenibus, ct celsae transmittent aera turres. Quarum culminibus sedeant commune micantes Pompa, vel auxilium; non illos machina muros Non aries, non alta strues, vel proximus agger, Non quae stridentes torquet catapulta molarcs, Sed nec testudo, nec vinea, nec rota currens, Jam positis scalis unquam quassarc valebunt.
'Then he receives the water — though the lesser — from his stagnant lesser brother, and himself swells with Ocean, and makes his own banks into shores. Between these rivers, nearer to the one whence a mountain, breaking the ether, rises, ye shall behold on the other height, destined to have loftier heroes and a springlike senate. This mountain Paulinus Pontius, prince of the race, one day, when Latium shall hold sway over the fatherland, shall gird with high walls, and lofty towers shall transmit the air. Upon whose summits let there sit, glittering, a common pageant or defence; those walls neither engine, nor ram, nor high siege-pile, or the near-set mound, nor the catapult that hurls whirring millstones, nor yet the tortoise, nor the mantlet, nor the running wheel, shall ever avail to shake, though the ladders be at last set up.'
「然後他從那停滯的較小兄弟接受水——雖是較少的——並自己隨大洋而漲滿,把自己的兩岸化作海濱。在這兩河之間,較近那一邊——由此有一座山刺破蒼穹而起——你們將在另一高處,望見那注定要擁有更崇高之英雄、擁有如春般繁盛之元老院的所在。此山,這一族的首領保利努斯.彭提烏斯,將來有一日,當拉丁之邦統治這故土之時,將以高牆環圍它,巍峨的塔樓要穿透雲天。願在那些塔頂,坐著閃耀的守衛,或為榮儀、或為援助;那些城牆,無論攻城槌、撞城車、高聳的攻城堆、或鄰近的土壘、或投擲呼嘯磨石的弩砲,甚而龜甲盾陣、攻城棚、疾轉的攻城輪,縱使雲梯終被架起,也永不能撼動分毫。」
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Cernere jam videor quae sint tibi, Burge, futura. Diceris sic; namque domus de flumine surgunt, Splendentesque sedent per propugnacula thermæ. Hic cum vexatur piceis aquilonibus assus, Scrupeus asprata latrare crepidine pumex Incipit; at fractis saliens e cautibus altum Excutitur torrens, ipsisque aspergine tectis Impluit, ac tollit nautas, et saepe jocoso Ludit naufragio; nam tempestate peracta Destituit refluens missas in balnea classes. Ipsa autem quantis, quibus aut sunt fulta columnis? Cedat puniceo pretiosus livor in antro Synnados, et Numadum qui portat eburnea saxa Collis, et herbosis quæ vernant marmora venis. Candentem jam nolo Paron, jam nolo Caryston.
'Now I seem to discern what shall be thine, O Burgus. Thus shalt thou be renowned; for the houses rise straight from the river, and the shining baths sit along the battlements. Here when the parched pumice is vexed by pitch-black north winds, the rugged rock begins to bark with roughened brink; but the leaping torrent is flung on high from the broken crags, and rains upon the very roofs with its spray, and lifts up the mariners, and often makes sport with a jesting shipwreck; for when the storm is spent, ebbing back it strands the fleets sent into the baths. But by how great, by what columns are the baths themselves upheld? Let the precious livid vein yield in the Punic grotto of Synnas, and the hill of the Numidians that bears ivory-like stones, and the marbles that grow green with grassy veins. Now I want not white Paros, now I want not Carystos.'
