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偽居普良

文集 第 11 章

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11:1
CVPRIANVS PLEBI IN EVANGELIO STANTI S. Vt me satis contristat et animum nostrum grauiter affligit cum nulla mihi scribendi ad uos porrigitur occasio, detrimentum est enim meum uobiscum non colloqui, ita nihil mihi tantam laetitiam hilaritatemque restituit quam cum adest rursus occasio. uobiscum me esse arbitror, cum uobis per litteras loquor. quamquam igitur ita se haec habere quae dico certos uos esse sciam nec quicquam de uerborum meorum ueritate dubitare, tamen etiam argumentum sinceritatem rei asserit: namcam nulla prorsus praeteritur occasio, probatur affectio, quamuis ergo certus sim uos non minus esse in uitae actu graues quam in sacramento fideles:
居普良致堅立於福音中的信眾,問安。正如每當我沒有機會寫信給你們時,這使我十分憂傷,也沉重地折磨我的心——因為不能與你們交談對我乃是損失——照樣,也沒有甚麼比機會再度來臨更能使我重獲喜樂與歡欣。當我藉書信向你們說話時,我便以為自己與你們同在。所以,雖然我知道你們確信我所說的這些事都是如此,對我言語的真實毫不懷疑,然而事情本身也印證了其中的真誠:因為當一絲機會也不放過時,愛心便得以證明。所以,我雖確知你們在生活的品行上絕不亞於你們在聖禮中的忠信:
CYPRIAN TO THE PEOPLE STANDING FAST IN THE GOSPEL, GREETING. As it greatly saddens me and heavily afflicts my soul whenever no occasion is offered me of writing to you—for it is a loss to me not to converse with you—so nothing restores to me such joy and cheerfulness as when the occasion again presents itself. I reckon that I am with you when I speak to you by letter. Although, therefore, I know that you are sure these things which I say are so, and that you doubt nothing of the truth of my words, yet the very argument confirms the sincerity of the matter; for when no occasion at all is let pass, affection is proved. Although, then, I am certain that you are no less serious in the conduct of life than faithful in the sacrament:
11:2
tamen, quoniam non desunt uitiorum assertores blandi et indulgentes patroni qui praestant uitiis auctoritatem et quod est deterius censuram scripturarum caelestium in aduocationem criminum conuertunt, quasi sine culpa innocens spectaculorum ad remissionem animi appetatur uoluptasnam et eo usque eneruatus est ecclesiasticae disciplinae uigor et ita omni langore uitiorum praecipitatur peius ut non iam uitiis excusatio sed auctoritas deturplacuit paucis uos non nunc instruere, sed instructos admonere, ne quia male sunt uincta uulnera sanitatis obductae perrumpant cicatricem.
然而,既然向來不乏那些油嘴滑舌為惡行辯護、縱容包庇之人,他們賦予惡行以權威,更糟的是,竟把天上聖經的斥責扭曲為對罪行的辯護,彷彿觀看演出之樂只是一種無害的心靈鬆弛、毫無過失可言——因為教會紀律的活力已被削弱到如此地步,人被推入惡行的種種懈怠中如此深,以致如今對惡行不僅是給予藉口,甚至是給予權威——因此我以為好,用寥寥數語教導你們,或說,既然你們早已受教,便加以勸勉,免得因傷口纏裹不當,那已癒合結痂之處又再次裂開。
yet, since there is no lack of smooth defenders of vices and indulgent patrons who lend authority to vices, and—what is worse—turn the censure of the heavenly Scriptures into an advocacy of crimes, as if the pleasure of the shows were sought as a harmless relaxation of the mind, free from fault—for the vigour of ecclesiastical discipline has been so unnerved, and men are so hurled headlong into every languor of vices, that now not merely excuse but authority is given to vices—it has seemed good to instruct you in a few words, or rather, being already instructed, to admonish you, lest, because wounds have been ill bound up, the scar covering over the healing should burst open again.
11:3
nullum enim malum difficilius extinguitur quam quod faciles reditus habet, dum et multitudinis consensu asseritur et excusatione blanditur. Non pudet, inquam, non pudet fideles homines et christiani sibi nominis auctoritatem uindicantes superstitiones uanas gentilium cum spectaculis mixtas de scripturis caelestibus uindicare et diuinam, auctoritatem idololatriae conferre. nam quando id quod in honore alicuius idoli ab ethnicis agitur a fidelibus christianis spectaculo frequentatur, et idololatria gentilis asseritur et in contumeliam Dei religio uera et diuina calcatur. pudor me tenet praescriptiones eorum in hac causa et patrocinia referre.
因為沒有一種惡比那容易死灰復燃的更難撲滅,它既有群眾的贊同為它撐腰,又有藉口為它慫恿。我說,那些信徒、那些以基督徒之名自居的人,竟不以為恥嗎?他們竟不以為恥,從天上的聖經中為外邦人那與演出摻雜的虛妄迷信辯護,把神聖的權威加在偶像崇拜之上!因為當異教徒為某偶像的尊榮所行之事,被忠信的基督徒在觀劇中湊熱鬧時,外邦的偶像崇拜便得了支持,真實而神聖的信仰卻遭踐踏,使神受辱。羞恥使我不願複述他們在此事上的種種托詞與辯解。
For no evil is more difficult to extinguish than that which has easy returns, being both asserted by the consent of the multitude and coaxed on by excuse. Are they not ashamed, I say, are they not ashamed—faithful men, and men claiming for themselves the authority of the Christian name—to justify from the heavenly Scriptures the empty superstitions of the Gentiles mingled with the shows, and to confer divine authority upon idolatry? For when that which is performed by the heathen in honour of some idol is frequented by faithful Christians at the spectacle, both Gentile idolatry is upheld and true and divine religion is trodden underfoot to the reproach of God. Shame holds me back from reporting their pretexts and defences in this cause.
