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Sidonius Apollinaris

Letters & Poems 1 part 7/7

Latin original · 29 verses · some words can be tapped for a gloss · long chapter, split into parts; this part covers 1:224–1:252 (252 verses in all)

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1:224
Quid qpod Caesaribus ferax creandis, Felix prole virum, simul dedisti d Natos cum genitore principantes? Nam quis Persidis expeditionem, 401 Aut victricia castra præteribit C iri principis, et perambulatum Romanis legionibus Niphatem : Tum, cum fulmine captus imperator, Vitam fulminibus parem peregit ? His tu civibus, urbe, rure pollens, a Consenti, mihi gignis alme patrem, Illum, cui nitidi sales, rigorque Romanus fuit Attico in lepore.
What of this, that fruitful in the begetting of Caesars, happy in a progeny of heroes, you gave at once sons ruling as princes together with their father? For who shall pass over the expedition of Persia, or the victorious camps of the prince Carus, and Niphates traversed by the Roman legions — then, when the emperor, seized by a thunderbolt, ended a life like to the thunderbolts? Strong in these citizens, in city and country, O Consentius, you beget for me a nurturing father, that man to whom belonged shining wit and Roman rigour amid Attic charm.
再說這一件:你既豐產於孕育凱撒、有英雄後裔之福,便一時賜下與父同為君主的眾子,這又如何?因誰能略過波斯的遠征,或君王卡魯斯得勝的營帳,以及被羅馬軍團橫越的尼法特斯山——就在那皇帝為雷電所擊、了結了一段酷似雷電之生命的時候?孔森提烏斯啊,你以這些公民為力,在城與鄉皆昌盛,為我孕育出一位慈育的父親,就是那位兼具明亮機鋒與羅馬剛毅、又不失阿提卡雅趣之人。
1:225
Hunc Milesius et Thales stupere Auditum potuit, simulque Lindi est Notus qui Cleobulus inter arces, Et tu, qui Periandre de Corintho es, Et tu, quem dederat Bias Priene, Et tu Piuace Lesbius sophistes, Et tu, qui letricis potens Athenis Vincis Socraticas Solon palaestras, Et tu Tyndareis salus Therapnis Chilon, legifero prior Lycurgo. Non hic si voluit, vacante cura, Quis sit sideribus notare cursus, Diversas Arato vias cucurrit. Non hunc cum geometricas ad artes Mentem composuit, sequi valebat Euclides spatium sciens olympi. Non hunc, si voluit rotare rhythmos, Quidquam proposito virum morari Chrysippus potuisset ex acervo.
Him Milesian Thales might have been astounded to hear, and at the same time he who is known at Lindos, Cleobulus among its citadels, and you, Periander, who are of Corinth, and you, whom Bias gave from Priene, and you, Lesbian sophist Pittacus, and you, Solon, who, mighty in law-giving Athens, surpass the Socratic wrestling-schools, and you, Chilon, salvation of Tyndarean Therapne, elder than law-giving Lycurgus. Not here, had he wished, his care being at leisure, to mark what the courses of the stars might be, did he run diverse ways inferior to Aratus. Not him, when he framed his mind to the geometric arts, was Euclid, that knower of the space of heaven, able to follow. Not him, had he wished to roll off rhythms, could Chrysippus with his heap in any wise stay from his purpose.
聽他言談,米利都的泰勒斯或會驚愕,同時還有那位在林多斯著名的克萊俄布洛斯(於其城堡之間)、你這出自科林多的佩里安德羅斯、你這由普里埃內所出、比阿斯所薦之人、你這萊斯博斯的哲人皮塔科斯、你這梭倫——在立法的雅典大有能力、勝過蘇格拉底的角力學派、以及你這廷達瑞俄斯之忒拉普涅(斯巴達)的拯救者基隆、比立法者呂庫古更為年長者——皆會為之驚服。在此,他若有意(趁其閒暇之心)去標定群星的軌道,他所馳騁的種種路徑並不遜於阿拉托斯。他若把心思投向幾何之術,那通曉天穹之廣的歐幾里得也無法企及他。他若有意鋪陳韻律推理,克律西波斯以他的連鎖論證(穀堆詭論)也絲毫無法使這人偏離其旨。
1:226
Hic cum Amphioniæ studebat arti, Plectro, pollice, voce, tibiaque, 402 Thrax vates, deus Areas, atque Phœbus, Omni carmine post erant, et ipsas Musas non ita musicas putares. Ilic si syrmate cultus et cothurno, Intrasset semel Atticum theatrum, Cessissent Sophocles et Euripides. Et si pulpitæ personare socco Comœdus voluisset, huic levato Palmam tu digito dares, Menander. Hic cum senipedem stylum polibat, Smymææ vice doctus officinæ, Aut cum se historiæ dabat severae, Primos vix poterant locos tueri Torrens Herodotus, tonans Homerus.
This man, when he pursued the Amphionian art with plectrum, thumb, voice, and pipe — the Thracian bard, the Arcadian god, and Phoebus were left behind in every song, and you would not think the very Muses so musical. Had he, adorned with the tragic train and the buskin, once entered the Attic theatre, Sophocles and Euripides would have given way. And had the comic actor wished to sound forth in the sock, to him, O Menander, with lifted finger you would have yielded the palm. This man, when he polished the six-foot stylus, learned after the manner of the Smyrnaean workshop, or when he gave himself to grave history, could scarcely let rushing Herodotus and thundering Homer keep the foremost places.
此人,當他以撥子、拇指、嗓音與蘆笛鑽研安菲翁之藝(音樂)之時——那色雷斯的歌者(俄耳甫斯)、阿卡狄亞之神(赫爾墨斯)與福玻斯,在一切歌曲中皆落於其後,你甚而不會以為繆斯本身竟如此擅樂。他若身披悲劇的長裾、足登高靴,一旦踏入阿提卡的劇場,索福克勒斯與歐里庇得斯都要退避。而喜劇伶人若想以矮靴(喜劇之屐)鳴其聲,米南德啊,你會舉起手指把棕櫚勝葉讓與此人。此人,當他打磨那六音步之筆、師法斯米爾納作坊(荷馬)之風,或當他致力於莊重的史筆之時,那奔湧的希羅多德與雷鳴的荷馬,也幾乎難保其首席之位。
1:227
Non isto potior fuisset olim, Qui Pandioniam movebat arte Orator caveam tumultuosus, Seu luscum raperetur in Philippum, Causam seu Ctesipliontis actitaret, Vir semper popularitate crescens, Et juste residens in arce fandi, Qui fabro genitore procreatus, Oris maluit expolire limam. Quid vos eloquii canam Latini Arpinas, Patavine, Mantuane ? Et te, comica qui doces, Terenti ? Et te, tempore qui satus severo, Graios Plaute sales lepore transis? Et te multimoda satis verendum Scriptorum numerositate, Varro? 403 Et te qui brevitate Crispe polles? . Et qui pro ingenio fluente nulli Corneli Tacite es tacendus ori?
Not more powerful than he would once have been that tumultuous orator who by his art stirred the Pandionian hollow, whether he were carried off against one-eyed Philip, or were pleading the cause of Ctesiphon — a man ever growing by his popularity, and justly seated in the citadel of speech, who, begotten of a smith for a father, chose rather to polish the file of his own mouth. Why shall I sing to you of Latin eloquence — the man of Arpinum, of Padua, of Mantua? And you, Terence, who teach the comic art? And you, Plautus, sown in a stern age, who surpass Greek wit with your charm? And you, Varro, to be revered enough for the manifold multitude of your writings? And you, Crispus, who are strong in brevity? And who, for your flowing genius, Cornelius Tacitus, are to be kept silent by no mouth?
昔日那位以其技藝激動潘狄翁之凹處(雅典會場)的雄辯滔滔之演說家,也不比他更有能力——無論他是被激而攻擊獨眼的腓力,抑或為克特西豐之案辯護——那人因其民望而不斷成長,正當地端坐於言說的城堡之中,他雖以鐵匠為父所生,卻寧願打磨自己口舌的銼刀(辭令)。我又何必為你歌詠拉丁的雄辯——那阿爾皮農之人(西塞羅)、帕多瓦之人(李維)、曼圖亞之人(維吉爾)?還有你,泰倫提烏斯,教人喜劇之藝者?還有你,普勞圖斯,生於嚴峻之世,卻以你的風趣勝過希臘的機鋒?還有你,瓦羅,因你著述之繁多而足堪敬重?還有你,克里斯普斯(撒路斯提烏斯),以簡練見長?還有你,科爾內利烏斯.塔西佗,因你那奔流的天才,無人之口能將你緘默不提?