「如今我彷彿已看見你將要有何等光景,布爾古斯啊。你將如此得享盛名;因這些房舍直自河面拔起,光燦的浴場也沿雉堞而列。此處當乾裂的浮石為漆黑的北風所擾之時,那粗礪的岩石便以其嶙峋的邊緣開始咆哮;而躍起的急流自碎裂的巉岩被高高拋擲,以水沫灑落於屋頂之上,托起舟人,並常以一場戲謔的沉舟自娛;因當風暴平息、退潮回落之際,它便把駛入浴場的船隊擱淺。然而這浴場自身,究竟以何等偉大、何等的圓柱支撐?願辛納斯迦太基石窟中珍貴的青灰紋石為之遜色,願努米底亞那產似象牙之石的山丘、以及那生著草綠紋脈的雲石,一併退讓。如今我不要雪白的帕羅斯石,如今我不要卡律斯托斯石。」
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Vitior est rubro quæ pendet purpura saxo. Et ne posteritas dubitet, quis conditor exstet, Fixus in introitu lapis est : hic nomina signat Auctorum; sed propter aqua, et vestigia pressa 394 Quæ rapit , et fuso deterget gurgite cœnum : Sectilibus paries tabulis crustatus ad aurea Tecta venit, fulvo nimis abscondenda metallo. Nam locuples fortuna domus non passa latere , Divitias prodit cum sic sua culmina celat. Hæc post assurgit, duplicemque supervenit aedem Porticus, ipsa duplex, duplici non cognita plauslro Quarum unam molli subductam vertice curvae Obversis paulum respectant cornibus alae. Ipsa diem natum cernit sinuamine dextro, Fronte videns medium, laevo visura cadenlem.
'Dearer is the purple that hangs upon the red rock. And lest posterity should doubt who is the founder, a stone is fixed at the entrance: this marks the names of the builders; but near it the water, and the pressed footprints which it snatches away, and with poured flood it wipes off the mire. The wall, encrusted with cut slabs, comes up to the golden roofs, to be too far hidden beneath the tawny metal. For the rich fortune of the house, not enduring to lie hidden, betrays its wealth even while thus it conceals its own summits. After this rises a portico, and comes over the double hall, itself double, unknown to a double wain. Of these one, drawn up to a soft curved crown, the wings regard a little with their horns turned toward each other. It itself beholds the newborn day with its right curve, seeing the midday in front, and about to see it setting on the left.'
「更為珍貴的乃是懸垂於紅石上的紫石。且為使後世不致疑惑誰是締造者,入口處固定著一塊石:它標記著建造者之名;但近旁有水流,攫去人踩下的足印,並以奔湧之潮沖去污泥。牆壁鑲以切割的石板,直達那金色的屋頂,卻幾乎全被那赤黃的金屬所掩。因這宅第的豐盛家運不耐隱藏,即便如此遮掩自己的巔頂之際,仍洩露出它的財富。此後升起一列柱廊,跨越那雙重的殿堂,自身亦為雙重,其寬闊非雙駕之車所能盡知。其中之一,向上收成柔和彎曲的冠頂,兩翼以彼此相對的角端略略顧望之。它自身以右側的弧彎望見初生之日,正面見到正午,且將於左側望見日之西沉。」
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Non perdit quidquam trino de cardine coeli, Et totum solem lunata per atria servat. Sacra tridentiferi Jovis hic armenta profundo Pharnacis immergit genitor; percussa securi Corpora cornipedum, certasque rubescere plagas Sanguineo de rore putes ; stat vulneris horror Verus, et occisis vivit pictura quadrigis. Ponticus hinc rector numerosis Cyzicon armis Claudit; at hinc sociis consul Lucullus opem fert, Compulsusque famis discrimina summa subire, Invidet obsesso miles Mithridaticus hosti. Enatai hic pelagus Romani militis ardor, Et chartam madido transportat corpore siccam.
'It loses nothing of the threefold hinge of heaven, and keeps the whole sun throughout its moon-shaped halls. Here the father of Pharnaces plunges into the deep the sacred herds of trident-bearing Jove; you would think the bodies of the horn-footed steeds, struck by the axe, and the sure wounds, redden with a bloody dew; the horror of the wound stands there true, and the painting lives in the slaughtered four-horse teams. Here the Pontic ruler shuts up Cyzicus with numerous arms; but there the consul Lucullus brings aid to the allies, and, forced to undergo the utmost perils of famine, the Mithridatic soldier envies the besieged foe. Here the ardour of the Roman soldier swims forth from the sea, and carries dry the letter across upon his soaking body.'