11:4
\'ubi\', inquiunt, scripta sunt ista, ubi prohibita? alioquin et auriga est Israel Helias et ante aream Dauid ipse saltauit. nabla cynaras aera tympana tibias citharas choros legimus. apostolus quoque dimicans caestus et colluctationis nostrae aduersus spiritalia nequitiae proponit certamen. rursus cum de stadio sumit exempla, coronae quoque collocat praemia. cur ergo homini christiano fideli non liceat spectare quod licuit diuinis litteris scribare\'? hoc in loco non immerito dixerim longe melius fuisse istis nullas litteras nosse quam sic litteras legere. uerba enim et exempla quae ad exhortationem euangelicae uirtutis posita sunt ad uitiorum patrocinia transferuntur:
他們說:「這些事寫在哪裡?在哪裡被禁止?況且,以利亞不也是以色列的車夫嗎?大衛自己不也在約櫃前跳舞嗎?我們讀到琴、瑟、鈸、鼓、簫、豎琴和舞蹈。使徒在爭戰時,也把拳鬥的皮套和我們與那屬靈邪惡勢力的角力擺在我們面前。他又從競技場取例時,也擺出冠冕的獎賞。那麼,為何忠信的基督徒不可觀看那神聖經卷可記載之事呢?」在此我不無理由地要說:對這等人而言,全然不識字,遠勝於如此讀字。因為那些為激勵福音之德而寫下的言語與榜樣,竟被挪去袒護惡行:
'Where,' they say, 'are these things written, where are they forbidden? Besides, Elijah too is a charioteer of Israel, and David himself danced before the ark. We read of harps, cithers, cymbals, timbrels, flutes, lyres, and choirs. The Apostle too, contending, sets before us the boxing-gloves and the contest of our wrestling against the spiritual forces of wickedness. Again, when he takes examples from the stadium, he sets down prizes of a crown as well. Why then is it not lawful for a faithful Christian man to behold what it was lawful for divine writings to record?' In this place I might not undeservedly say that it had been far better for such men to know no letters at all than to read letters in this way. For the words and examples set down for the exhortation of evangelical virtue are transferred to the patronage of vices:
11:5
quoniam non ut spectarentur ista scripta sunt, sed ut animis nostris instantia maior excitaretur in rebus profuturis, dum tanta est apud ethnicos in rebus non profuturis. Argnmentum est ergo excitandae uirtutis, non permissio sine libertas spectandi gentilis erroris, ut per hoc animus plus accendatur ad euangelicam uirtutem propter diuina praemia, cum per omnium laborum et dolorum calamitatem concertatur peruenire ad terrena compendia. nam quod Helias auriga est Israelis non patrocinatur spectandis circensibus: in nullo enim circo cucurrit. et quod Dauid in conspectu Dei choros egit nihil adiuuat in theatro sedentes christianos fideles:
因為這些事被寫下,並非為要人觀看那些場面,乃是為要在我們心中激起更大的迫切,去追求那對我們有益之事;既見外邦人為那對他們無益之事都懷有如此的迫切。所以這乃是激發德行的論據,並非准許或放縱人去觀看外邦人的謬妄,好使人的心因著神聖的獎賞,更被激動向著福音之德;既然人為要獲得地上的小利,都甘冒一切勞苦愁煩的災難去爭取。因為以利亞是以色列的車夫,這並不為觀看競技場的賽事撐腰:他從未在任何競技場中奔跑。大衛在神面前領唱跳舞,對坐在戲院裡的忠信基督徒也毫無助益:
since these things were written not that such spectacles might be watched, but that a greater urgency might be aroused in our souls concerning things that shall profit us, seeing that among the heathen so great an urgency exists concerning things that shall not profit. It is therefore an argument for kindling virtue, not a permission or licence for beholding Gentile error, so that thereby the soul may be the more inflamed toward evangelical virtue for the sake of divine rewards, since through the calamity of all labours and sorrows men strive to attain to earthly gains. For the fact that Elijah is a charioteer of Israel gives no sanction to watching the circus games: for he ran in no circus. And that David led choirs in the sight of God is no help to faithful Christians sitting in the theatre:
11:6
nulla enim obscoenis motibus membra distorquens desaltauit Graecae libidinis fabulam. nabla cynarae tibiae tympana et citharae Deum cecinerunt, non idolum. non igitur praescribetur ut spectentur illicita. diabolo artifice ex sanctis in illicita mutata sunt. praescribat igitur istis pudor, etiamsi non possunt sanctae litterae. quaedam enim scriptura. magis prouidet in praecipiendo: uerecundiam passa plus interdixit quia tacuit, ueritas ne si ad haec usque descenderit, pessime de fidelibus suis sensisset: nam et plerumque in praeceptis quaedam utilius tacentur. admonent saepe dum interdicuntur.
