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Avitus of Vienne

Poems & Letters 172

Latin original · 4 verses · some words can be tapped for a gloss

← ch. 171ch. 173 →
172:1
Nupcr quidem, paucis homiliarum mearum in unum corpus redactis, horlatu amicorum discrimen cditionis inlravi. Sed adhuc te majora suadente, in cothurnum petulanlioris audaciæ edurata fronte procedo. Injungis namque, ut si quidquam de quibuscunque causis metri lege conscriptum est, sub professione opusculi vestro nomini dedicetur. Recolo equidem nonnulla me versu dixisse: adeo ut si ordinarentur, non minimo volumine stringi potuerit epigrammatum multitudo. Quod dum facere servato causarum vel temporum ordine meditarer, omnia pene in illa notissimæ perturbationis necessitate dispersa sunt.
Recently indeed, when a few of my homilies had been gathered into one body, at the urging of friends I entered upon the hazard of publication. But now, with you persuading me to still greater things, I advance with hardened brow onto the buskin of a more wanton audacity. For you enjoin that, if anything on any subjects whatever has been written according to the law of meter, it be dedicated to your name under the profession of a little work. I recall indeed that I have said not a few things in verse—so much so that, were they set in order, a multitude of epigrams could be bound in no small volume. But while I was meaning to do this, keeping the order of subjects or times, almost all of them were scattered in that necessity of the notorious upheaval.
誠然,近日當我少數的講道被彙集成一冊時,我因朋友的催促,冒險踏入出版之途。但如今,既有你勸我更大之事,我便厚著臉皮,登上更放肆之膽量的高靴而進。因為你囑咐說:若有任何按格律之法所寫、論到無論何等題目的作品,都當以小著作之名獻給你的名。我確實記得自己以韻文說過不少東西——多到若加以整理,可將眾多的短詩裝訂成一部不小的卷冊。但當我想要如此做、保持題目或時代的次序時,它們幾乎全在那眾所周知之動亂的困境中散失了。
172:2
Quæ quoniam singillatim aut requiri difiicile, aut inveniri impossibile foret, abjeci ea de animo meo, quorum mihi vel ordinatio salvorum, vel dispersorum reparatio dura vidcretur. Aliquos sane libellos apud quemdam fomiliarem meum postea repcri: qui licet nominibus propriis titulisque respondeant, et alias tamen causis inventa materiæ opportunitate perstringunt. Hi ergo, quia jubes, etsi obscuri sunt opere meo, tuo sanem nomine illustrabuntur. Quanquam quilibet acer ille doctusque sit, si religiosi propositi stylum non minus fidei quam styli lege servaverit, vix aptus esse poemati queat.
Since these things were either difficult to seek out one by one, or impossible to find, I cast out of my mind those whose ordering, if saved, or whose recovery, if dispersed, seemed to me hard. Some little books, indeed, I afterward found in the keeping of a certain intimate of mine: which, although they answer to their proper names and titles, yet touch upon other matters too, as the opportunity of the material was found. These, then, since you bid it, though they are obscure in my working, shall at least be made illustrious by your name. And yet, however keen and learned a man may be, if he has kept the style of a religious purpose no less by the law of faith than by the law of style, he can scarcely be fit for poetry.
既然要逐一尋找這些難、要尋見又不可能,我便從心中拋開了那些整理(若得存留)或恢復(若已散失)在我看來都難的作品。有幾本小冊子,我後來在我一位密友的保存中尋見了:它們雖與各自的名稱和標題相符,卻也隨著材料機會所至而觸及別的題目。那麼,這些既是你所吩咐的,雖在我的手筆下晦暗不明,至少要藉你的名而得光彩。然而,一個人無論多麼敏銳博學,若他持守宗教志向之文體,既照信德之法、也不亞於照文體之法,那他就幾乎不能適於作詩。
172:3
Quippe cun licentia mentiendi, quae pictoribus ac potis æque conceditur, satis procul a causarum serietate pellenda sit. In sæculari namque versuum opere condendo, tanto quis peritios appellatur, quanto elegantius, imo, ut vere dicamus, ineptius laIsa texuerit. Taceo jam. verba illa vel nomina, quæ nobis oec in alienis quidem operibusfrequentare, ne dicam in. nostiis conscribere licet: quæ ad compendia pectarum, aliud ex alio significantia plurimum valent. Quocirca sæcular ium judicio, qui aut imperitiæ aut ignaviæ dabunt, non uti nos licentia poeta. rum, plus arduum quam fructuosum opus aggressi; divinam tenue diserevimus ab humana existimatione censuram.
For indeed the license of lying, which is granted equally to painters and to poets, must be driven far enough from the seriousness of subjects. For in composing a worldly work of verses, a man is called the more skilled the more elegantly—nay, to speak truly, the more ineptly—he has woven falsehoods. I pass over now those words or names which it is not permitted us even to frequent in others' works, not to say to write in our own: which, for the abridgments of poets, avail greatly, one thing signifying another. Wherefore, by the judgment of worldly men, who will set it down either to inexperience or to sloth that we do not use the license of poets, having undertaken a work more arduous than fruitful, we have distinguished the divine censure but slightly from human estimation.
因為說謊的自由——那是同樣賜給畫家與詩人的——必須被逐得遠離題目的嚴肅。因為在編寫世俗的韻文作品時,一個人越是雅緻地——不如說,說真話,越是荒謬地——編織謊言,就越被稱為熟練。我如今略過那些字詞或名稱,就是我們連在別人作品中屢屢使用都不被允許、更不用說在我們自己作品中書寫的:這些字詞為著詩人的簡略,大有作用,能以一物表示另一物。因此,按世俗人的判斷——他們要把我們不使用詩人的自由歸於缺乏經驗或懶惰,說我們著手了一件艱難多於有益的工作——我們卻只把神聖的規範與人的評判稍作區分而已。
172:4
Quoniam ia asserendis qnibusque rebus, vel etiam prout suppetit explicandio, si quacunque ex parte peccandum est, salubrius dicente clerico r.on impletur pompa quam regula, et tutius artis pede quam veritatis vestigio claudicatur. Non enim est excusaM perpetratione peccati libertas eloquii. Nam si pro omni verbo otioso quod locuti fuerint homi nes, rationem redhibere cogentur (Matth. in, 36), agnasci in promptu est, illud periculosius lædere, quod tractatum atque meditatum et antepositum vivendi legibus, loquendi lege præsumitur.
Since in asserting any matters whatever, or even in explaining them so far as means allow, if we must err in any part, it is more wholesome that, when a clergyman speaks, pomp rather than the rule be left unfulfilled, and it is safer to limp with the foot of art than with the footprint of truth. For the liberty of eloquence is no excuse for the perpetration of sin. For if men shall be compelled to render account for every idle word which they have spoken (Matt. xii, 36), it is readily recognized that this wounds more perilously, which, being handled and pondered and set above the laws of living, is presumed under the law of speaking.
因為在斷言無論何等事物,甚或按所能盡力解釋它們時,若我們必在某一方面出錯,那麼當一位神職人員說話時,寧可讓排場而非規則未得成全,這才是更有益的,而以技藝之足跛行,比以真理之足跡跛行更為穩妥。因為口才的自由絕非犯罪的藉口。因為人若要為所說的每句閒話交帳(太十二 36),就容易看出:這種傷害更為危險,就是那經過斟酌、思量、並置於生活律法之上、卻僅憑言說之律法而擅取的。
← ch. 171ch. 173 →
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