「它絲毫不失天之三重樞軸,並在它那月形的殿堂中盡納整個太陽。此處,法爾納克斯之父(米特里達梯之父)把持三叉戟之尤比特(涅普頓)的神聖牲群沉入深淵;你會以為那些蹄如角的駿馬之軀為斧所擊,那確鑿的傷口正泛出血露之紅;創傷的可怖真實矗立於此,畫中被屠殺的四馬戰車宛如活著一般。此處,本都的君王(米特里達梯)以眾多的武力圍困庫濟科斯;而那邊,執政官盧庫盧斯馳援盟友,那被迫忍受饑荒極端凶險的米特里達梯之兵,反倒羨慕起被圍的敵人。此處,羅馬士兵的熱忱自海中泅出,把書信橫渡而過,在他濕透的身上卻保其乾燥。」
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Desuper in longum porrectis horrea tectis Crescunt, atque amplis angustant fructibus aedes Huc veniet calidis quantum metit Africa terris, Quantum vel Calaber, quantum colit Apulus acer, Quanta Leontino turgescit messis acervo, Quantum Mygdonio committunt Gargara sIco, 395 Quantum, quae tacitis Cererem vencrata choreis Attica Triptolemo civi condebat Eleusin , Cum populis hominum glandem linquentibus olim Fulva fruge dati jam sæcula fulva pcrirent Porticus ad gelidos patet hinc æstiva triones. Hinc calor innocuus thermis hiemalibus exit, Atque locum tempus mollil ; quippe illa rigori Pars est apta magis; nam quod fugit ora leonis ; Inde Lycaoniæ rabiem male sustinet ursæ.
'Above, the granaries rise with roofs stretched out lengthwise, and straiten the halls with their ample stores. Hither shall come as much as Africa reaps in her warm lands, as much as the Calabrian, as much as the keen Apulian tills, as great a harvest as swells in the Leontine heap, as much as Gargara commits to the Mygdonian threshing-floor, as much as Attic Eleusis — which, worshipping Ceres with silent dances, was storing up for her citizen Triptolemus — gathered, when once, the tribes of men leaving the acorn behind, the golden ages of golden grain now bestowed would pass away. Here the summer portico lies open toward the cold north. Hence a harmless warmth issues from the winter baths, and the season softens the place; for that part is fitter for cold; for what flees the face of the Lion thence ill endures the rage of the Lycaonian Bear.'
「上方,穀倉以縱長伸展的屋頂高高聳起,以豐盈的收成把廳堂充塞得狹窄。到此地將運來:非洲在她溫暖的土地所收割者有多少、卡拉布里亞人所收者有多少、精悍的阿普利亞人所耕者有多少、萊翁提尼的穀堆所漲滿的收成有多大、加爾加拉託付與密格多尼亞打穀場者有多少、以及阿提卡的厄琉息斯所聚者有多少——那厄琉息斯以無聲的舞蹈敬拜刻瑞斯,為她的市民特里普托勒摩斯儲糧——當年人類諸族拋下橡實之時,賜下金穀的黃金時代已然消逝。此處,夏用的柱廊向著寒冷的北方敞開。因此,一股無害的暖意自冬用的浴場透出,時令使此地變得柔和;因那一隅更宜於寒冷;因凡避開獅子座(獅面)者,便難以忍受呂卡翁之熊(大熊座)的暴怒。」
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Arcis at in thermas longe venit altior amnis, Et cadit in montem, patulis que canalibus actus, Circumfert clausum cava per divortia flumen. Occiduum ad solem, post horrea, surgit opaca Quæ dominis hiberna domus; strepit hic bona flamma Appositas depasta trabes; sinuata camino Ardentis peril unda globi, fractoque flagello Spargit a lentatum per culmina tota vaporem. Continuata dehinc videas, quae conditor ausus Æmula Palladiis textrina educere templis.
'But to the baths of the citadel a far loftier stream is brought, and falls upon the mountain, and, driven through open channels, carries the enclosed river round about through hollow divergings. Toward the setting sun, behind the granaries, rises the shadowy house that serves the masters as winter-quarters; here a goodly flame roars, having fed upon the beams set to it; the wave of the burning globe, bent within the furnace, perishes, and, its lash broken, scatters the slackened vapour over all the roofs. Then, unbroken thereafter, you may see the weaving-rooms that the founder dared to raise, rivals to the temples of Pallas.'