1:228
I Et te Massiliensium per hortos Sacri stipitis, Arbiter, colonum Ilellespontiaco parem Priapo ? Et te carmina per libidinosa Notum Naso tener. Tomosque missum Quondam Casareæ nimis puellæ Ficto nomine subditum Corinnæ. 1 Quid celsos Senecas loquar, vel illum Quem dat Bilbilis alta Martialem, Terrarum indigenas Hibericarum ? Quid quos duplicibus jugata tædis Argentaria b Polla dat poetas? Quid multos varii styli retexam, Arguti, teneri, graves, dicaces? Si Consentius adfuit, latebant. Huic summi ingenii viro, simulque Summae nobilitatis atque formae, Juncta est femina, quæ domum ad mariti Prisci c insignia transferens Jovini, Implevit trabeis larem sophistae.
And you, Arbiter, tiller of the sacred stock through the gardens of the Massilians, equal to the Hellespontine Priapus? And you, tender Naso, known through your lascivious poems, and once sent to Tomi, subjoined under a feigned name to the too-Caesarean girl whom you called Corinna? Why shall I speak of the lofty Senecas, or of that Martial whom lofty Bilbilis gives, natives both of the Iberian lands? Why of the poets whom Polla Argentaria, joined by a double torch, gives? Why shall I unweave the many of varied style — the witty, the tender, the grave, the sharp? Had Consentius been present, they lay hidden. To this man of highest genius, and likewise of highest nobility and beauty, was joined a woman who, transferring to her husband's house the insignia of ancient Priscus Jovinus, filled the household of the sophist with robes of office.
還有你,阿爾比特爾(佩特羅尼烏斯),在馬西利亞的園圃間耕作那聖木之像的殖民者,堪與赫勒斯滂的普里阿波斯相埒?還有你,柔情的納索(奧維德),因你淫逸的詩篇而聞名,曾被放逐到托米,以假名把那過於凱撒之家的女子託名為科琳娜?我又何必述說那高貴的塞內卡諸人,或述說那由崇高的比爾比利斯所出的馬提亞爾——皆為伊比利亞之土的原住者?又何必提那由波拉.阿爾根塔里亞(以雙重火炬締結姻緣者)所出的詩人?我又何必去拆解那許多風格各異之輩——機智的、柔婉的、莊重的、犀利的?倘孔森提烏斯在場,他們便都黯然隱沒。與此才華絕頂、同時亦門第與姿容至為高貴之人相配的,是一位女子,她把古老的普里斯庫斯.約維努斯之家的徽記帶入夫家,用官袍充盈了這位哲士的門庭。
1:229
Sic intra proprios tibi penates, Consenti, patriae decus superbum, Fastis vivit avus, paterque libris. Haec per stemmata te satis potentem, Morum culmine sed potentiorem, Non possim merita sonare laude : Nec si me Odrysio canens in antro, 404 Qua lale trepidantibus fluentis Cautes per Ciconum resultat Hebrus, Princeps instituisset illc vatum, Cum dulces animata saxa chordæ Ferrent per. Rhodopen trahente cantu, Et versa vice fotibus ligatis, Terras currere cogerent anhelas. Nec non Ismara solibus paterent, Aurita chelyn expetente silva, Et nulli rcsolubiles calori Curvata rnerent nives ab Ossa , Stantem aut Strymona Bistones viderent, Cum carmen rapidus latex sitiret.
Thus within your own household, O Consentius, proud glory of your fatherland, your grandsire lives in the annals, and your father in books. You, mighty enough through these lineages, but mightier in the summit of your character, I could not sound with deserved praise — not even if, singing to me in the Odrysian cave, where the crag through the Cicones re-echoes with trembling streams, and Hebrus, that prince of bards had trained me, when the sweet chords, having animated the rocks, bore them through Rhodope with their drawing song, and, the case reversed, with their fountains bound, compelled the panting lands to run; nor if Ismarus lay open to the suns, the eared woodland seeking the lyre, and the snows, dissoluble by no heat, curved, flowed down from Ossa, or the Bistones beheld Strymon standing still, when the rushing flood thirsted for song.
故此,在你自己的家宅之內,孔森提烏斯啊,你故鄉驕傲的榮光,你的祖父活在史冊之中,你的父親活在典籍之中。你藉這些世系已足夠有力,卻在品德的巔峰上更為有力,我實無法以配得的讚頌來歌你——縱使那眾歌者之君(俄耳甫斯)在俄德律西亞的洞穴中——那裏峭壁越過基科涅斯人、以顫抖的溪流迴響、赫布洛斯河亦然——曾為我歌唱、教誨我,當那甜美的琴弦使頑石有了生命、以其牽引之歌領它們穿越羅多佩、又倒轉常理,使泉源凝結、迫使喘息的大地奔走之時;縱使伊斯馬洛斯向日敞開、有耳的林木尋求那豎琴、那不為任何熱力所融的積雪彎曲而自奧薩流下、或比斯托涅斯人看見斯特律蒙靜止不動——當那奔湍之流渴慕歌聲之時——我仍無法如此歌你。
1:230
Nec si Peliaco datus bimembri Ad Centaurica plectra constitissem, Hinnitum duplicis timens magistri. Nec si me docuisset ille rari, Jussus pascere qui gregem est clientis, Amphrysi ad fluvium, deus bubulcus, Quod ferrugineos Cyclopas arcu Stravit sub Liparensibus caminis, Vibrans plus grave fulmen in sagitta. Jam primo tenero calentem ab ortu, Excepere sinu novem sorores, Et te de genitrice vagientem. Texerunt vitreæ vado Hippocrenes. Tunc hac mersus aqua loquacis undae, Pro fluctu mage litteras bibisti. Tunc tu jam puer aptior magistro, Quidquid rhetoricae institutionis, 405 Quidquid grammaticalis aut palestrae esi, Sicut jam tener hauseras, vorasti.
Nor if, given over to the twin-bodied one of Pelion, I had stood by the Centaur's lyre, fearing the neigh of my double master; nor had that god taught me — the herdsman god, bidden to pasture his client's flock by the river Amphrysus — he who with his bow laid low the rust-hued Cyclopes beneath the Liparean furnaces, launching in his arrow a bolt heavier still. Even now, warm from your tender first dawn, the nine sisters received you in their bosom, and covered you, wailing from your mother, in the shallow of glassy Hippocrene. Then, plunged in this water of the babbling wave, you drank letters rather than the flood. Then, already a boy fitter than the master, whatever there is of rhetorical training, whatever of grammar or of the palaestra, even as, still tender, you had drawn it in, so you devoured it.
縱使我被交託與佩利翁那半人半馬者,站在半人馬(喀戎)的琴旁、畏懼我那雙重形貌之師的嘶鳴;縱使那位神——那位被差去在安夫律索斯河畔牧放其主人(阿德墨托斯)羊群的牧牛之神(阿波羅)——曾教導我,他以弓箭把鏽色的獨眼巨人擊倒於利帕拉的爐火之下、在他的箭上射出更為沉重的雷霆——我仍無法歌你。即便如今,你自你溫嫩的初曉便帶著暖意,那九位姊妹(繆斯)已把你接入她們的懷抱,把你這自母胎啼哭而出的嬰孩,覆蓋於晶瑩的希波克瑞涅之淺灘。而後,你浸於這絮語之波的水中,所飲的與其說是水流,不如說是文字。而後,你已是比師父更堪造就的孩童,凡修辭之訓練、凡文法或角力場之學,你既在幼嫩之時吸入,便將它一併吞納。
1:231
Et jam te aula tulit, a piusque princeps Inter conspicuos staiim locavit, Consistoria quos habent, tribunos : Namque et purpureus in arce regni Praeesse officiis tuis solebat, Mores nobilitate quod merebant. Tantum culminis et decus stupendum Scripti annalibus indicant honores. Hinc tu militiam secutus amplam, Castrensem licet ampliare censum Per suffragia justa debuisses. Solemnis tamen abstinens lucelli, Fama plus locuples dumum I'edisti. Solum quod dederas tuum putando. Tum si forte fuit quod imperator b Eoas soceri venire in aures Fido interprete vellet et perito, Te commercia duplicis loquelae Doctum solvere protinus legebat.