因為他並未以淫穢的動作扭曲四肢,去舞演希臘情慾的甚麼故事。琴、瑟、簫、鼓和豎琴是向神歌唱,而非向偶像。所以,不可援引先例來准許人觀看非法之事。是魔鬼的技倆,把聖潔之物變為非法之物。既然聖經或許不能,就讓羞恥心來約束這等人吧。因為聖經在某種意義上正是藉沉默作出更好的吩咐:它懷著端莊的含蓄,藉緘默禁止得更多,唯恐若真理竟屈就到這等事上,便顯得對自己的信徒看得太卑劣了;因為在誡命中,往往有些事更宜於默然不提。有些事在被禁止時,反倒常常起了警戒的作用。
for he twisted no limbs with obscene motions in dancing out some fable of Greek lust. The harps, cithers, flutes, timbrels, and lyres sang to God, not to an idol. Therefore it will not be prescribed by precedent that unlawful things be watched. By the craft of the devil holy things have been changed into unlawful ones. Let shame, then, prescribe to such men, even if the holy Scriptures cannot. For in a certain sense Scripture provides better by its very silence in commanding: suffering a modest reserve, it forbade the more by keeping silence, lest, if truth had stooped even to such matters, it should have thought too basely of its own faithful; for indeed very often in its precepts certain things are more usefully passed over in silence. They often admonish while they are being forbidden.
11:7
ita etiam tacentur dum diuinis litteris scripta sunt, et praeceptorum loco seueritas loquitur et ratio [docet] quae scriptura conticuit. secum tantummodo unusquisque deliberet et cum persona professionis suae loquatur, nihil umquam indecorum geret: plus enim ponderis habebit conscientia. quae nulli se alteri debebit nisi sibi. Quid scriptura interdixit? prohibuit enim spectari quod prohibet geri. omnia, inquam, ista spectaculorum genera damnauit, quando idololatriam sustulit ludorum omnium matrem, unde haec uanitatis et leuitatis monstra uenerunt. quod enim spectaculum sine idolo, quis ludus sine sacrificio, quod certamen non consecratum mortuo ? quid inter haec christianus fidelis facit:
照樣,有些事雖寫在神聖的經卷中,卻仍以緘默略過;在誡命的位置上,是嚴正在說話,是理性在教導聖經所緘默之事。願各人單獨與自己商議,以自己身分職業的立場自問,他就永不會行任何不合宜之事:因為良心必更有份量,既然它除了對自己以外,不虧欠任何別人。聖經禁止了甚麼?它禁止人觀看它所禁止去做之事。我說,當它廢除偶像崇拜——一切戲樂之母,這些虛浮與輕佻的怪物皆由此而來——時,它便定了這一切場面的罪。因為哪有沒有偶像的場面?哪有不獻祭的戲樂?哪有不是獻給死人的競技?忠信的基督徒置身其間,究竟在做甚麼?
So also things are passed over in silence though they are written in the divine letters, and in the place of precepts severity speaks, and reason teaches what Scripture has kept silent. Let each man deliberate with himself alone, and let him speak with the character of his own profession, and he will never do anything unseemly: for conscience will carry the greater weight, since it will owe itself to no other but to itself. What has Scripture forbidden? It has forbidden the watching of what it forbids to be done. It condemned all these kinds of spectacles, I say, when it abolished idolatry, the mother of all games, from which these monsters of vanity and levity have come. For what spectacle is there without an idol, what game without a sacrifice, what contest that is not consecrated to a dead man? What does a faithful Christian do amid these things?
11:8
si idololatriam fugit, quid loci ei? quid qui iam sanctus sit de rebus criminosis uoluptatem capit ? quid contra Deum superstitiones probat quas amat dum spectat? ceterum sciat haec omnia inuenta daemoniorum esse, non Dei. impudenter in ecclesia daemonia exorcizat quorum uoluptates in spectaculis laudat: et cum semel illi renuntians rescissa. sit res omnis in baptismate, dum post Christum ad diaboli spectaculum uadit, Christo tamquam diabolo renuntiat. idololatria, ut iam dixi, ludorum omnium mater est, quae ut ad se christiani fideles ueniant blanditur illis per oculorum et aurium uolupta.tem.
他若逃避偶像崇拜,在那裡還有何位分?如今既已成聖之人,為何從罪惡之事取樂?他觀看時所喜愛的迷信,為何要違背神而加以認可?此外,願他知道這一切都是鬼魔所發明,而非出於神。他在演出中稱讚其樂趣的那些鬼魔,他竟在教會中厚顏無恥地驅趕牠們;他在受洗時一次向魔鬼棄絕,一切關係就此斷絕,然而當他歸信基督之後又去看魔鬼的演出時,他便如同對待魔鬼一般棄絕了基督。我已說過,偶像崇拜是一切戲樂之母;為要使忠信的基督徒歸向她,她便藉眼目與耳朵之樂來誘惑他們。
If he flees idolatry, what place has he there? Why does one who is now holy take pleasure in criminal things? Why does he approve against God the superstitions which he loves while he watches? For the rest, let him know that all these things are the inventions of demons, not of God. Shamelessly does he exorcise demons in the church whose pleasures he praises at the spectacles; and though once, in renouncing him at baptism, the whole matter was cut off, yet when after Christ he goes to the spectacle of the devil, he renounces Christ as though he were the devil. Idolatry, as I have already said, is the mother of all games, which, that faithful Christians may come to her, allures them through the pleasure of the eyes and ears.
11:9
Romulus Conso quasi consilii deo ob rapiendas Sabinas circenses primus consecrauit, ceteri reliquis. dum urbem fames occupasset, ad aduocationem populi adquisiti sunt ludi scenici et Cereri et Libero dicati postmodum reliquisque idolis et mortuis. graeca illa certamina uel in cantibus uel in fidibus uel in uocibus uel m uiribus praesides suos habent uaria daemonia: et quidquid est aliud quod spectantium aut oculos mouet aut delinit aures, si cum sua origine et institutione quaeratur, causam praefert aut idolum aut daemonium aut mortuum. ita diabolus artifex quia idololatriam per se nudam sciebat horreri, spectaculis miscuit, ut per uoluptatem posset amari.