「但引至城堡浴場的,卻是一道遠為高處的水流,它落於山上,經敞開的溝渠導引,把封閉的河流沿中空的岔道環引周流。向著日落之處、穀倉之後,升起那供主人作冬宮的幽暗宅第;此處一團美好的火焰咆哮著,飽食了架於其上的木梁;那燃燒火球之波,在爐灶之內彎折而消散,其鞭焰既斷,便把減弱的蒸氣散布於一切屋頂之上。此後接連不斷地,你可見那些織房,乃是締造者所膽敢興建、足以與帕拉斯(雅典娜)之神殿匹敵者。」
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Hac celsi quondam conjux veneranda Leonti, Qua non ulla magis nurus unquam Pontia gaudet lllustris pro sorte viri, celebrabitur aede Vel Syrias vacuasse colus, vel serica fila Per cannas torsisse leves, vel stamine fulvo Praegnantis fusi mollitum nesse metallum. Parietibus post hinc rutilat quae machina junctis, Fert recutitorum primordia Judæorum. Perpetuum pictura micat, nec tempore longo Depreliata suas turpant pigmenta figuras. Flecteris ad laevam ? te porticus accipit ampla 396 Directis curvata viis; ubi margine summo Pendet, et arctatis stat saxea silva columnis. Alta volubilibus patet hinc ccenatio valvis. Fusilis euripus propter;
'Here the venerable consort of lofty Leontius — than whom no Pontian bride ever rejoices more, illustrious in the lot of her husband — shall be celebrated in the hall, whether for having emptied the Syrian distaffs, or for having twisted the silken threads through light reeds, or with the tawny thread of the teeming spindle for spinning the softened metal. Behind this, from joined walls, glows the structure that bears the origins of the circumcised Jews. Perpetual the painting gleams, nor over long time do the worn pigments disfigure their figures. Do you turn to the left? An ample portico receives you, curved with straight ways; where at the topmost edge it hangs, and a stony forest stands with straitened columns. Hence a lofty dining-hall lies open with revolving folding-doors. Nearby is a molten channel;'
「此處那崇高的萊翁提烏斯之可敬的妻子——沒有一位彭提烏斯家的新婦比她更歡欣,她因夫君的命份而顯赫——將在廳堂中受人稱頌,或因她織空了敘利亞的紡桿,或因她把絲線繞過輕巧的紡竹而纏捻,或以那飽滿紡錘上的赤黃之線,紡出柔化的金屬(金線)。此後,在相接的牆上,煥發著那描繪受割禮之猶太人本源(舊約史事)的畫作。那畫作永放光彩,經久亦不見褪色的顏料損毀其形像。你轉向左邊麼?一列寬闊的柱廊迎接你,以筆直的通道彎折而成;它在最高的邊緣懸垂,一片石造的樹林以狹窄相間的圓柱矗立。由此,一座高聳的餐廳以旋轉的折門敞開。近旁是一道熔鑄的水渠;」
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cadit unda superne Ante fores pendente lacu, venamque secuti Undosa inveniunt nantes coenacula pisces. Cominus erigitur vel prima, vel extima turris. Mors erit hic dominis hibernum sigma locare; Hujus conspicuo residens in culmine, sæpe Dilectum nostris musis simul atque capellis Aspiciam montem lauri : spaliabor in istis Frondibus, hic trepidam credam mihi credere [Daphnem. iam si forte gradus geminam convertis ad Arrton, Ut venias in templa dei, qui maximus ille est : Dcliciis redolent junctis apotheca penusque.. Hic multus tu frater eris. iam divide sedem, Cessurus mihi fonte meo, quem monte fluentem Umbrat multicavus spatioso circite fornix. Non eget hic cuhu, dedit huic natura decorem.
'the water falls from above before the doors with a suspended pool, and the swimming fishes, having followed the vein, find watery dining-rooms. Close by rises either the first tower or the outermost. It will be death to the masters to set here the winter sigma; seated on this tower's conspicuous crown, often shall I behold the mountain of laurel, dear at once to our Muses and to our she-goats; I shall walk among these leaves, and here shall fancy that trembling Daphne entrusts herself to me. But if perchance you turn your steps toward the twin Bears, to come into the temple of the god who is the greatest, the storeroom and the larder are fragrant with delicacies joined together. Here you shall be much a brother. Now divide the dwelling, ready to yield me my fountain, which, flowing from the mountain, a many-hollowed arch overshadows with spacious sweep. This place needs no adornment; nature has given it its grace.'