And now the court took you up, and the pious prince at once set you among the conspicuous — the tribunes whom the consistories hold; for even the emperor in his purple, in the citadel of the realm, was wont to preside over your duties, since your character deserved it by its nobility. So great a summit and so wondrous a glory the honours written in the annals declare. Hence, having followed an ample military service, though by just votes you ought to have enlarged your camp-fortune, yet, abstaining from the customary petty gain, you returned home richer in fame, deeming only what you had given away to be your own. Then if perchance there was aught the emperor wished to reach the eastern ears of his father-in-law by a faithful and skilled interpreter, he chose you at once, learned to loose the exchanges of a double tongue.
如今宮廷已擢用你,那虔敬的君王立時把你置於顯要者之列——就是御前會議所有的那些護民官;因為即便那身披紫袍、居於帝國城堡之中的皇帝,也慣於主理你的職務,皆因你的品德憑其高貴而堪當之。史冊所載的種種榮銜,宣示了如此崇高的巔峰與令人驚嘆的榮耀。此後,你既服了充分的軍役,按正當的推選本應增擴你的軍中財資,然而你戒絕了慣常的蠅頭小利,反倒以更豐的聲名返家,只把你所施捨出去的視為自己所有。其後,倘偶有皇帝想藉忠實而嫺熟的譯者傳入他岳丈東方之耳的事,他便立時揀選了你——那精於解通雙語往還之學的人。
1:232
0, sodes, quoties tibi loquenti Byzantina sophos dedere regna? Et te seu latialiter sonantem, Tanquam Romulea satum suburra, Seu linguæ Argolicæ rotunditate Undantem, Maralhonc ceu creatum : Plaudentes stupuere Bosphorani, Mirati minus Atticos alumnos. Hinc si fœdera solverentur orbis, 406 Pacem te medio darent feroces Chunus, Sauromales, Getes, Gelonus. Tii 1 Tuncrum, et Vachalim, Visurgin, Albin, Francorum et penitissimas paludes Intrares, venerantibus Sicambris, Solis moribus inter arma tutus.
O prithee, how often did the Byzantine realms cry 'Bravo!' to you as you spoke? And you, whether sounding in Latin as though born in the Romulean suburb, or overflowing with the roundness of the Argive tongue as if created at Marathon — the applauding men of the Bosphorus were amazed, marvelling less at their own Attic nurslings. Hence, were the treaties of the world to be dissolved, the fierce Hun, the Sauromatian, the Getan, the Gelonian would grant peace with you as mediator. You would enter the Neckar and the Waal, the Weser, the Elbe, and the innermost marshes of the Franks, with the Sicambri revering you, safe amid arms by your character alone.
啊,我且問你,當你發言之時,拜占庭諸邦多少次向你高呼「妙哉」?無論你以拉丁文發聲、彷彿生於羅慕路斯之郊,抑或以阿爾戈斯(希臘)之舌的圓潤滔滔傾瀉、宛如創造於馬拉松——鼓掌的博斯普魯斯人皆感驚愕,對他們自己阿提卡的門生反倒讚嘆較少。因此,倘天下的盟約將要解體,那兇猛的匈人、薩爾馬提亞人、格泰人、革隆人,也會以你為調停者而締結和平。你將進入內卡河與瓦爾河、威悉河、易北河、以及法蘭克人最深處的沼澤,西坎布里人尊敬著你,你僅憑品德便於兵刃之間安然無恙。
1:233
Tu Moeotida, Caspiasque portas, Tu fluis equitata Raclra Parthis Constans intrepidusque sic adires, Ut fastu posito tumentis aulæ, Qui supra satrapas sedet tyrannus, Ructans semideum propinquitates, Lunatum tibi flecteret tiaram. Tu si publica fata non vetarent Ut Byrsam petcres, vel Africanae Telluris Tanaiticum rebellem : Confestim posito furore Martis, Post piralica damna destinaret Plenas mercibus institor carinas; Et per te bene pace restituta , Non ultra mih: hella navigarent. Jam si seria forte terminantem Te spectacula ceperant theatri, Pallebat chorus omnis histrionum, Tanquam si Arcitenens, novemque Musæ Propter pulpita judices sederent.
You would approach the Maeotis and the Caspian gates, you the Bactra ridden by the Parthians, so constant and undaunted, that, laying aside the arrogance of the swollen court, he who sits as tyrant above the satraps, belching forth his kinship with demigods, would bend to you his crescent tiara. You, did the public fates not forbid you to seek Byrsa or the Tanaitic rebel of the African land, straightway, the fury of Mars laid aside, after piratical losses the trader would dispatch keels full of merchandise; and through you, peace being well restored, wars would sail against me no more. And now, if perchance the solemn spectacles of the theatre had caught you as you presided, the whole company of actors turned pale, as though the Archer and the nine Muses sat as judges beside the stage.
你將趨近邁俄提斯(亞速海)與裏海之門,趨近帕提亞人所騎馳的巴克特拉,如此堅定無畏,以致那高踞於眾總督之上、口噴自誇與半神親屬之詞的暴君,也會為你俯下他那新月形的冠冕。你,倘公共的命運不禁你尋求比爾薩(迦太基)、或那非洲之土的塔奈斯叛徒,那商販便會立時放下戰神的暴怒,在海盜劫掠的損失之後,遣出滿載貨物的船隻;且藉著你,和平既已妥善恢復,戰爭便不再向我駛來。此外,倘劇場莊嚴的演出偶爾在你主持之時攫住了你,那整班伶人都要面色發白,彷彿那執弓之神(阿波羅)與九位繆斯正坐於舞臺旁作評判。
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Coram te c Caramalns, aut Phabaton Clausis faucibus, et loquente gestu, Nutu, crure, genu, manu, rotatu, Toto in schemate vel semel latebit. 407 Sive Æetias, et suus Jason Inducuntur ibi, ferusque Phasis, Quis jactos super arva Colcha dentes Expavit, fruticante cum duello Spicis spicula mixta fluctuarent. Sive prandia quis refert Thyeslae Seu vestros Philomela torva planctus, Discerptum aut puerum, cibumque factum Jamjam conjugis innocentioris. Seu raptus Tyrios, Jovemque taurum Spreto fulmine fronte plus timendum. Seu turris Danae refertur illic, Cum multum pluvio rigata censu est, Dans plus aurea furta quam metalla.
Before you Caramallus or Phabaton, with closed throat and speaking gesture — by nod, by leg, by knee, by hand, by whirling — in his whole posture would even once be at a loss. Whether Aeetes' daughter and her Jason are brought on there, and the fierce Phasis, which feared the teeth flung over the Colchian fields, when in the sprouting battle the spear-points, mingled with the corn-ears, wavered. Or whether someone relates the banquet of Thyestes, or your laments, grim Philomela, and the boy torn apart and made a meal for the mother — now the more innocent wife of the two. Or the Tyrian rapes, and Jupiter turned bull, more to be feared in his brow, the thunderbolt scorned. Or the tower of Danae is shown there, when she was much drenched by the rainy wealth, giving golden thefts rather than metals.