羅慕路斯因擄掠撒賓婦女,率先把競技場的賽事獻給孔蘇斯,彷彿他是謀略之神;其餘的人則獻上其餘的競技。當饑荒臨到那城時,戲劇性的演出便被設計出來,用以召聚如此得來的百姓,先獻給刻瑞斯和利柏耳,後來又獻給其他偶像和死人。那些希臘的競技,無論是在歌唱、在絃樂、在人聲、還是在角力上,都有各樣鬼魔作它們的主管;凡其他一切能牽動觀眾眼目或撫慰其耳朵之事,若追溯其起源與設立,其緣由無非是偶像、或鬼魔、或死人。魔鬼這工匠既知道赤裸裸的偶像崇拜本身令人厭惡,便把它摻進演出裡,好叫它藉著快樂被人喜愛。
Romulus was the first to consecrate the circus games to Consus, as though the god of counsel, on account of the seizing of the Sabine women; the rest consecrated the remaining games. When famine had seized the city, the scenic games were devised as a summons for the people thus acquired, and were dedicated to Ceres and Liber, and afterwards to the other idols and to the dead. Those Greek contests too, whether in songs, or on strings, or in voices, or in feats of strength, have their various demons as presidents; and whatever else there is that either moves the eyes or soothes the ears of the spectators, if it be traced back to its origin and institution, presents as its cause either an idol, or a demon, or a dead man. Thus the devil, that craftsman, because he knew that idolatry naked and by itself was abhorred, mingled it with the shows, that through pleasure it might be loved.
11:10
Plura prosequi quid est necesse uel sacrifioioram in ludis genera monstruosa describere, inter quae nonnumquam et homo fit hostia latrocinio sacerdotis, dum cruor etiam de iugalo calidus exceptus spumanti patera, dum adhuc feruet, et quasi sitienti idolo in faciem iactatus crudeliter propinatur, et inter uoluptates spectantium quorundam mors erogatur, ut per cruentum spectaculum saeuire discatur, quasi parum sit homini priuata sua rabies, nisi illam et publice discat. in poenam hominis fera rabida nutritur in deliciis, ut sub spectantium oculis crudelius insaniat. erudit artifex belluam, quae dementior fortasse fuisset, si non illam magister crudelior saeuire docuisset.
何必再往下追述,或描繪那些競技中種種怪誕的獻祭方式呢?在其中有時甚至有人成了祭牲,被祭司的殺戮所害,那從喉嚨割取、尚溫熱的血被盛在沸騰的杯中,趁其仍在翻湧之際,殘忍地獻上,如同潑向一個口渴偶像的臉;在觀眾的娛樂中,某些人的死被當作代價付出,好使人藉血腥的場面學會殘暴——彷彿人私下的兇性尚嫌不足,非得在公眾面前也學到不可。為懲罰一個人,竟以美食豢養一頭狂暴的野獸,好叫牠在觀眾眼前更殘忍地施暴。那工匠訓練這野獸,牠若非被更殘忍的主人教得如此暴虐,或許本會更加瘋狂。
What need is there to pursue more, or to describe the monstrous kinds of sacrifices in the games, among which sometimes even a man is made a victim by the brigandage of the priest, while the blood, caught still warm from the very throat in a foaming bowl and while it yet seethes, is cruelly offered up, hurled as though into the face of a thirsting idol, and amid the pleasures of the spectators the death of certain men is paid out, that through a bloody spectacle men may learn to rage—as though a man's private fury were too little, unless he learned it also in public? For the punishment of a man a raging beast is nourished amid delicacies, that under the eyes of the spectators it may rage the more cruelly. The craftsman trains the beast, which perhaps would have been more mad still, had not a crueller master taught it to rage.
11:11
ergo ut taceam quicquid latius idololatria probat, quam uana sunt ipsa. certamina, lites in coloribus, contentiones in curribus, fauores in honoribus, gaudere quod equus uelocior fuerit,. maerere quod pigrior, annos pecoris computare, consules nosse, aetates discere, prosapiam designare, auos ipsos atauosque memorare. quam hoc totum otiosum negotium, immo quam turpiter ignominiosum? hunc, inquam, memoriter totam equini generis sobolem computantem et sine offensa hunc locum magna uelocitate referentem, parentes Christi si perroges, nescit, aut infelicior si scit.
所以,姑且不論偶像崇拜更廣泛所縱容之事,這些競技本身何等空虛——為顏色爭吵、為戰車爭辯、為榮譽鼓掌,為一匹馬跑得快些而歡喜,為牠慢些而憂愁,計算一隻牲畜的歲數,認識牠的主人,查考牠的年齡,標明牠的血統,一一記誦牠的祖父與曾祖!這一切是何等無聊的營生——不,是何等卑鄙可恥的醜行?我說,這個能把整個馬族的譜系爛熟於心、又能高速無誤複述那一段之人,你若問他基督的父母,他卻不認得;或者,更為不幸的是,他若竟認得。
Therefore, to say nothing of whatever idolatry more broadly countenances, how empty are the contests themselves—the quarrels over colours, the disputes over chariots, the applause over honours—to rejoice that a horse has been swifter, to grieve that it has been slower, to reckon up the years of a beast, to know its owners, to learn its ages, to designate its pedigree, to recite its very grandsires and great-grandsires! How wholly idle a business is all this—nay, how basely and shamefully disgraceful? This man, I say, who reckons up by heart the whole progeny of the equine race and repeats that passage without a stumble at great speed—if you should ask him for the parents of Christ, he does not know them, or, more unhappy still, if he does know them.