「水自上方在門前傾落,成一懸空之池,游動的魚兒循著水脈,找到了浸水的餐室。近旁矗立著或是那第一座、或是最外一座的塔樓。對主人而言,把冬用的半月餐榻(西格瑪)安放於此,將是難以忍受之事;坐於這塔顯眼的頂端,我將時常眺望那月桂之山——它一時既是我們繆斯所鍾愛,亦為我們的母山羊所愛;我將漫步於這些枝葉之間,在此我要想像那顫慄的達芙妮把自己託付於我。但你若偶爾轉步向著雙熊座,欲進入那位最偉大之神(尤比特)的殿堂,那儲物室與食庫皆因交融的珍饈而芬芳。在此你將大大地作一弟兄。現在請分定居所罷,你將把我的泉源讓與我——那自山中流出的泉,為一座多穴的拱頂以其寬闊的環弧遮蔽。此地無須修飾;自然已賦予它以雅致。」
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Nil fictum placuisse placet, non pompa per artem Ulla, resultanti non comet malleus ictu Saxa, nec exesum supplebunt marmora tophum. Hic fons Castaliae nobis vice sufficit undae, Caetera dives habe : colles tua jura tremiscant. Captivos hic solve tuos, et per juga Burgi Laeta relaxatæ fiant vineta catenae. Confirmat vocem jamjam prope sobrius istam Silenus, pariterque chori cecinere faventes. Nysa vale Bromio, Phœbo Parnasse bivertex. Non illum Naxus, non istum Cyrrha requirat: 397 Sed mage perpetuo Burgus placitura petatur. Ecce, quoties tibi libuerit pateris capacioribus hila­ rare convivium, misi quod inter scypllos et amyslidas tuas legas.
'It pleases that nothing feigned has pleased; no pomp through any art, no hammer adorns the stones with rebounding stroke, nor shall marbles fill up the eaten-away tufa. Here the fount of Castalia suffices us in the stead of its water. Have the rest, O rich man: let the hills tremble at your rule. Here loose your captives, and along the ridges of Burgus let the chains of the freed become glad vineyards.' Silenus, now well-nigh sober, confirms this utterance, and the favouring choirs sang together. Farewell, Nysa, to Bromius, and, two-peaked Parnassus, to Phoebus. Let not Naxos require the one, nor Cyrrha the other; but rather let Burgus, destined to please for ever, be sought. Behold, whenever it shall please you to gladden your banquet with more capacious bowls, [I ask] only that among your cups and your deep draughts you read this.
「令人欣喜的是,沒有任何虛飾曾令人歡喜;沒有藉技藝而生的浮華,沒有鎚子以回彈之擊為石頭增色,也無須雲石去填補那被侵蝕的凝灰岩。此處卡斯塔利亞之泉以其泉水足供我們所需。餘者你儘管留著罷,富人啊:讓群山在你的統治之下戰慄。在此釋放你的俘虜,沿布爾古斯的山脊,讓被釋者的鎖鏈化作歡愉的葡萄園。」西勒諾斯此刻幾近清醒,證實了這番話語,讚許的歌隊也一齊歌唱。別了,尼薩,向布洛米烏斯(巴克科斯)道別;別了,雙峰的帕爾納索斯,向福玻斯道別。莫讓納克索斯尋索前者,莫讓庫拉尋索後者;卻寧願眾人尋求那注定永遠悅人的布爾古斯。看哪,每當你樂意以更寬闊的酒盞使你的宴席歡騰之時,我只求你在你的杯盞與豪飲之間讀一讀這詩。
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Subveneris verecundiæ meæ, si in sobrias aures ista non venerint; nec injuria hoc ac secus atque æquum est flagito : quandoquidem Baccho meo judi­ cium decemvirale passuro, tempestivius quam convenit tribunal erigitur. Si quis autem carmen prolixius, eate- nus duxerit esse culpandum, quod epigrammatis exces­ serit paucitalem, istum liquido patet, neque balneas Etrusci, neque Herculem Surrentinum, neque b comas Flavii Earini, neque Tybur Vopisci, neque omnino quidquam de Papinii nostri silvulis lectitasse :
You will have come to the aid of my modesty, if these lines do not come to sober ears; nor do I demand this unjustly or otherwise than is fair, since indeed for my Bacchus, who is to undergo a decemviral judgment, a tribunal is set up more untimely than is fitting. But if anyone should judge a rather prolix poem blameworthy on this ground, that it has exceeded the scantiness of an epigram, it is clearly plain that such a one has read neither the Baths of Etruscus, nor the Hercules of Surrentum, nor the tresses of Flavius Earinus, nor the Tibur of Vopiscus, nor anything at all of the little Silvae of our Papinius:
你若使這些詩句不致傳入清醒之耳,便是救助了我的羞怯;我如此要求並非不公,亦不外乎情理,因為對我那將受十人裁判團審斷的巴克科斯而言,這法庭之設,比適當之時更為不合時宜。但倘有人以此為由——即因它超出了警句詩的簡短——而判定一首較冗長的詩該受責備,那便顯然可見:此人既未讀過《埃特魯斯庫斯的浴場》,也未讀過《蘇倫圖姆的赫丘利》,未讀過《弗拉維烏斯.埃阿里努斯的鬈髮》,未讀過《沃皮斯庫斯的提布爾》,甚而全然未讀過我們帕皮尼烏斯(斯塔提烏斯)《叢林集》中的任何一篇小品:
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quas omnes descriptiones vir ille præjudicatissimus, non distichorum aut tetraslichorum stringit angustiis, sed potius, ut lyricus Flaccus in artis poeticæ totumine præcipit, multis iisdemque purpureis communium pan- His semel inchoatas materias decenter extendit. Hæc me ad defensionis exemptum posuisse sufficiat, ne hæo ipsa longitudinis deprecatio longa videatur. Vale. CARMEN XXIII. C NARBO. AD CONSENTIUM V. C. CIVEM NARBONENSEM. Cum jam pro meritis tuis pararem Consenti, columen decusque morum, 398 Vestrae laudibus hospitalitatis Cantum impendere pauperis cicutæ ; Ultro in carmina tu tubam recludens , Converso ordine, versibus citasti Suetum ludere sic magis sodalem. Paret musa tibi;
all which descriptions that most highly esteemed man confines not within the narrows of distichs or tetrastichs, but rather, as the lyric Flaccus prescribes in the volume of the Art of Poetry, with many purple patches of common themes decently extends the matters once begun. Let it suffice that I have set this down as a specimen of my defence, lest this very apology for length should itself seem long. Farewell. POEM XXIII: NARBO. TO CONSENTIUS, MOST ILLUSTRIOUS MAN, CITIZEN OF NARBONNE. When now, according to your merits, Consentius — pillar and glory of good character — I was preparing to spend the song of a poor reed-pipe upon the praises of your hospitality, of your own accord, opening the trumpet into song, in reversed order you summoned by your verses your comrade, more wont to sport thus. The Muse obeys you;
凡此種種描寫,那位極受推崇之人並不局限於雙行詩或四行詩的窄狹之中,反而正如抒情詩人弗拉庫斯(賀拉斯)在《詩藝》一卷中所訓示的,以許多關於平常題材的華彩篇章,得體地擴展那已然開端的材料。容我把這番話作為辯護之範例陳明於此便夠了,免得這為篇幅所作的辯白本身也顯得冗長。再會。第二十三首詩:納爾波。致最尊貴之士、納爾波內公民孔森提烏斯。當我正欲按你的功績,孔森提烏斯啊——品德的支柱與榮光——把一支寒微蘆笛之歌,獻於你款待之美德的頌讚之時,你竟主動地把號角開向詩歌,以顛倒的次序,用你的詩句召喚我這向來更慣於嬉遊的同伴。繆斯順從於你;
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sed impudentem Multo cautius hinc stylum movebit. Nam cum carmina postules diserte, Suades scribere, sed facis tacere. Nuper quadrupedante cum citato Ires, d Phocida, Sextiasque Baias Illustres titulisque præliisque Urbes, per duo consulum tropæa (Nam Martem tulit ista, Julianum, Et Bruto duce nauticum Curaret, . Ast haec Teutonicas cruenta pugnas, Erectum et Marium cadente Cimbro) ; Misisti mihi multiplex poema, Doctum, nobile, forte, delicatum. Ibant hexametri superbientes, Et vestigia juncta, sed fminora, Per quinos eligi pedes ferebant. Misisti et triplicis metrum trochæi, Spondœo comitante, dactyloque, Dulces hendecasyllabos, tuumque Blando fenore Sollium ligasti.
but hence she will move her shameless stylus much more warily. For when you eloquently call for songs, you urge me to write, yet make me hold my peace. Lately, when with spurred and galloping steed you were journeying to Phocis and the Sextian Baiae, cities illustrious for their titles and their battles — through the two trophies of consuls (for the one bore Mars, namely Julianus, and with Brutus as leader waged a naval war; but this one bore the bloody Teutonic fights, and Marius raised up as the Cimbrian fell) — you sent me a manifold poem, learned, noble, strong, delicate. The hexameters marched along proudly, and their joined footsteps, but smaller, ran on through five feet. You sent also the metre of the triple trochee, with spondee and dactyl attending, sweet hendecasyllables, and with kindly usury you have bound your Sollius.