在你面前,卡拉馬盧斯或法巴頓——喉嚨緊閉,全憑姿態說話:以點頭、以腿、以膝、以手、以旋轉——在他的整套身段之中,也會有那麼一次窘然不知所措。無論這裏搬演的是埃厄忒斯之女(美狄亞)與她的伊阿宋、以及那兇險的法西斯河——它畏懼那些撒過科爾基斯田野的龍牙,當那萌生的戰鬥中,摻雜於麥穗間的槍尖搖曳之時。或是有人講述堤厄斯忒斯的筵席,或是你的悲慟,猙獰的菲羅美拉,以及那被撕碎、化作母親(普洛克涅,二人中較無辜之妻)之食物的孩童。或是那推羅之劫,以及化身公牛的尤比特——他的額角比雷霆更可畏,雷霆反遭輕蔑。或是達那厄之塔在此展現,當她被那如雨的財富大大浸透之時,賜下的與其說是金屬,不如說是黃金的偷情。
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Seu Ledam quis agit, Phrygemque ephebum Aptans ad cyatbos, facit tonanti Succo nectaris esse dulciorem. Seu Martem simulat modo in catenas Missum Lemniacas, modo aut repulso Formam imponit apri, caputque setis. Et tergum asperat, hispidisque malis Laeve incurvat ebur, vel ille fingit Hirtam dorsa feram, repanda tela At ritu assiduo cacuminantem. Seu Perseia virgo vindicata illic luditur harpe conjugali, Scu quod carminis atque fabularum Clausa ad Pergama dat hilustre bellum. Quid dicam citharistrias, choraules, Mimos, schœnobatas, gelasianos, 408 Cannas, plectra, jocos, palem, rudentem, Coram te trepidanter explicare?
Or whether someone plays Leda, and the Phrygian youth, fitting him to the wine-cups, makes him sweeter to the Thunderer than the juice of nectar. Or he counterfeits Mars, now sent into the Lemnian chains, now — the girl repulsed — Jupiter puts on the form of a boar, roughens the head with bristles, and the back, and with hairy cheeks curves the smooth ivory tusk, or feigns the beast shaggy on its back, ever sharpening its up-curved weapons in unremitting fashion. Or the Persean maiden, avenged there, is played with the conjugal falchion; or what famous war of song and of story he presents, shut up before the walls of Pergamum. Why should I tell how, before you, the female cithara-players, the flute-players, mimes, rope-dancers, jesters, the reeds, the plectra, the jests, the ball-play, the rope, trembling unfold their art?
或是有人扮演勒達,以及那把自己奉上酒杯的弗里吉亞少年(伽尼墨得斯),使他在雷神看來比甘露之汁更甜。或是他模擬馬爾斯,一時被投入雷姆諾斯的鎖鏈(火神所設),一時——那少女被推拒——尤比特化為野豬之形,以鬃使頭與背變得粗礪,以多毛的頰彎起那光滑的象牙獠牙,或裝作背上蓬亂之獸,不斷把牠上翹的利器磨得尖銳。或是那被拯救的珀爾修斯之處女(安德洛墨達),在此以夫婿的彎刀而受戲演;或是他把那關於歌與故事的著名戰爭,圍困於帕加瑪(特洛伊)城下而演出。我又何必述說:在你面前,女琴師、吹笛者、啞劇伶人、走繩者、逗笑之徒、蘆管、撥子、諧謔、球戲、繩索,如何戰兢地展其技藝?
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Nam a Circensibus ipse quanta ludis Victor gesseris intonante Roma, Laetam par fuit exarare musam. Janus forte suas bifrons calendas , Anni tempora circinantc Phœbo, Sumendas referebat ad curules. Mos est Cœsaris hic die bis uno (Privatos vocitant) parare ludos. Tunc coetus juvenum, sed aulicorum, Elei simulacra torva campi Exercet spatiantibus quadrigis. Et b jam te urna petit, cietque raucæ Acclamatio sibilans coronæ. Tum qua est c janua, consulumque sedes, Ambit qUAm paries utrinque senis. Cryptis, carceribusque fornicatus, Uno e quattuor axe forte lector. Curvas ingrederis premens habenas. Id collega tuus, simulque vobis Pars adversa facit :
For as to how great the deeds you yourself as victor performed in the Circus games, while Rome thundered applause, it was fitting to plough out a glad Muse. By chance two-faced Janus was bringing back his Kalends, Phoebus wheeling round the seasons of the year, to be taken up upon the curule chairs. It is Caesar's custom here, twice on one day (they call them Private games), to prepare the shows. Then a gathering of youths, but courtiers, exercises the grim images of the Elean field with chariots ranging over the spaces. And now the urn seeks you, and the hissing acclaim of the hoarse ring rouses you. Then where there is the gate and the seat of the consuls, which a wall of six encloses on either side, arched with crypts and starting-stalls, you, perchance chosen by lot on one of four axles, pressing the curved reins, enter. Your colleague, and likewise the opposing side against you, does the same:
因為你自己作為勝者在競技場賽會中所建的功業何其偉大——當羅馬雷鳴般鼓掌之時——合宜以歡愉的繆斯把它耕述出來。恰逢雙面的雅努斯正把他的元月朔日帶回,福玻斯環轉一年的時序,好在執政官的象牙座上被承接。此地凱撒有一慣例,一日之內兩次(人稱「私辦賽會」)籌備競技。於是一群青年——皆為宮廷之士——駕著馳騁於場中的四馬戰車,操演厄利斯之野(奧林匹亞)那嚴峻的景象。此時抽籤之甕已尋向你,那沙啞觀眾席噝噝作響的喝采也把你激起。而後,在那有城門與執政官座位之處——兩側各以六重之牆圍繞、以地窖與起跑柵欄構成拱狀——你或許憑抽籤在四者之一的車軸上,握緊彎曲的韁繩而入。你的同伴,以及與你相對的一方,也如此對你行事:與此同時
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a micant colores, Albus, vel Venetus, virens, rubensque : Vestrae insignia, continent ministri Ora, et lora manus, jubasque tortas Cogunt flexilibus lalere nodis, . Hortanturque obiter, juvantque blandis Ultro plausibus, et voluptuosum Dictant quadrupedantibus furorem, illi ad claustra fremunt, repagulisque 409 Incumbunt simul, ac per obseratas Transfumant tabulas, et ante cursum Campus flatibus occupatur absens. Impellunt, trepidant, trahunt, repugnant, Ardescunt, saliunt, timent, timentur, Nec gressum cohibent, sed inquieto Duratura pede stipitem flagellant. b Tandem murmure buccinae strepentis, Suspensas tubicen vocans quadrigas. Effundit celeres in arva currus.
the colours gleam — White, or Blue, green, and red: your team's badges the attendants hold, the mouths, and the reins the hands, and they compel the twisted manes to lurk in supple knots, and meanwhile they urge on, and of their own accord help with coaxing applause, and dictate a voluptuous frenzy to the four-footed steeds; those roar at the barriers, and lean upon the bolts together, and steam through the barred boards, and before the race the field is seized by their absent blasts. They push, tremble, drag, resist, blaze up, leap, fear and are feared, nor check their step, but with restless foot they scourge the post that will endure. At last, at the roar of the blaring trumpet, the trumpeter calling forth the held-back chariots pours the swift cars into the plain.
眾色閃耀——白、或藍、綠、與紅:僕從執著你這一隊的徽記,雙手把持著馬口與韁繩,迫使那扭結的鬃毛藏於柔韌的結扣之中,並在此際催策,又自動地以哄勸的喝采相助,把一種淫烈的狂熱灌注給那四蹄之駒;牠們在柵欄前嘶吼,一齊倚著門閂,透過封閉的木板噴著熱氣,比賽尚未開始,賽場便已為牠們尚未到場的鼻息所佔據。牠們推擠、顫慄、拉扯、抵抗、燃起烈焰、騰躍、既畏懼又令人畏懼,不肯收住步伐,反以不安的蹄踏鞭打那將要承受一切的柵柱。終於,隨著轟鳴號角(布奇納)的呼嘯,那召喚被扣住之戰車的號手(圖比肯),把疾馳的戰車傾瀉入賽場。
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Non sic fulminis impetus trisulci, Non pulsa Scythico sagitta nervo, Non sulcus rapide cadentis astri, Non fundis Balearibus rotata Unquam sic liquidos poli meatus Rupit plumbea glandium procella Cedit terra rotis, et orb tarum Moto pulvere surdidatur aer. Instant verberibus simul regentes, Jamque et pectora prona de covinno Extensi rapiuntur, et jugales Trans armos feriunt, vacante tergo : Nec cernas cito, cernuos magistros Temones mage sufferant, an axes, Jam vos ex oculis velut volantes, c Consumpto spatio patentiore, Campus clauserat arctus arte factus : Per quem longam, humilem, duplamque muro Euripus sibi machinam retendit.