11:12
quem si rursus perrogem quo ad illud spectaculum itinere peruenerit, confitebitur per lupanarium, per prostitutarum nuda corpora, per lubricam libidinem, per dedecus publicum, per uulgarem lasciuiam, per communem omnium contumeliam. cui ut non obiciam quod fortasse commisit, uidit tamen quod committendum non fuit et oculos ad idololatriae spectaculum per libibinem duxit: ausus secum sanctum in lupanar ducere, si potuisset, qui festinans ad spectaculum dimissus e dominico et adhuc gerens secum ut assolet eucharistiam inter corpora obscoena meretricum Christi sanctum corpus infidelis iste circumtulit plus damnationis meritus de itinere quam de spectaculi uoluptate.
我若再問他是由甚麼路徑來到那場面的,他必承認:是穿過妓院、經過娼妓赤裸的身體、穿過淫滑的情慾、經過公開的醜事、穿過鄙俗的放蕩、經過對眾人共有的凌辱。即或我不指控他也許已犯之事,然而他總看見了那不當犯之事,並藉著情慾把眼目引向偶像崇拜的場面——他若能夠,甚至敢把聖物一同帶進妓院;因為有人急著去看演出,剛從主的聚會散去,還照慣例隨身帶著聖體,這不信之人竟把基督的聖體帶到淫穢娼妓的身體之間,他所該受的定罪,出於他的路途更甚於出於觀劇之樂。
And if I should ask him again by what route he came to that spectacle, he will confess: through the brothels, past the naked bodies of harlots, through slippery lust, through public disgrace, through vulgar wantonness, through the common insult offered to all. Even if I do not charge him with what he perhaps committed, yet he saw what ought not to have been committed, and through lust he led his eyes to the spectacle of idolatry—daring to lead the holy thing with him into the brothel, had he been able; for one who, hastening to the spectacle, was dismissed from the Lord's assembly and still carried with him, as is the custom, the Eucharist, that faithless man bore the holy Body of Christ about among the obscene bodies of prostitutes, deserving more condemnation from his route than from the pleasure of the spectacle.
11:13
Sed ut ad scenae iam sales muerecundos transitum faciam, pudet referre quae dicuntur, pudet etiam accusare quae fiunt, argumentorum strophas, adulterorum fallacias, mulierum impudicitias, scurriles iocos, parasitos sordidos, ipsos quoque patres familias togatos modo stupidos modo obscoenos, in omnibus stolidos, certis nominibus inuerecundos. et cum nulli hominum aut generi aut professioni ab improbis isto sermone parcatur, ab omnibus tamen ad spectaculum conuenitur. commune dedecus delectat uidelicet uel recognoscere otia uel discere. concurritur in illud pudoris publici lupanarium, ad obscoenitatis magisterium, ne quid secreto minus agatur quam quod in publico discitur:
如今再轉到舞台上那些無恥的戲謔,複述其所言令人羞愧,甚至控訴其所行也令人羞愧——那些情節的花招、姦夫的詭詐、婦人的不貞、丑角的笑鬧、卑劣的食客,甚至那些身穿長袍的一家之主,時而被演成愚人,時而下流不堪,事事顯得蠢笨,在特定角色中厚顏無恥。雖然這等下流的表演對任何人、任何身分職業都毫不留情,然而眾人卻都聚集去看。他們的共有羞恥竟使他們歡喜,或是為重溫、或是為學那些無聊的勾當。人們蜂擁湧入那毀壞公眾廉恥的妓院、那淫穢的學堂,唯恐在私下所行的,竟少於在公開場合所學的:
But to pass on now to the shameless jests of the stage, it is a shame to report what is said, a shame even to accuse what is done—the tricks of plots, the deceits of adulterers, the immodesties of women, the buffoonish jokes, the sordid parasites, and even the very heads of households in their togas, now made stupid, now obscene, in all things dull-witted, shameless in specific characters. And though by these scurrilous performances no man is spared, of whatever kind or profession, yet all gather to the spectacle. Their common disgrace delights them, forsooth, whether to recall or to learn its idle deeds. There is a rushing together into that brothel of public modesty, to the school of obscenity, lest anything be done less in secret than what is learned in public:
11:14
et inter ipsas leges docetur quicquid legibus interdicitur. quid inter haec christianus fidelis facit cui uitia non licet nec cogitare, quid oblectatur simulacris libidinis, ut in ipsis deposita uerecundia audacior fiat ad crimina? discit et facere dum consuescit uidere. illas tamen quas infelicitas sua in seruitutem prostituit libidinis publicae occultat locus et dedecus suum de latebris consolantur : erubescunt uideri etiam quae pudorem uendiderunt. at istud publicum monstrum omnibus uidentibus geritur et prostitutarum transitur obscoenitas: quaesitum est quomodo adulterium ex oculis admitteretur.
在那些律法本身之中,凡律法所禁止的都被傳授。忠信的基督徒——連對惡行動念都不許——置身其間究竟在做甚麼?他為何以情慾的形象為樂,以致在其間拋卻了廉恥,反倒更放膽去犯罪?他一面習慣於觀看,一面竟也學會了去行。然而那些被自身不幸淪為公眾淫慾娼妓的婦人,尚有隱蔽之處遮掩,她們從幽暗的藏身之所寬慰自己的羞恥:連她們這些出賣廉恥的人,尚且以被人看見為羞。但這公開的怪象卻在眾目睽睽之下上演,娼妓的淫穢被公然遊街展示:人竟尋出一條路徑,好叫姦淫可藉眼目而納入。
and amid the very laws themselves, whatever the laws forbid is taught. What does a faithful Christian do amid these things, for whom it is not lawful even to think upon vices? Why is he delighted with the images of lust, so that, laying aside his modesty among them, he may grow bolder toward crimes? He learns even to do it while he grows accustomed to see it. Yet those women whom their own misfortune has prostituted to public lust, a hidden place conceals, and they console their disgrace from their lurking-holes: they blush to be seen, even they who have sold their modesty. But this public monster is enacted while all look on, and the obscenity of prostitutes is paraded: a way has been sought whereby adultery might be admitted through the eyes.