但她自此將更加謹慎地運起她那放肆的筆。因當你雄辯地索求詩歌之時,你既勸我書寫,卻又使我緘默。近日,當你策著加了刺激、疾馳的坐騎前往福西斯與塞克斯提烏斯之巴伊埃(艾克斯)——那些以名銜與戰役而著稱的城邑——經由兩座執政官的凱旋碑(其一承載了戰神馬爾斯,即尤利安努斯,並以布魯圖斯為統帥打了一場海戰;而另一座承載了血腥的條頓之役,馬里烏斯崛起而辛布里人傾覆)——你送給我一首多樣的詩,博學、高貴、雄勁、精緻。六音步詩驕傲地行進,其相接的步伐雖較短,卻藉五音步(五音步詩行)奔馳而去。你也送來三重長短格(揚抑格)之律,佐以抑抑揚格與長短短格,並那甜美的十一音節詩,且以親厚的利息束縛了你的索利烏斯(我)。
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Usuram petimurque, reddimusque. Nam quod carmine pro tuo rependo, Hoc centesima laudum tuarum est. Quid primum veneror, colamque pro te ? 399 Ni fallor, patriam, patremque juxta. Qui quanquam sibi vindicare summum Possit jure locum, tamen necesse est Ilam vincere, quae parit parentes. Salve, Narbo, potens salubritate, Urbc et rure simul bonus videri, Muris, civibus, ambitu, tabernis, Portis, porticibus, foro, theatro, Delubris, capitoliis, monetis, Thermis, arcubus, horreis, macellis, Pratis, fontibus, insulis, sałinis, Stagnis, flumine, merce, ponte, ponto. Unus qui venerere jure divos, Lenæum, Cererem, Palem, Minervam Spicis, palmite, pascuis, trapetis.
Interest is both demanded of us and repaid by us. For what I repay by my song in exchange for yours is but the hundredth part of your praises. What shall I first venerate and honour on your behalf? Unless I err, your fatherland, and your father next. Who, though he might justly claim for himself the highest place, yet needs must yield to her that bears the parents. Hail, Narbo, mighty in salubrity, good to behold in city and country alike — in walls, citizens, circuit, taverns, gates, porticoes, forum, theatre, shrines, capitols, mints, baths, arches, granaries, markets, meadows, fountains, islands, salt-pans, ponds, river, merchandise, bridge, and sea. You alone by right worship the gods — Lenaeus, Ceres, Pales, Minerva — with ears of grain, vine-shoot, pastures, and oil-presses.
利息既向我們索取,也由我們償還。因我以我的詩來償還你的詩,這不過是你諸般讚頌的百分之一。我當先為你敬奉、尊崇何者?若我沒錯,先是你的故鄉,其次是你的父親。他雖可正當地為自己主張那至高之位,然而必得讓與那生育父母者(故鄉)。萬福,納爾波,以康健見稱,在城與鄉皆宜於觀瞻——論城牆、公民、周界、酒肆、城門、柱廊、廣場、劇場、聖祠、神殿、鑄幣廠、浴場、拱門、穀倉、市集、草場、噴泉、島嶼、鹽田、池沼、河川、貨殖、橋樑與海洋。惟你依正道敬奉諸神——勒奈烏斯(巴克科斯)、刻瑞斯、帕勒斯、密涅瓦——以麥穗、葡萄藤、牧場與榨油機。
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Solis fise viris, nec expetito Naturae auxilio, procul relictis Promens montibus altius cacumen, Non te fossa patens, nec hispidarum Objectu sudium cQronat agger. Non tu marmora, bracteam, vitrumque, Non testudinis Indicæ nitorem, Non si quas eboris trabes refractis Rostris Marmarici dederc barri, Figis moenibus, aureasque portas Exornas H asaroticis lapillis. Sed per semirulas, superbus arces, Ostendens. veteris decus duelli, Quassatos, geris ictibus molares, 400 Laudandis pretiosior ruinis. Sint urbes aliæ situ minaces, Quas vires humiles per alta condunt, Et per præcipites locata cristas Nunquam moenia cæsa glorientur. Tu pulsate places, fidemque fortem Oppugnatio passa publicavit.