Not so the onrush of the three-forked thunderbolt, not the arrow sped from the Scythian string, not the furrow of the swiftly falling star, not the leaden storm of bullets ever whirled from Balearic slings, so cleft the liquid paths of the sky. The earth yields to the wheels, and the air is deafened by the dust of the whirling wheel-track. The drivers press on together with their lashes, and now, stretched forward, they are snatched from the war-car by their bending breasts, and strike the yoke-steeds across the shoulders, the back left empty; nor could you quickly discern whether the head-foremost drivers bear up the poles the more, or the axles. Now you, out of sight as if in flight — the more open space consumed — the field, narrowed by art, had shut in; through which the Euripus draws back for itself a long, low, and twofold engine with a wall.
三叉雷霆的衝擊也不及此,自斯基泰弓弦射出的箭也不及此,疾墜之星劃出的溝痕也不及此,巴利阿里投石索所旋擲的鉛彈風暴也從未如此劈開天空那流動的軌道。大地向車輪讓步,空氣為那旋轉車轍所揚的塵埃所震聾。御者們一齊以鞭策進,此刻向前伸展,被那前傾的胸膛從戰車(科溫努斯)中拽出,橫掃套軛之駒的雙肩,車座已空;你也無法迅速分辨:是那頭朝前的御者更多地扛起了車轅,抑或是車軸。此時你已如飛而出視野之外——那較為開闊的場地已被走盡——那以人工收窄的賽場已把你圍閉其中;歐里波斯水道在其間,為自己牽引回一座長而低、又雙重的、帶牆的建構。
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d Ut meta ulterior remisit omnes, 410 Fit collega tuus prior duobus, Qui te transierant; ita ipse quartus , Gyri conditione tum fuisti. e Curæ est id mediis, ut ille primus Pressus dexteriore concitatu, Partem si patefecerit sinistram, Totas ad podium ferens habenas, Curru prætereatur intus acto. Tu conamine duplicatus ipso Stringis a qnadrijugos, et arte summa In gyrum bene septimum reservas. Instabant alii manu atque voce, Passim et deciduis in arva guttis Rectorum, alipedumque sudor ibat. Raucus corda ferit fragor faventum, Atque ipsis pariter viris equisque Fit cursu calor, et timore frigus. Itur sic semel, itur et secundo, Est sic tertius, atque quartus orbis.
When the further turning-post released them all, your colleague becomes first of the two who had passed you; so you yourself were then fourth, by the very condition of the circuit. It is a care in mid-course that the man who leads, hard-pressed by a driver bearing down on his right, if he lays open his left side and carries all the reins toward the barrier, may be overtaken by a chariot driven along the inner track. But you, redoubled by that very effort, hold your four horses in close and by supreme skill keep them well in reserve for the seventh lap. The others pressed on with hand and voice, and everywhere the sweat of drivers and swift-footed steeds ran down in falling drops upon the field. The hoarse din of the cheering strikes the heart, and alike in men and horses heat comes with the racing and cold with fear. So once around it goes, and a second time it goes; so comes the third circuit, and the fourth.
當那更遠的轉標放行了眾人,你的同伴便成了那兩位超越你者之中的頭一名;於是你自己那時排第四,這全按賽道環圈的規則而定。在半程之中最須留心的,是那領先者:他被右側逼近的對手緊緊壓迫,若他敞開了左邊、把韁繩全都拉向欄柵,就可能被一輛從內道疾馳的戰車超越。而你,正因這番奮力而加倍精進,把四馬緊緊收束,以無上的技藝將牠們妥善保留至第七圈。其餘的人以手以聲催逼,御者與疾足駿馬的汗珠處處滴落田間。喝采者沙啞的喧囂震撼人心,人與馬同因奔馳而發熱、因恐懼而生寒。就這樣繞行一圈,再繞第二圈;第三圈如此,第四圈亦然。
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Quinto circite, non valens sequentum Pondus ferte 'prior, retorquet axem, Qood velocibus imperans quadrigis, Exhaustos sibi senserat jugales. Jam seno reditu perexplicato Jamque et praemia flagitante vulgo, Pars contraria nil limens tuam vim Securas prior orbitas terebat; Tensis cum subito sinu lupatis, Tensis pecOribus, pedeante fixo, Quantum auriga suos solebat ille 411 Raptans Œuonaum tremente Pisa, Tantum tu rapidosieris jugales. Hic b compendia flexuosa metæ Unus dum premit, incitatus a te Elatas semel impetu quadrigas Juncto non valuit plicare gyro. Quem tu, quod sine lege præteriret, Transisti remanens, ab arte restans, Aller dum popularitate gaudet, Dexter sub cuneis nimis cucurrit.
At the fifth circuit the leader, no longer able to bear the weight of those pursuing, wrenches back his axle, for, commanding swift teams, he had felt his yoke-beasts spent. Now, the sixth return being fully unrolled, and now with the crowd already clamouring for the prizes, the opposing side, fearing nothing of your power, was carelessly grinding along the earlier track; when suddenly, with reins drawn taut in the curve, with breasts strained forward and foot firmly planted, as far as that famous charioteer used to snatch his Oenomaus while Pisa trembled, so far did you sweep your swift yoke-beasts. Here, while one man alone hugs the winding short-cuts of the post, spurred on by you he could not, once his chariot was carried forward by its own impetus, wheel it in a joined turn. Him, because he was passing outside the rule, you overtook by holding back, standing firm by your art, while the other, delighting in the crowd's favour, ran too far to the right beneath the tiers.
到第五圈時,那領先者再也承受不住追趕者的重壓,猛然扳回車軸,因為他駕馭疾駛的四馬,已察覺自己的軛下之馬力竭。如今第六趟折返已完全展開,群眾已在為獎賞喧嚷,對方一側毫不畏懼你的實力,正粗心地沿舊道碾行;忽然間,彎道上韁繩驟緊,馬胸前傾、足牢牢踏定,正如那著名御者在庇薩顫慄之際奪取俄諾馬俄斯那般,你也如此疾捲你飛快的軛下之馬。此處,當一人獨自緊貼轉標曲折的捷徑時,被你所激,他那憑自身衝勢向前疾行的戰車,竟無法以合宜的轉彎收攏。因他越出常規而過,你便以退守之姿超越了他,憑技藝穩立不動,而那另一人正沉醉於群眾的喝采,卻在看台下方跑得太偏向右。
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Hunr, dum obliquat iter, diuque lentus Sero cornipedes citat flagello, Tortum tramite transis ipse recto. Hic te incautius assecutus hostis, Sperans anticipasse jam priorem, Transversum venit impudens in axem. Incurvantur equi, proterva crurum Intrat turba rotas, quaterque terni Arctantur radii, repleta donec Intervalla crepent, volubilisque Frangat margo pedes : ibi ipse quintus Curru præcipitatus obruente, Montem multiplici facit ruina, Turpans prociduam cruore frontem. Miscet cuncta fragor tesuscitatus, Quantum non cyparissifer Lycxus, Quantum non nemorosa tollit Ossa, Crebras irrequieta per procellas :
Him, while he swerved his course aside and, long sluggish, too late urged his horn-hoofed steeds with the whip, you pass by keeping to the straight track. Here a rival, having too rashly followed you, and hoping he had already outstripped the leader, came shamelessly athwart your axle. His horses are bent double, the wild throng of their legs enters the wheels, and four times the three spokes are jammed, until, the gaps being filled, they crack, and the whirling rim shatters the feet: there this fifth man, flung headlong from his overturning chariot, makes a heap by his manifold crash, fouling with blood his forward-pitching brow. The renewed uproar mingles all things—more than the cypress-bearing Lycaeus, more than woody Ossa lifts up amid its restless, frequent storms:
當他把車道斜偏一旁,遲鈍良久,太晚才以鞭催他角蹄的駿馬時,你便沿直道超越了他。此處一名對手太過魯莽地追隨你,滿以為已勝過領先者,竟厚顏地橫衝向你的車軸。他的馬匹彎折成兩截,牠們腿腳的狂亂糾纏捲入車輪,那三根輻條四度被卡住,直到縫隙填滿而爆裂,旋轉的輪緣碾碎了蹄足:這第五位選手就此從翻覆的戰車上頭朝下拋出,因這重重的撞擊堆成一團,向前傾跌的額頭沾滿鮮血。重新掀起的喧囂混雜了一切——比那生著柏樹的呂卡俄斯山更甚,比林木森森的俄薩山在不息頻仍的風暴中所激起的更甚:
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Quantum nec reboant volutae ab austro Doris, Trinacris, aut voraginoso 412 Quae vallat sale Bosphorum Propontis. Hic mox præcipit æquus imperator, Palmis c serica, torquibus coronas Conjungi, et meritum remunerari, Victis a irt jubens, salis pudendis, Villis versicoloribus tapetas. b Jam vero juvenalibus peractis Quem te praebueris sequente in aevo, Intra c aulam soceri mei expetitus Curam cum moderatus es palati, Chartis posterioribus loquemur, Si plus temporibus vacat futuris. Nunc d quam diximus hospitalitatem, Paucis personet obsequens Thalia. 0 dulcis domus, o pii penates ! Quos res difficilis sibique discors, Libertas simul excolit pudorque.