11:15
huic dedecori condignum dedecus superducitur, homo fractus omnibus membris et uir ultra muliebrem mollitiem dissolutus, cui ars sit uerba manibus expedire: et propter unum nescio quem nec uirum nec feminam commouetur ciuitas tota ut desaltentur fabulosae antiquitatum libidines. ita amatur quicquid non licet ut quae etiam aetas absconderat, sub oculos memoria reducat. Non est libidini satis malis suis uti praesentibus , nisi suum de spectaculo faciant in quo etiam aetas superior errauerat. non licet, inquam, adesse christianis fidelibus, non licet omnino nec illis quos ad delinimenta aurium ad omnes ubique Graecia instructos suis uanis artibus mittit.
在這醜事之上,又堆疊上一件與之相配的醜事:一個四肢盡皆軟弱的人,一個柔靡得超過婦人柔弱的男子,其技藝竟是用雙手來「說話」;為了這麼一個我說不出是男是女之人,全城竟被攪動,好叫古代那些荒誕的情慾被舞演出來。凡屬非法之事竟如此被人喜愛,以致記憶把連年歲本身都已藏起之事,重新帶到眼前。情慾不以享用眼前自身的惡為足,除非牠把連前代人都曾在其中迷失之事,藉演出據為己有。我說,忠信的基督徒不可到場——就連那些希臘以其虛浮的技藝裝備、差往各處誘惑眾人耳朵的人,也全然不可到場。
Upon this disgrace a disgrace fully worthy of it is heaped: a man broken in all his limbs, and a man dissolved beyond the softness of a woman, whose art it is to make words with his hands; and on account of one whom I know not—neither man nor woman—the whole city is stirred, that the fabulous lusts of antiquity may be danced out. So is whatever is unlawful beloved, that memory may bring back before the eyes even what age itself had hidden. It is not enough for lust to make use of its own present evils, unless it makes its own out of the spectacle that in which even a former age had gone astray. It is not lawful, I say, for faithful Christians to be present—nor is it at all lawful even for those whom Greece, equipped with her empty arts, sends everywhere to all men for the enticement of the ears.
11:16
clangores tubae bellicos alter imitatur raucos, alter lugubres sonos spiritu tibiam inflante moderatur, alter cum choris et cum hominis canora uoce contendens spiritu suo quem de uisceribus suis superioribus nitens hauserat tibiarum foramina modulatur: nunc effuso et nunc intus recluso ac represso nunc certis foraminibus emisso atque in aerem profuso, item in articulos sonum frangens, loqui digitis elaborat, ingratus artifici qui linguam dedit. quid loquar comicas inutiles curas, quid illas magnas tragicae uocis insanias, quid neruos cum clamore commissos ? haec etiam si non essent simulacris dicata, obeunda tamen et spectanda non essent christianis fidelibus:
一人模仿號角沙啞的戰陣之聲;另一人向簫中吹氣,調弄其哀傷的音調;又一人與歌隊、與人悅耳的歌聲較勁,把他竭力從肺腑深處吸取上來的氣息吐出,去調弄簫管的孔眼——時而任氣息傾瀉,時而閉塞抑於內裡,時而經由定準的孔眼發出、散入空中;他又這樣把聲音在指節間分割,竭力用手指「說話」,卻辜負了那賜他舌頭的造物主。我又何必談喜劇那些無用的心思,那悲劇之聲的種種瘋狂,那在喧鬧中撥動的絃索呢?這些事,即或不是獻給偶像的,忠信的基督徒也仍不當前往或觀看:
One imitates the hoarse warlike blasts of the trumpet; another, breathing into the flute, modulates its mournful sounds; another, contending with choirs and with the melodious voice of a man, breathing out that breath which, straining, he had drawn up from his innermost depths, tunes the holes of the flutes—now with the breath poured forth, now shut in and held back within, now sent out through fixed holes and poured abroad into the air; likewise, breaking the sound into joints, he labours to speak with his fingers, ungrateful to the Craftsman who gave him a tongue. Why should I speak of the useless cares of comedy, of those great madnesses of the tragic voice, of the strings struck up amid clamour? These things, even if they were not dedicated to idols, still ought not to be attended or watched by faithful Christians:
11:17
quoniam etsi non habebant crimen, habent in ae maximam et parum congruentem fidelibus uanitatem. Nam illa altera reliquorum dementia est manifesta otiosis hominibns negotiatio: in iniuriam suam pinguescit in sagina corpus ut robustius aut feriat aut uapulet, et prima uictoria est ultra modum, humani uentris esurire potuisse, super titulo coronae edacis flagitiosae nundinae: ictibus infelix facies locatur, ut infelicior uenter saginetur. quam foeda praeterea ipsa luctamina, uir infra uirum iacens am* plexibus inhonestis et nexibus implicatur. in tali certamine stare. uiderit quis uincat, pudor uictus est. ecce tibi alter nudus salit, alter orbem aeneum contentis in aerem uiribus iactat.