Trusting in men alone, and not seeking the aid of Nature, with the mountains left far off, you raise your summit higher; no gaping ditch, no rampart crowns you with a bristling barrier of stakes. You fix not upon your walls marbles, gold-leaf, and glass, nor the sheen of Indian tortoise-shell, nor, if the shattered beaks of the Marmaric elephant gave beams of ivory, do you set these on your walls, or adorn golden gates with mosaic gems. But through your half-ruined citadels, proud, showing the glory of an ancient war, you bear millstones shattered by blows, more precious for your praiseworthy ruins. Let other cities be menacing in their site, which humble strengths shelter amid the heights, and let walls set upon precipitous crests boast that they were never cut down. You please by being battered, and the siege you have suffered has published abroad your steadfast loyalty.
你單單信賴人力,並不尋求自然之助,任群山遠遠退去,把你的巔頂高高抬起;沒有敞開的壕溝,沒有以嶙峋樁柵為屏障的土壘為你加冕。你並不在城牆上鑲嵌雲石、金箔與玻璃,亦不嵌印度龜甲之光澤,也不——縱使馬爾馬里卡巨象破碎的獠牙給了象牙的梁材——把這些安在牆上,或以鑲嵌的寶石去裝飾金門。反倒是透過你那半頹的城堡,你昂然地展示古老戰爭的榮耀,承載著被打擊粉碎的磨石,因你那可堪讚頌的廢墟而更顯珍貴。且讓別的城邑以其地勢逞其威嚇,讓卑弱之力庇護於高處,讓築於陡峭峰脊上的城牆自誇從未被攻陷。而你以身受重創見悅於人,你所忍受的圍攻已把你堅貞的忠誠廣傳於世。
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b Hinc te Martius ille rector, atque Magno patre prior decus Getarum, Romanæ columen salusque genua, Theodoricus amat, sibique fidum Adversos probat ante per tumultus. Sed non hinc videare forte turpis, Quod te machina crebra perforavit. Namque in corpore fortium virorum Laus est amplior amplior, cicalrix. In castris Marathoniis merentem Vulnus non habuisse, grande probrum est. Inter Puhlicolas manu. feroces, Trunco Mucius eminet lacerto. Vallum Cæsaris opprimente Magno, Inter tot facies ab hoste tutas, Luscus Scaeva fuit magis decorus. Laus est ardua dura sustinere. Ignavis, timidis, et improbatis c Multum ringitur otiosa virtus.
Hence that Martial ruler, and — greater than his mighty father — the glory of the Getae, the pillar and salvation of the Roman race, Theodoric, loves you, and has proved you faithful to himself of old, throughout adverse tumults. Yet do not for this seem base perchance, because the frequent engine has pierced you. For in the body of brave men the scar is the greater, the greater praise. In the camps of Marathon, to have had no wound while deserving is a great disgrace. Among the Publicolae fierce of hand, Mucius stands eminent with his maimed arm. When Magnus was pressing Caesar's rampart, amid so many faces safe from the foe, one-eyed Scaeva was the more comely. It is a lofty praise to endure hard things. Against the cowardly, the timid, and the disapproved, idle valour snarls much in its leisure.
因此那尚武的君王——他勝過他偉大的父親——哥特人的榮耀、羅馬族類的支柱與拯救,狄奧多里克,愛你,並早已在種種凶險的動亂中,證明你對他忠貞不貳。然而你莫因這個緣故而顯得卑賤,即因那頻頻的攻城器械曾穿透你。因為在勇士的身上,傷疤愈多,讚譽愈大。在馬拉松的營中,立功卻毫無創傷,乃是莫大的恥辱。在手段兇猛的普布利科拉一族之中,穆基烏斯以他殘缺的手臂卓然而立。當馬格努斯(龐培)進逼凱撒的壁壘之時,在那許多躲過敵鋒的面孔之間,獨眼的斯凱瓦反倒更顯俊美。忍受艱難乃是崇高的讚譽。對怯懦者、膽小者與受貶抑者而言,閒置的勇力在其安逸之中徒然多多咆哮。
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