as much as the Dorian and Trinacrian seas, rolled by the south wind, do not roar, nor does the Propontis that walls off the Bosphorus with its swirling brine. Here at once the fair-judging commander gives order that silken robes and crowns with torques be joined together, and that merit be rewarded, bidding shameful things be given to the vanquished—coverlets of coarse cloth and rugs of many-coloured fleece. But now, your youthful contests being over, what you showed yourself to be in the age that followed, when, sought within the court of my father-in-law, you managed the care of the palace, we shall tell in later pages, if there be more leisure for times to come. Now let obliging Thalia sound in a few verses that hospitality of which we spoke. O sweet house, O dutiful household gods! whom, though its estate be hard and at odds with itself, both liberty and modesty adorn together.
其喧囂之烈,連南風掀動的多利亞海與特里納克里亞海也不及其咆哮,連那以漩渦鹹濤環堵博斯普魯斯海峽的普洛彭提斯海也不能及。此時那公正的統帥立即下令,將絲袍與飾以項圈的冠冕合而賜之,酬報功勳,並命將可羞之物賜與敗者——粗布的褥墊與雜色羊毛的地氈。但如今你少年的競賽既已結束,在其後的歲月裡你所顯露的品格——當你受召入我岳父的宮廷、掌理王宮之務時——我們將在後面的篇章述說,若來日尚有餘暇。如今讓殷勤的塔利亞以寥寥數句吟詠我們所說的那份款待。哦,可愛的居所,哦,虔敬的家神!儘管家境艱難、自相扞格,卻由自由與端莊一同妝點。
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O convivia, fabulæ, libelli, Risus, serielas, dicacitates, Occursus, comitatus unus idem ! Sen dclubra Dei colenda nobis, Sive ad pontificem gradus i rendi, Sive ad culmina Marcii Myronis, Tecta illustria seu videnda Livi : Sive ad doctiloqui Leonis ædes, Quo bis sex tabulas docente juris, Ultro Claudius Appius taceret, Claro obscurior in decemviratu. At si dicat epos, metrumque rhythmis. Flectat commaticis, tonante plectro, 413 Mordacem faciat silere Flaccum; Quamvis post satiras lyramque tendat Ille ad Pindaricum volare cycnum. Seu nos, Magne, tuus favor tenebat, Multis praedite dotibus virorum, Forma, nobilitate, mente, censu. Cujus si varios cam per actus :
O the banquets, the tales, the little books, the laughter, the earnestness, the witty jests, the encounters, the company—all one and the same! Whether we must worship the shrines of God, or steps be climbed to the bishop, or to the heights of Marcius Myron, or the illustrious dwelling of Livius be seen: or to the halls of learned-tongued Leo, before whom, when he expounds the twelve tables of the law, Appius Claudius of his own accord would fall silent, more obscure than he in his renowned decemvirate. But if he should speak epic, and bend metre into short-clause rhythms, with his thundering quill, he would make biting Flaccus keep silence; though after his satires and his lyre Flaccus stretches to soar as the Pindaric swan. Or if, great Magnus, your favour held us, endowed with the many gifts of men—beauty, nobility, mind, and wealth. If through his varied deeds one were to run:
哦,那些筵席、故事、小書、笑語、莊重、機鋒、相逢、同伴——全都合而為一!無論我們是去敬拜神的殿宇,或登階往見主教,或前往馬爾基烏斯·米隆的高處,或往觀利維烏斯輝煌的居所:或往那能言善道的利奧的廳堂——當他闡釋律法十二表時,阿庇烏斯·克勞狄烏斯必甘願緘默,因在其著名的十人執政中,他反比利奧更為晦暗。但他若吟誦史詩,以雷鳴的筆將格律折入短句的節奏,便能使尖刻的弗拉庫斯噤聲;縱然弗拉庫斯在諷刺詩與里拉琴之後,力圖如品達的天鵝般高飛。又或者,偉大的瑪格努斯啊,是你的恩顧眷留了我們——你稟賦著眾人的諸般才具:美貌、高貴、才智與財富。若要歷數他形形色色的行誼:
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Centum et ferrea lasset ora laudc. Constans, ingeniosus, efficaxque, Prudens arbiter, optimus propinquus, Nil fraudans genii sibi vel ulli, Personas, loca tempus intuendo. Seu nos atria vestra continebant, Marcelline meus, perite legum; Qui verax nimis, et nimis severus, Asper crederis esse nescienti ; At si te bene quispiam probavit, Noscit quid velit ipse judicare. Nam nunquam metuis loqui quod aequum est, Si te Sylla premat, ferusque Carbo ; Si tristes Mari!, trucesque Cinnae, Et si forte tuum caput latusque Circumstent gladii triumvirales. Seu nos Limpidii lares habebant, Civis magnifici, virique summi, Fraternam bene regulam sequentis ;
a hundred iron mouths would grow weary in his praise. Steadfast, ingenious, and effective, a prudent arbiter, the best of kinsmen, defrauding his own genius of nothing, nor any man's, mindful of persons, places, and time. Or if your halls held us, my Marcellinus, skilled in the laws; you who, being too truthful and too severe, are believed harsh by one who does not know you; yet if anyone has well proved you, he learns what you yourself would wish to judge. For you never fear to say what is just, though Sulla press you, or fierce Carbo; though the grim Marii and the savage Cinnae, and though perchance the triumvirs' swords should ring about your head and side. Or if the household of Limpidius held us, a magnificent citizen and a man of the highest rank, one who well follows the rule of brotherhood;
縱有一百張鐵口,也將在頌讚他時力竭。他堅定、機敏而幹練,是明智的仲裁者、最良善的親族,對自己的天賦、對他人皆無所虧欠,處處顧念身分、地點與時機。又或者是你的廳堂容留了我們,我的馬爾克利努斯,你精通律法;你因太過誠實、太過嚴厲,在不認識你的人眼中被視為嚴苛;然而人若曾好好認識你,便知你自己所要裁斷的是甚麼。因你從不畏懼說出公正之言,縱使蘇拉壓迫你,或兇猛的卡爾波;縱使冷峻的馬略家族、殘暴的秦納家族,縱然三頭執政的刀劍或許環繞你的頭與腰。又或者是林皮狄烏斯的家戶容留了我們——一位華貴的公民、至高的偉人,善於遵循弟兄之道:
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Scu nos eximii simul tenebat Nectens officiositas Marini, Cujus sedulitas sodalitasque Æterna mihi laude sunt colendae; 414 Seu quoscunque alios videre fratres Cordi utrique fuit, quibus vacasse Laudandam reor occupationem. Horum nomina cum referre versu Affectus cupiat, metrum recusar. Hinc nos ad propriam domum vocabas, Cum mane exierat novum, et calescens Horam sol dabat alteram secundam. Hic promens teretes pilas trochosque, Hic lalos crepitantibus fritillis, Nos ad verbera tractuum struentes, Tanquam Naupliades repertor artis, Gaudebas hilarem ciere rixam. Hinc ad balnea non Neroniana, Nec quæ Agrippa dedit, vel ille cujus Bustum Dalmaticæ vident Salonae :