因為這些事縱然本身並無罪行,其中卻有極大的虛浮,極不配於信徒。至於其餘那另一種瘋狂,更是顯而易見:那是為閒散之人所作的營生。身體在增肥中反自傷其身,好叫它更強壯地擊人或挨擊;而首要的勝利,竟是能超乎常度地忍餓,只為在那可恥的市集上爭得一頂「貪食冠冕」的頭銜。那可憐的臉被出租來挨拳,好叫那更可憐的肚腹得以養肥。此外那些角力本身何等污穢:一人壓在另一人身下,糾纏於不體面的擁抱與扭抱之中。在這樣的競技中要站立得穩——且看誰得勝:廉恥已然戰敗。看哪,一人在你面前赤身跳起,另一人竭盡氣力把銅盤擲向空中。
for even though they have no crime in them, they have in themselves the greatest vanity, and one little befitting the faithful. For that other madness of the rest is manifest: a trafficking for idle men. To its own injury the body grows fat in fattening, that it may the more sturdily either strike or be struck; and the first victory is to have been able to go hungry beyond measure, over the title of an eating crown, at the shameful market. The wretched face is hired out to blows, that the more wretched belly may be fattened. How foul, moreover, are the wrestling-bouts themselves: a man lying beneath a man is entangled in dishonourable embraces and holds. To stand firm in such a contest—let him see who conquers: modesty is conquered. Behold, one leaps up naked before you, another hurls the bronze disc into the air with straining might.
11:18
haec gloria eat dementiae. denique remoue spectatorem, reddideris uanitatem. fugienda sunt ista christianis fidelibus, ut iam frequenter diximus, tam uana, tam perniciosa, tam sacrilega spectacula: et oculi nostri sunt et aures custodiendae. cito in hoc assuescimus quod audimus, celere in id quod uidemus. nam cum mens hominis ad uitia ipsa ducitur, sibi quid faciet, si habuerit exempla? natura corporis lubrica quae sponte corruit quid faciet, si fuerit impulsa ? auocandus est animus ab istis. Habet christianus spectacula meliora, si uelit, habet ueras et profuturas uoluptates, si se recollegerit:
就讓這作瘋狂的榮耀吧。總而言之,把觀眾除去,你就使它成了純然的虛浮。正如我們已屢次所說,這些如此空虛、如此有害、如此褻瀆的場面,忠信的基督徒都當逃避;我們的眼與耳都當謹守。凡我們所聽的,我們很快就習慣了;凡我們所看的,更是迅速。因為當人的心被引向惡行本身時,它若又有榜樣可循,還會對自己怎樣呢?身體本性滑溜,本會自行墮落,它若再被推一把,還會怎樣呢?當把心靈從這些事召回。基督徒若肯,就有更美好的場面可看;他若肯收斂自己,就有真實且有益的樂趣:
Let this be the glory of madness. In short, remove the spectator, and you will have rendered it mere vanity. These things are to be fled by faithful Christians, as we have now often said—spectacles so empty, so pernicious, so sacrilegious; and both our eyes and our ears are to be guarded. Quickly we grow accustomed to what we hear, swiftly to what we see. For when the mind of man is drawn to the vices themselves, what will it do to itself if it has examples? The slippery nature of the body, which of its own accord falls to ruin, what will it do if it be given a push? The soul must be called away from these things. The Christian has better spectacles, if he will; he has true and profitable pleasures, if he will collect himself:
11:19
et ut omittam illa quae nondum contemplari potest, habet istam mundi pulcritudinem quam uideat atque miretur, solis ortum aspiciat, rursus occasum mutuis uicibus dies noctesque reuocantem, globum lunae temporum cursus incrementis suis detrimentisque signantem, astrorum micantes choros et assidue de summa mobilitate fulgentes, anni totius per uices membra diuisa et dies ipsos cum noctibus per horarum spatia digestos et terrae molem libratam cum montibus et profusa flumina cum suis fontibus, extensa maria cum suis fluctibus atque litoribus, interim constantem pariter summa conspiratione nexibusque concordiae extensum aerem medium tenuitate sua cuncta uegetantem, nunc imbres contractis nubibus profundentem, nunc serenitatem refecta raritate reuocantem et in omnibus istis incolas proprios, in aere auem, in aquis piscem, in terra hominem.
並且,姑且不論那些他尚不能默觀之事,他還有這世界的美麗可以觀賞讚嘆。讓他仰望日出、又觀日落,看它們如何輪流交替召回晝夜;看月輪以其盈虧標記季節的運行;看群星閃爍的行列,永以其極大的運轉在高天中發光;看整年的各部分按其輪替劃分,看晝與夜按時辰的間距井然排列;看大地的重量與其群山相互平衡,看江河與其泉源一同奔流;看廣闊的海洋帶著波濤與海岸;同時看那居中的空氣,以至高的協調與伸展的和諧之紐帶保持恆定,以其自身的稀薄使萬物得以生機盎然——時而從凝聚的雲中傾下甘霖,時而以恢復的稀薄召回晴朗;並在這一切之中,看各自的居民:空中有飛鳥,水中有游魚,地上有人。
and, to pass over those things which he cannot yet contemplate, he has this beauty of the world which he may behold and admire. Let him gaze upon the rising of the sun, and again its setting, as by alternating turns they call back the days and the nights; the orb of the moon marking the courses of the seasons by its waxings and wanings; the glittering choirs of the stars, ever shining from the height with their great mobility; the members of the whole year divided by their turns; the very days set in order with the nights through the spaces of the hours; the mass of the earth balanced with its mountains, and the rivers pouring forth with their springs; the outspread seas with their waves and shores; meanwhile the middle air, held constant with the highest harmony and with the bonds of concord outstretched, quickening all things by its very thinness—now pouring down showers from contracted clouds, now recalling fair weather by restored rarity; and in all these, their proper inhabitants: in the air the bird, in the waters the fish, on the earth man.