or if at the same time the obligingness of excellent Marinus held us, binding us to him, whose diligence and comradeship are to be cherished by me with eternal praise; or whatever other brothers it pleased both our hearts to see, in whom I reckon it a praiseworthy occupation to have spent my leisure. Though affection long to recount their names in verse, the metre refuses. Thence you would call us to your own house, when a new morning had come forth and the warming sun was giving the second hour. Here, bringing out smooth balls and hoops, here dice with their rattling dice-boxes, marshalling us to the strokes of the throws, like the son of Nauplius, inventor of the art, you delighted to stir up a merry brawl. Thence to the baths—not Nero's, nor those which Agrippa gave, nor his whose tomb Dalmatian Salona beholds:
又或者,那同時容留我們的,是卓越的馬里努斯的殷勤——他的殷勤與情誼把我們繫於他身,其勤懇與交誼當受我以永恆的頌讚所珍愛;又或是我倆心中所樂見的其他任何弟兄,我認為與他們共度閒暇是值得稱道的營生。縱使情感渴望以詩句歷數他們的名字,格律卻不容許。你會從那裡召我們往你自己的宅第,當新的清晨已出現、漸暖的太陽正給予第二個時辰之時。此處你取出光滑的球與圓環,此處是搖著格格作響的骰盒的骰子,你把我們列陣於擲環的擊打之前,宛如那技藝的發明者瑙普利俄斯之子,你樂於激起一場歡快的爭競。再從那裡往浴場——不是尼祿的,也不是阿格里帕所建的,更不是那位其墳墓為達爾馬提亞的薩洛納所望見者的:
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Ad thermas tamen ire sed libebat, Privato bene praebitas pudori. Post quas nos tua pocula, et tuarum Musarum medius torus tenebat : Quales nec statuas imaginesque, Ære, aut marmoribus, coloribusque Mentor, Praxiteles, Scopas dederunt : Quantas nec Polycletus ipse finxit, Nec fit Phidiaco figura coelo. Sed jam te veniam loquacitati Quiugenti hendecasyllabi precantur. Tantum, et si placeat, poema longum est. iam jam sufficit, ipse et impediris, Multum in carmine perlegens amicum, Dormitant.bus utiosiorem. 415 CARMEN XXIV, a PROPEMPTIC X AD LIBELLUM. Egressus foribus meis, libelle, Jlanc servare viam precor memento, Quae nostros bene ducit ad sodales, QuInum nomina sedulus notavi.
yet it pleased us to go to the warm baths, well provided for private modesty. After these your cups and the couch amid your Muses held us in the middle: such statues and images as neither Mentor, nor Praxiteles, nor Scopas gave in bronze, or marble, or colours: as great as Polyclitus himself never moulded, nor is any figure fashioned by Phidian chisel. But now the five hundred hendecasyllables beg your pardon for their garrulity. Only—and if it please—the poem is long. Now, now it is enough; you yourself are hindered, reading much of your friend in the poem, dozing off, too much at leisure. CARMEN XXIV, A PROPEMPTICON TO HIS LITTLE BOOK. Going forth from my doors, little book, remember, I pray, to keep this road, which leads well to our comrades, whose names I have diligently noted.
然而我們樂於前往那溫暖的浴場,妥善地照顧了私處的端莊。浴罷,你的酒杯與你眾繆思之間的臥榻把我們留於其中:那樣的雕像與圖像,是門托爾、普拉克西特列斯、斯科帕斯以青銅、大理石或彩色皆不曾造就的:其宏偉,連波利克列圖斯本人也不曾塑成,也無任何形象出於菲狄亞斯的鑿刀。但如今這五百行十一音節詩懇求你寬恕其絮聒。只是——若你樂意——這詩篇太長了。夠了,夠了;你自己也被拖住,在詩中讀著關於朋友的許多篇幅,過於閒散地打起盹來。第二十四首詩,寫給他小書的送行詩。小書啊,當你走出我的門時,我求你記得沿著這條路走,它能好好把你帶到我們的同伴那裡,他們的名字我已勤懇地記下了。
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Antiquus tibi nec teratur agger, Cujus per spatium satis vetustis Nomen b Cæsareum viret columnis. Sed sensim gradere, ut moras habendæ Affectum veterem noves amicis. r Ac primum Domiti larem severi Intrabis, trepidantibus camenis i Tam censorius haud fuit vel ille, QueIN ris ssc semel ferunt in ævo. Sed gauderc potes rigore docto : Hic si te probat, omnibus placebis, hinc te suscip et benigna Brivas, Sancti quac f vel ossa Juliani : Quæ dii m mortua mortuis putantur. Vivens e tumulo micat potestas. Hinc jam dexteriora carpis arva, Emensusque juguli die sub uno, Flavum crastinus aspicis Triobrem.
Let not the ancient causeway be worn by you, along whose length the Caesarean name flourishes green on columns old enough. But go step by step, that you may renew for our friends the old affection they should keep. And first you shall enter the home of stern Domitius, with your trembling Muses; not even that man was so much a censor whom, they say, they bear but once in an age. Yet you may rejoice in his learned strictness: here, if he approves you, you will please all men. Hence let kindly Brioude receive you, where lie the very bones of holy Julian: bones which are deemed dead among the dead, yet a living power shines forth from the tomb. Hence now you make for the lands to the right, and, the Juglae once traversed in a single day, tomorrow you look upon the tawny Triobris.
別讓那古老的堤道磨損你,在其長度之內,凱撒之名於相當古老的石柱上蒼翠常青。但要一步一步地走,好為我們的友人重新喚起他們當守的舊情。首先你要進入嚴峻的多米提烏斯的居所,帶著你戰慄的繆思;即便那位傳說一世僅出一人的監察官,也不曾如此嚴苛。然而你可為他博學的嚴謹而歡欣:此處他若嘉許你,你便將取悅眾人。此後願仁慈的布里烏德接納你,那裡安放著聖朱利安的遺骨:這骨骸在死人中被視為已死,然而一股活的能力卻從墳中閃耀而出。此後你如今奔向右邊的地域,在一日之內越過尤格拉之後,明日你便望見那黃褐色的特里奧布里斯河。
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Tum terram Gabalum satis nivosam, Et quantum iudigenae volunt putari, 416 Sublimem in puteo videbis urbem. Hinc te temporis ad mei Laconas Justinum rapies, suamque fratrem, Quorum notus amor per orbis ora Calcat Pirithoumque, Theseumque, Et lidum rabidi sodalem Orestæ. Horum cum fueris sinu receptUs, Ibis ' Trevidon, et calumniosis, Vicinum nimis heu iugum Rutenis. Hic docti invenies patrem Tonanti, Rectorem columenque Galliarum, Prisci Ferreolum parem Syagri : Conjux Papianilla quem pudico Curas participans juvat labore, Qualis nec Tanaquil fuit, nec illa Quam tu, Tricipitine, procreasti, Qualis nec Phrygiæ dicata Vestæ, Quae contra satis Albul m tumentem Duxit virgineo ratem capillo.
Then you shall see the land of the Gabali, snowy enough, and, as far as the natives wish it to be reckoned, a city set high upon a well. Hence to the Laconians of my own time you shall hurry—Justinus and his brother Sabinus, whose famed love, throughout the mouths of the world, treads down Pirithous and Theseus, and the trusty companion of raging Orestes. When you have been received into their bosom, you shall go to Trevidon, and to the ridge, alas, too near the slanderous Ruteni. Here you shall find the father of learned Tonantius, ruler and pillar of the Gauls, Ferreolus, the peer of Priscus Syagrius: whom his wife Papianilla, sharing his cares with chaste labour, gladdens—such as neither Tanaquil was, nor she whom you, Tricipitinus, begot, nor such as she consecrated to Phrygian Vesta, who, against the swelling Tiber, drew the ship by her maiden hair.
然後你要看見加巴利人的地方,那裡積雪頗深,並且,就當地人願人如此看待的程度而言,是一座高踞於井上的城。此後你要趕往我當代的拉刻代蒙人——尤斯提努斯與他兄弟薩比努斯,他們的盛名之愛遍傳世人之口,踏勝了庇里托俄斯與忒修斯,以及狂怒的俄瑞斯忒斯那忠實的同伴。當你被接入他們的懷抱後,你要前往特雷維冬,往那山脊——唉,太靠近好誹謗的魯特尼人了。此處你將尋見博學的托南提烏斯之父——高盧人的統治者與棟樑——費雷歐盧斯,他堪與普里斯庫斯·敘阿格里烏斯匹敵:他的妻子帕皮阿尼拉以貞潔的辛勞分擔他的憂慮,使他歡欣——這樣的女子,塔納奎爾不曾是,你特里奇皮提努斯所生的女兒也不曾是,那奉獻於弗里吉亞的維斯塔、以少女之髮逆著漲溢的臺伯河牽引船隻者也不曾是。
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Hinc te Lesora, Caucasum Scytharum Vincens, aspiciet, citusquc 'aruis Limosum et I solido sapore pressum Piscem perspicua gerens in unda. . Hi Zeti et Calais tibi adde pennas, Nimbosumque jugum fugax caveto, Namque est assiduuM, ferax procellæ Sed quimvisrapido ferare cursu, Las um te1 Voroangus obtinebit. Nostrum hic invenies Apollinarem, ' Seu contra rabidi leonis æstus 417 Vestit frigore marmorum pena : Sive hortis spatiatur in repostis, Qual s mellifera virent in Hybla, Quales Coricium senem beantes Fuscabat picei latex Galesi.
Hence Lesora, surpassing the Caucasus of the Scythians, shall behold you, and swiftly for the fields it shall bear a muddy fish, pressed into solid savour, wearing it in its clear water. Here add to yourself the wings of Zetes and Calais, and, fleeing, beware the cloudy ridge, for it is constant, teeming with storm; but though you be borne on a swift course, weary shall Voroangus detain you. Here you shall find our Apollinaris, who, whether against the raging lion's heat he clothes himself in the coolness of marble halls: or walks in secluded gardens, such as bloom green in honey-bearing Hybla, such as, blessing the old man of Corycus, the pitchy stream of Galaesus used to darken.
此後,勝過斯基泰人高加索山的萊索拉山將望見你,並將迅速為田野帶來一尾泥中之魚,壓實成濃郁的滋味,在清澈的水中攜著牠。此處你要為自己添上澤忒斯與卡拉伊斯的翅膀,並在逃遁時提防那多雲的山脊,因它常年不斷、多生風暴;然而縱使你被疾馳的行程所載,疲憊的你仍將被沃羅安古斯所留。此處你將尋見我們的阿波利納里斯,他無論是為抵禦狂暴獅子座的酷熱而以大理石廳堂的清涼裹身:或是在幽僻的花園中漫步——那樣的花園,如產蜜的許布拉般青翠,如那曾為科律奇烏斯的老者賜福、被加拉埃蘇斯河瀝青般的水流所染暗者一般。
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Sive inter violas, thymum, ligustrum, Serpyllum, casiam, crocum a que catham, Narcissos, hyacinthino que flores Spernit, quam pretii petitor ampli Glebam tburifer advehit Sabæns. Seu ficto potius specu quiescit, Collis margine qua num is reflexum Nativam dare porticam laborans, Non lucum arboribus facit, sed antrUM. Quis pom ria prisca regs IUli llic nunc comparet, aureasque vites, Electro viridante pampinatas, Cum Porus posuit crepante gaza Fulvo, ex palmite vineam metalli, Gemmarum fluitantibus racemis? Hinc tu Cottion ibis, atque Avito Nustro dicis s ave, dehiuc v. lrlo Debes obsequium viro perenne : Nam dem hinc veniam mei propinqui, Non nubis prior est parens amico.
Or whether among violets, thyme, privet, wild thyme, cassia, saffron, and catmint, narcissus and hyacinthine flowers, he scorns the clod which, seeking a high price, the incense-bearing Sabaean brings. Or whether he rather rests in a feigned grotto, where, on the hill's edge, a bending stone, striving to give a native portico, makes not a grove with trees, but a cavern. Who now could compare with these the ancient orchards of King Julus there, and the golden vines, their tendrils gilded with green amber, when Porus laid out, with clinking treasure, a vineyard of tawny metal from the branch, with grape-clusters of flowing gems? Hence you shall go to Cottion, and to our Avitus say a greeting; thereafter you owe perpetual service to the man Verus: for I ask leave here of my kinsman—no cloud of birth stands prior to a friend.
又或是在紫羅蘭、百里香、女貞、野百里香、桂皮、番紅花、貓薄荷、水仙與風信子般的花朵之間,他不屑於那求取高價、產香的薩巴人所運來的一塊香脂。又或是他寧願安歇於一座人造的岩穴中,那裡在山丘邊緣,一塊彎曲的岩石竭力要造就一道天然的柱廊,卻未以樹木成林,而成了一個洞窟。如今誰能將尤路斯王那裡的古老果園,與那金色的葡萄藤——藤蔓以青綠的琥珀鍍金——相比?當波魯斯以叮噹作響的黃金珍寶,從枝條上鋪陳出一座黃褐金屬的葡萄園,綴著流光溢彩的寶石葡萄串?此後你要前往科提翁,並向我們的阿維圖斯致意;此後你當永遠服事維魯斯其人:因我在此向我的親族請求准許——親緣之雲並不比朋友居先。
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Hinc jam te Fidulus decus bonorum, Et nec Tetradio satis secundus, Morum dotibus aut tenore recti, Sancta suscipit hospitalitate. Exin tende gradum, Tribusque vitiis 418 Thaumastum expeto, quemlibet duorum : Quorum junior est mihi sodalis Et collega s mul, graduque frater. Quod si fors senior tibi invenitur, Hunc pronus prope patruum saluta. llinc ad consulis ampla tecta Magni, Felicemque tuum veni, libelle. Et tebibliotheca quæ paterna est, Qualis nec tetrici fuil Philagri, Admitti faciet Probus probatum. II c sæpe Eulaliæ meæ legeris, Cujus Cecropiæ pares Minervæ Mores, et rigidi senes, et ipse Quondam purpureus socer timebant.
Hence now Fidulus, the glory of good men, and, not much second to Tetradius in the gifts of character or in the tenor of rectitude, receives you with holy hospitality. Then bend your step onward, and at Tres Villae I seek out Thaumastus, either of the two you please: of whom the younger is my comrade and colleague together, and by rank my brother. But if by chance the elder is found by you, salute him, bowing low, almost as an uncle. Hence to the ample house of Magnus the consul, and to your own Felix come, little book. And the library which is his father's, such as neither was that of gloomy Philagrius, Probus, well-approved, shall cause the approved one to be admitted. Here you shall often be read by my Eulalia, whose ways are equal to Cecropian Minerva's, and whom the stern old men, and even her once purple-clad father-in-law, held in awe.
此後,善人的榮耀費杜盧斯,在品格的稟賦或正直的操守上不甚遜於特特拉狄烏斯者,以聖潔的款待接待你。然後把你的腳步向前彎行,在特雷斯別墅我尋覓陶瑪斯圖斯,這兩位中你喜歡哪一位皆可:其中年輕的是我的夥伴與同僚,按品級是我的弟兄。但你若偶然尋見那年長的,就俯身向他致意,幾乎當他如叔伯一般。此後你要來到執政官瑪格努斯寬敞的宅第,來到你自己的費利克斯那裡,小書啊。還有那屬於他父親的藏書室——那樣的藏書室,連陰鬱的菲拉格里烏斯也不曾有——德高望重的普羅布斯將使這受認可的你獲准入內。此處你將常被我的歐拉利亞所讀,她的品行堪與刻克洛普斯的密涅瓦相埒,連那些嚴峻的老者、以及她那曾身披紫袍的公公,也都對她心懷敬畏。
1:252
Sed jam sufficit, ecce linque portum, Ne te pondere plus premamsaburtæ. His in versibus ancram levato.
But now it is enough; behold, quit the harbour, lest I press you more with the weight of ballast. In these verses lift up your anchor.
但如今夠了;看哪,離開港口罷,免得我以壓艙物的重量更加壓迫你。就在這幾句詩中起錨罷。
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