11:20
haec, inquam, et alia item opera diuina sint christianis fidelibus spectacula. quod theatrum humanis manibus exstructum istis operibus poterit comparari? magnis licet lapidum molibus exstruatur, cristae sunt montium altiores, et auro licet tecta laquearia reluceant, astrorum fulgore uincentur: numquam humana opera mirabitur quisquis se recognouerit filium Dei. deicit se de culmine generositatis suae qui admirari aliquid post Deum potest. Scriptftris, inquam, sacris incumbat christianus fidelis: ibi inueniet condigna fidei spectacula. uidebit instituentem Deum mundum suum et cum ceteris animalibus homines illam admirabilem fabricam melioremque facientem.
我說,這些以及其他各樣神聖的作為,才應當是忠信基督徒的場面。有哪一座人手所建的戲院,能與這些作為相比?縱然它以巨大的石塊堆砌而成,群山之巔卻更高;縱然它嵌板的天花板閃耀著金光,也必被星辰的光輝勝過:凡認識自己是神兒子的人,斷不會驚嘆人手的作為。凡能在神以外還讚嘆別的甚麼之人,便是把自己從其高貴的頂峰拋落。我說,忠信的基督徒當專心於神聖的經卷:在那裡他必尋見與其信德相稱的場面。他必看見神設立祂的世界,並與其餘的活物一同造人,成就那奇妙而更美的工程。
These, I say, and other divine works likewise, should be the spectacles for faithful Christians. What theatre built by human hands could be compared with these works? Though it be built up with great masses of stones, the crests of the mountains are higher; and though its panelled ceilings gleam with gold, they will be surpassed by the brightness of the stars: never will he marvel at human works who has recognized himself to be a son of God. He casts himself down from the summit of his own high nobility who can admire anything after God. Let the faithful Christian, I say, lean upon the sacred Scriptures: there he will find spectacles worthy of his faith. He will see God establishing His world, and, with the rest of the animals, making man and that admirable and better fabric.
11:21
spectabit mundum in delictis suis, iusta naufragia, piorum praemia impiorumque supplicia, maria populo siccata et de petra rursus populo maria porrecta. spectabit de caelo descendentes messes, non ex areis aratro impressas: inspiciet flumina transitus siccos refrenatis aquarum agminibus exhibentia: uidebit in quibusdam fidem cum igne luctantem, religione superatas feras et in mansuetudinem conuersas: intuebitur et animas ab ipsa iam morte reuocatas: considerabit etiam de sepulcris admirabiles ipsorum consummatorum iam uitas corporum redactas. et in his omnibus iam maius uidebit spectaculum, diabolum illum qui totum detriumphauerat mundum sub pedibus Christi iacentem.
他必觀看這犯罪的世界——那些公義的沉船之災、敬虔者的獎賞與不敬虔者的刑罰、為百姓乾涸的海、又從磐石為百姓湧流出來的海。他必觀看從天而降的收成,並非由犁在禾場上壓打而出;他必看見江河展現乾涸的通道,其水的隊列被攔阻停住;他必在某些人身上看見信德與火相搏,見兇猛的野獸被虔敬所勝、變為馴良;他必凝望那連從死亡本身都被召回的靈魂;他也必思想那從墳墓中、如今已臻完全之肉身被復原的奇妙生命。並在這一切之中,他如今必看見一場更大的場面:那曾勝過全世界的魔鬼,倒臥在基督的腳下。
He will behold the world in its transgressions—the just shipwrecks, the rewards of the godly and the punishments of the ungodly, seas dried up for the people, and again from the rock seas poured forth for the people. He will behold harvests descending from heaven, not pressed out from the threshing-floors by the plough; he will look upon rivers exhibiting dry crossings, the columns of their waters held back; he will see in certain men faith wrestling with fire, wild beasts overcome by religion and turned to gentleness; he will gaze upon souls even now called back from death itself; he will consider also, from the tombs, the admirable lives of the very bodies already consummated, brought back again. And in all these he will now behold a greater spectacle: that devil who had triumphed over the whole world, lying beneath the feet of Christ.
11:22
quam hoc decorum spectaculum, fratres, quam iocundum, quam necessarium? intueri semper spem suam et oculos aperire ad salutem suam. hoc est spectaculum quod uidetur etiam luminibus amissis. hoc est spectaculum quod non exhibet praetor aut consul, sed qui est solus et ante omnia et super omnia, immo ex quo omnia, pater Domini nostri Iesu Christi, cui laus et honor in saecula saeculorum. opto uos, fratres, bene ualere.
弟兄們,這場面何等合宜、何等歡樂、何等必要——就是永遠仰望自己的盼望,向自己的救恩睜開眼睛!這乃是連視覺的眼睛喪失了也仍能看見的場面。這場面不是甚麼裁判官或執政官所擺設的,乃是那位獨一、在萬有之先、在萬有之上——不,是萬有由祂而出的——我們主耶穌基督的父所擺設的;願讚美與尊榮歸給祂,直到世世代代。弟兄們,我願你們平安康健。
How seemly this spectacle, brethren, how joyful, how necessary—ever to gaze upon one's own hope, and to open one's eyes to one's own salvation! This is the spectacle that is seen even when the eyes of sight are lost. This is the spectacle that no praetor or consul sets forth, but He who is alone and before all things and above all things—nay, from whom are all things—the Father of our Lord Jesus Christ, to whom be praise and honour unto the ages of ages. I desire, brethren, that you fare well.
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